 Alrighty, we got a new shot here with sound. Let's go Very cute, I like it. It's a funny idea. I got a couple of thoughts in terms of some of the cuteness deposing some of the expressions. I think we can tweak things a bit more. It's very cute though. All right, so starting off with this just quick it's once you get into the polish level and I thought, let me see, is there any way these guys were bigger those wings? Because when I did a rig walkthrough of this, I mean that they were pretty big. I mean they were you know about like that size and I think it would be really cute to add that so it's not so stubby because right now what's happening is that there's just this weird deformation here that I think we could accentuate not accentuate but eliminate by having these feathers and then you can there's more it's almost like eyebrows in a way like we don't see the face but then you could do some acting with the wings there's more you can do like even here when he tries to get back maybe the wings go almost in front of it to cover or maybe swat the fingers a little bit and there's some stuff you could do and I don't think we should scale them back it's just kind of a ball unless you know you don't want it to be bird-like but I mean you can there's there's also stuff up here but that's okay to take away but I would personally keep this I would probably also have that foot more like this so it's a bit more triangle versus this almost feels like he's kind of leaning back and then forward but it feels a little bit off balance I don't know it's all a tiny thing was to me he doesn't quite know yet that danger is here so to me the contrast would be you have legs imagine out like that right so you got the toes here and blah blah blah like that and then when he goes holy crap what is all this then you bring the legs in because now he's all scared and he tries to like he makes himself small to not be seen because he wants to you know protect himself so that there's some contrast even when you go into this that way you can go from something like that to whoa and it's a bit more inwards and even like the the feet and talons and all the toes that we call them are all curled in so it's not out like that but you're going from a visual of this to that right from big to small even through here because now again we're slightly off balance and with that hop this way you would almost expect him to take a step to the left I like that little adjustment there but it's also a bit this is super picky and maybe or maybe too early stage to be that picky but with something that goes this way the bounce and the weight and off balance like this is going to bounce bounce bounce this way if you exaggerate and now the the ball creature whatever you want it to be bounces back to the right but can't really because the legs are not under either here or there if that makes sense like they're on this side so if this falls over it can't bounce back the other way that leg would have to be already here so that it can push that body this way if that makes sense and it can be subtle like even this you know this foot can be kind of here and then it's just kind of a bounce back that could be okay but to me it's I would actually bounce this way and that adjustment bounce actually continue to the left and not go towards danger I mean this is dangerous so you will go and bounce away basically doing whatever that creature can do to get away from it like this is good goes away and that goes away so I will keep that consistent because he looks so freaked out it sounds like oh it's just a turnaround and then okay I'm curious what is this with maybe a lean forward like what is this creature and then it goes back because now it's getting too close too fast if that makes sense and then also uh I would group maybe two of these toes together one one a bit more than the other this gets a bit better about a bit evenly placed against her apology fine tuning stuff I think we are cutting a bit much into the pupil and I was there you know especially on something like this then we're it's kind of odd to go that far up with the lower lid for just the blink I would bring up pupils and then the blink would be kind of like a half you know a quarter blink it would just be like a tiny bit up a little bit and and just you know maybe what you have here but not do so much on the lower ones and if you're that close up for apology stuff every time the eye darts down the lids will go down with it I mean it darts up the lids will go up with it a little bit to add that kind of fleshiness of that surrounding part which of course all detail stuff for later she comes in the first thing that I felt like is that she is looking way past somewhere else and not to that ball creature same thing here now it's looking way past to the right and lower like I never feel the connection unless she is right next to hold on wrong tool right next to this guy and this guy is huge you know what I mean then it will almost kind of work but she's not she's far away from it so watch out for the eye line for all of this here because all this felt a bit weird like she is walking sideways but looking looking past the creature until here I feel it's more connected but she looks a bit high I would still look a bit lower into its eyes but then it's also she's happy with a little bit like a little bit of sadness almost in there so just watch out you go you go in and out of emotions I won't say randomly but like to me this this is a different mood than this there's almost concern inside us in there and now she looks really concerned and maybe first day of life you know like it's like she wants to protect it maybe then I can see that but then it's almost to me I don't know maybe I guess I guess that's that's the thing she's happy comes in realizes oh oh too cute first day I want to protect you but it's just I know it felt like a lot of changes because it's to me what bumps me is that welcome to your very first day of life she says that while bump bump bump bump bump bump getting closer and getting into his face versus to me it would be she would come in do all this all this here walking forward and then when she goes welcome to your very first life is not like this I'm about to grab you and kill you type of thing like this is for this little creature this is so much movement and scary that to me she would say welcome to your very first day of life where she's already that close and she's she's softly putting her hand underneath to pick it up instead of that I know that to me that's kind of a bumps me where it's like the line says one thing the body does something else and then this does something else again in terms of emotion but it might just be because then she goes into I'm concerned again fully in your face it's also a bit scary for the creature and then whoa we're totally changing again the feel and now again a change and again in its face so flipping adorable and now back to being adorable but what's up eyeliner eyeliner never quite matches what's going on here so I think that will be my main my main concern how she goes just in and out of so many different emotions and she does one thing while saying something else while like there are three things the body language the language language and the facial language if that makes sense but maybe maybe you have because I don't see what do you have here in your email I don't see anything mentioned there you are mostly concerned about the fluidity for their musical yeah so my I will leave it there and you can let me know what you want to go for like do you want to make it look like she's completely oblivious she doesn't really realize what she does to the bird because clearly she's squeezing in this guy's freaking out and is this a constant state of shock and horror or is this suddenly lids up going oh this is also cute I like this to me it seems like that bird is constantly freaking out so maybe that's what you're going for but I don't know then I would maybe not go into that territory where she actually does look concerned because then you're going into oblivious to aware to oblivious again I don't know it just there's a lot of conflicting stuff in there but it might just be me email me let me know we can walk you or you can walk me through this and we can chat a bit more via email about the direction all right thanks all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome all right thank you