 Okay, what are we doing? Oh, yeah, that's what we're doing. Bengali. Hey, welcome back to our stupid director's unit. That's what we're doing. A Bengali. Sorry, I just realized what you said. Hey, welcome back to our stupid director's unit. I'm ready for some Instagram. Twitter is all juicy. It's so juicy. We're back into a scene. Cool. A Bengali scene? Yeah, it's such a... I believe it's such a... So this is from Nayak. A Bengali film. Train interview scene featuring Uttam Kumar and Sharma Lettogore. This story revolves around a matinee idol, Uttam Kumar, on a 24-hour train journey from Calcutta to Delhi to receive a national award. However, he ends up revealing his mistakes and securities and regrets to a young journalist, Sharma Lettogore, who realizes that behind all his arrogant facade lies a deeply troubled man as his life story is gradually revealed through seven flashbacks and two dreams. The film is written and directed by Satyajit Rai. Uttam Kumar is probably the most famous actor of all time and is believed that Rai wrote this film with him in mind. The character he plays is said to closely resemble his journey as an actor. This would probably be the best film to introduce him to you guys. Thank you. Cool. Awesome. I'm pretty sure it was dubbed by Rohan, but I could be wrong. Is it either Rohan or Tilatama? Tilatama. That's my guess. But regardless, it will be fantastic. Oh, I'm excited for this. And once again, you might be seeing the film in 2021 is Classic Month. For our film reviews, we will only be watching classics from Indian cinema, all regions. We will try to get to as many as we can. And that's all that I'll say about love. Which the challenge with all classics, but especially from the smaller represented industries is accessibility. Yeah. Being able to actually watch those things. Here we go. A Bengali that's so string. I thought of that. Oh, yes. I'm a good person. Hmm. That's what I'm saying. I don't have a good time. I'm not a good person. I'm not good. I'm not good. I'm not good. I think so. I think so. I'm not good. I think. I'm not there. Again, The affected on the because stuff like this. No. Qi come The time. Baby. Now tell me, what's the matter with you? You don't seem to mind at all. What do you mean? I don't want to refuse your proposal. You don't mind at all? Not at all. I want to ask you a few questions. Yes. Do you have any money? No. I want to ask you a few questions. Yes, tell me. Do you want to ask me a few questions? I don't want to forget everything in this interview. Do you have any pain? Pain? I mean, you are in a very bad mood. But you are the one who is the most popular in the world. I have been living in this world for so long. I have been living in this world for so long. I know your life very well. Yes. I have lost a lot of parents in my childhood. I have been living in a house in Kaka. I have been living in a house in Bombay. I have been living in a house in a house in Bombay. Then I was born in 70s. I had a very small age, my name, age, and... And? And now I have married you. I know you. But, wouldn't it be better if I have to marry a girl then? No, I know you. But, you are very well educated. Education is very interesting. Interesting, Roy. Thank you. So, what's interesting about you? So, the question that came before me, it's like a drink. What do you think? I don't know. I don't know. But, the more I try to do it, the more I run, the more I feel bad. Could it be quickly? What's all this about? Hmm? I've told you everything. If we don't get rid of our problems, then, Miss... I don't know. I don't know much about it. We have to find a way to solve it. We have to find a way to solve it. We have to find a way to solve it. We have to find a solution. We have to find a solution. The more we find a solution, the more we can solve it. What's interesting about it? I've told you everything. No, it's not that. We have to find a solution. You know, we have to find a solution. Exactly. I'm not talking about you. No, I'm not. You can't find a solution. I'll tell them if they find a solution. I've never realized your box office was so fragile. Burn. That was a great line. And it just underscores the more things change, the more they stay the same, how back then, like today, and they add to it, it's just been amplified with social media and everything The fragile nature of box office stars to present an image in a brand instead of the real flesh and blood of the person. Yeah, we've realized that and I think we've talked about it multiple times, how we've realized box office is so important to even fans in a lot of Indian cinema. Which doesn't make any sense. Chas. Like, obviously here in the United States, you know the film does well and talk about that. And you want it to. Yeah, like obviously like Avengers comes out. Oh, how many billions of dollars did that make? Absolutely. How was its opening weekend? But nobody, like if you're talking about a good film, nobody's like, yes, it's a great film. This is how much it made at the box office. Correct. As opposed to I hear that all the time on Twitter. Right. And that's the difference here because when people talk about a film opening in the box office doing well, the first thought about that isn't in the United States. It isn't just, ah, they're making the money. It's a reflection on whether or not audiences like it. Yeah. That's the primary thing. And if you see the numbers are tanking, what that's telling you is this isn't a good film. Yeah. Versus it's doing well. Oh, now that's not always the case. No. There's films that do great box office on opening weekend and it's crap, but for the majority of the time. Box office does not determine a good film. Never. Ever. But that's like determining, it's like saying a person's salary determines the quality of the person. I did enjoy this scene a lot and it does get me excited for classic months. Oh, me too. And I think Rohan said this guy's even a bigger star in Bengali cinema than Chatterjee. Yeah. Chatterjee. Yeah. I think he said this guy is even a bigger deal than him in terms of Bengali cinema. And so obviously we haven't, I don't know if he's up here. He might be. I'm looking forward. I think Rohan did it. So he might be up here. I, I, it looks like old Bahá'á to see it a little bit. I recognize her. Is she from, who or is she from the other one? No, I think that's Afu's wife. I remember that face. It was just hard to tell it first with the glasses. But I don't see, I see Kamal Hassan. No, there's Big B, but there's Kamal Hassan right there. Yeah. Unless this is a young version of him. I don't know. I don't even know if he's up there. It's just Rohan did it. So I'd assume he probably put a couple of Bengalis up there. Anyway, sorry. I'm looking to see if this is, if she's from Opu or if she's from, what year was Opu? 67. 50. Why do I want to say 50? It was like from 53 to 59. You're correct. She was in it. Yeah. You're correct. I thought so. It was her. You knew this was? That's the start of the shot. That's our boy Nasser. Then with the little baby face. But yeah, it was really good. So I know in terms of classics for Bengali, obviously anything of such as it rises high up there. But there are others. There are others. I mean, I personally just want to see. This guy I know is very, very, we've actually reacted to it. I think we reacted to the trailer for the remake, which is not the one we'd watch first. Obviously. But I know this one is a big classic in terms of Bengali. So now how old is the original Adrishyam? Probably early 2000s to 90s. Oh well. I was thinking maybe we could include the original Adrishyam in the classics. We might get to the original Adrishyam. We need to. And see how, compare the two. I don't even know. Adrishyam? That was one of the first films we watched. And Kever Singh. We need to see the originals of those two. The original Kever Singh. Kabir Singh. Kabir Singh, sorry. Is Arjun Reddy. Right. The name of that film is. Correct. But anyways. Great scene. Let us know what other scenes we should watch and in terms of Bengali classics. That one? This one? Let us know. Down below.