 The digitization of the entire Cooper Hewitt collection from a Michelangelo drawing to an 18th century textile to psychedelic wallpaper in under a year is just unheard of, it's absolutely unheard of in the museum realm. To digitize at the scale we're digitizing at required a significant amount of resources. At times we had anywhere from six even seven digitization pipelines running at a time. It is just such an added muscle for the museum to really allow us to soar into the future. The speed at Cooper Hewitt again was something that we've never done before. We expected to do even better as we move forward to different museums. The most interesting discovery was rediscovering it, seeing our entire collection, really appreciating many of the pieces in them again. What can a museum be in the 21st century where you don't have to actually go to the building to see the collection? We've already seen a huge increase in our virtual visitors and our physical visitors because people are realizing the richness of the collection. So you can really learn so much more and build your collection of design objects not only with what's on view physically but what's on view virtually.