 I return to this text trying to interpret it more or less correctly. And now I want to share with you some results of this work. This manuscript defines Sashomos Anonos' site of the English-Generous religious tradition as Shamanism. It was appeared in a period long ago with the opponent Buddhism rival. It should be co-existed with organized religious book. We can make no notion of Shamanism among the tongue-grip texts. But what are its typical, typical traits and how can we define it? There is a similar ancient religious tradition known in different world cultures. It's rather rhetoric questions. Putting aside all discussion about the nature of tongue-grip Shamanism, now we can do it referring to the written source describing important Shamanistic ritual. This manuscript was defined in all inventories of our institute, the Aepasiatic Museum, as unknown and good text. And during the current inventory work it attracted my attention because of its style, the region or essential meaning of Kamblania ritual. In the English word Kamblania is generally translated simply as Shamanistic ritual. It's true, but originally it derived from the Altaic radical, which signifies ritual while Shaman and Shwams communicate with the world of spirits with specific purpose. It's quite unusual written source because of its style, meaning itself and probable text-complete version. In the context of great number of tongue-grip texts in the Oran's collection, 90% of which are tantric Buddhism texts, this one title or this source looks a little under the rug. This copy, according to the type of biolink, type of paper, general condition and handwriting, could be dated to the beginning of the 13th century. And in the same time it tells about ancient tradition that I guess initially existed as oral and it was fixed later in the written books. There are only once clear aspects of this text. My preliminary study of it during last two years justifies that it's very difficult in that for correct understanding because of many reasons. And because of this I can present here only glimpses of my understanding of generalism and general semantic. This research follows. Is this really Kamblania Shamanistic ritual as the title says? Is it really Shamanistic text as the title defined it? Is it really the general Shamanistic source? No translation. If all answers are positive, what new trace of discovery source could be applied to the tourists of Kamblania Shamanism? This last question is rhetoric again in suits rather for prospect of further research. Getting ahead I must say that for some reasons my personal understanding of the Kamblania Shamanism is concerned more with some of the nice pre-Buddhist religious form existed in the Tangut ancestor than to autohtonovo's pre-cultural religious belief similar to Siberian Altaic Shamanism as this notion was firstly defined. So for example when I met in Tangut Code it's reference to special Shamanistic structure or service in the Tangut Emperor I never associated it with Shaman ritual in context of so called pre-cultural autohtono concept but rather with organized beliefs system. Now I should confess that the further study of this text didn't force me to change my opinion but gave you more white landscape for researching this field. Anyway, anyway let me first to use one more short Shamanism definition. I am completely sure that we are aware of it but anyway taken occasionally from Perp Verne, article 1 on Shamanism. So the existence of religious expert who in state of trends rail simulated mediates between the... and travel between the world of humans and the world of supernatural powers the trends have the form of an ecstatic journey chief among the other characteristics is the existence of helping spirits. Another question for the discussion and context of this definition are presented by two opinions by Ileade and Hu Krams who studies a lot on Shamanism. So Shamanism co-exist with other forms of magic and religion as Ileade thinks and Shamanism has cultural and historic limitation not well adapted to the high level of social cultures as Hu Krams states. After this short introduction let me give the short interpretation of this text context and please keep in mind that this is only variant of my preliminary research and then we can see how this concept and problems mentioned above could be applied to Tangut text context. So this is the introduction of text according to the Tangut characters. So the heaven divinity decided to punish us with dry the chieftain or some rulers sent Shaman to hell he performed ritual and all arrows forced were destroyed one the astral spirits by the strong wind forced the evil spirits go away as regretted people began regularly to perform the sacrifice to astral spirits and in turn the planet spirits defended the body of truth later the ritual only was destroyed destroyed and the spirits have gone away the incomplete ritual is burnt without wind and if one part of ritual is not true the raw is riced again first we find here trace of some ancient cosmogonic myth the supreme divinity of heaven decided to punish us and humankind for unknown reasons and maybe there is no reason at all but under the will of this supreme force Rolf Steyn marked the motive of disaster or punishment that succeeded the period of prosperity in dune power and tibetan bone text and other legions of Tibetan monk people another interesting point in this passage is the mention of some martial important astral astral ritual performed initially by clan ruler and I can propose that later it was transformed to the important emperor ritual I guess that the notion of this ritual we can find in Tangud Codex in ceremony of Yuan Hao taking emperor's title and also in some Tangud original text the part of this ritual was lost and this was first primordial scene for these people and chief called to Shaman for ritual come-lining to perform it to several beings we met in first line Rod Shaman here but he looks rather as a priest performing sacral ritual a specialist on ritual so that shape of bone in tibetan tradition so after this introduction there is the body of text itself heaven heads appeared demon bear kept the door closed another demon man enters house who whole looks around and steps to right path white stars from the east enters to the temple demon man hides and looks then spills salt white stairs is not here while demon man is hiding heavens head enters see the shadows of demon man who blocks the way we see here two oppositions heaven head or maybe heaven bull is a variant of its reader incorrect white stairs and they are tabernace evil demons and bear and man putting aside all these enigmatic divinities and their specific functions we see here the conflict between demonic evil forces and heavenly good ones the heaven divinity or heaven head defends some sacral territory maybe heaven palace they want to attack or to blaspheme white stairs and split the salt split the salt that interesting ritual moment connecting with salt please take attention that the world salt is in the name of the lake of the sisi territory demon man is gone bear took arrow and facing the palace or temple hall and asked some question dark crocodile mysteriously desecrated palace among all shamans shamans all is the most skilled one white stairs amused with demon heaven head ask her about it white stairs lied to him and ask shamans all to hide her white stairs gave birth to a child escaped accompanied by golden and wild wolves demon escaped and made able to hold beams heaven head hated demon ordering shamans all to punish him he tied him and thread to mount the picker page 4 heaven head sorry heaven shaman is pleased heres copulated with white coal shamans cloud saw it and talked to all about it heaven shaman took blade hit mountain head and killed it then burdened bear ate her spirits yellow, yellow one earth lord reappeared heaven lord and earth lord played dice on the aroma bridge force spirit being white drum shamans defended against demon with shin bone and blade this is quite discontinuous logical narration if we can try only to try to grasp journal semantics through the illegible or discosive grammar construction we read that white stairs who had that enter cross with demon and chair blood bone yet there is important notion of different type of shamans among which shamans all is the best one this notion of such shamans connected with certain totem animal is very important information for ethnic identification of religious tradition we know that all for example as totem is widespread around the different world culture the nearest to this tradition is tumbus and aura people but here the role of shaman is dubious and do he looks like trickster he helped white stairs mysterious being to escape under the defense of animistic personages wolves and then having got ordered shaman which called for spirits will he to kill the demon he did it in realistic forms right here to mountain peak please note that phonetically here resembling tibetan divinity of places will have risk about some population with white hole we can propose that some mysterious mountain head or divinity took bet in this creation this copulation should be punished in this point of tale having shaman and cloud shaman are appeared one of them or in the same one personage keep mountain head with blade then ancient aura spirits burton bear yandlo van or likhan are appeared and we must remember that nithic zoonufic ancestor of tanghut is korean bear and the sakura role of mountain in the soldier of tibetan berman people too the state is here the sum act of creation as consequence of redlock I guess we find the trace of local calendar agricultural myth in this episode the core mythos and myths are well-limited bone text and local myth too head is the metaphor of some divinity local spirit another sakura moment the plate dies for land and kingdom wrestle between the god of earth yandlo van or likhan and heaven on the heaven aroma bridge we must understand that we find here the confirmation that initially yandlo yandlo van or likhan was god of earth not under world the same we made among the ancient mangal beliefs shaman, cloud, road dies lord of heaven, lord of earth return to the actual gods as there is remedy from old age equal to the sterile three bridge of aroma is destroyed for these three death kamlania, old age, ritual and cohesion kamlania three the sterile spirit was surrounded and four lands were sent chieftain stole this world and then shaman on the horse rolled through the spheres in the ancient time yandlo put the death in the world sent demon bear to get the dice and nine demons walked after him son of hime stopped demon bear he bet hold drug, climbed up the sky to hold the door shut demon bear was pushed he jumped on the black sheep back wife of hime was transformed and made by burn and was punished for this body blasphemy she was in kanga shekels and was beaten this game the most interesting semantic aspect in this discursive text fragments are false the motive of dice playing ritual for kingdom the shaman plays the main role here because sometimes it was stolen by demon which was sent by yandlo one to put the death in the world then appeared another paganism ever forced, hime or hime son it's a very significant point because this naval match and sea of meaning is established by the saints so there is some geology of text this is only from evidence that this text is indigenous and resource he may stop demon he may stop demon he bet shamanistic drum made shamanistic ritual trip and stop demon but there is another aspect wife of hime who transformed in magpie and was punished for this violation of body also read about mysterious real ones maybe it's mysterious spirits and three main rituals two of them are named Escamlania for death and for conception Hechanov mentions the enigmatic three and nasty people ancestor legends magpie tear out a tonk of demons trivay destroyed the evil for one thousand years yandlo one sent big game one day heaven called for hime and gave him horse drum to beat heaven sent him to god for fierce from death beginning of the way he has no chief chief himself finally it's said in ancestor script about Kamlania who knows how to speak can kill with both of lie who can walk clears the way to start the hell game this aphorism is interesting this aphoristic speech is quite clear to compare it with other this text context there is end of this text part another part of manuscript from page 8 to 13 is other text heaven called semantic connection this Kamlania this Kamlania text and it covers ancient tale of Thunwood ancestor believed too it's very interesting and very difficult for understanding mixture of folktales of kalendi agrarian and pastoral myths and maybe also trace of real historic events especially interesting is the notion of some war with the Tibetans perhaps as maybe suppose were enemies who attacked Thunwoods as enemies they identified with some demon who destroyed the sacred tripod in the west and the west is called as dirty place and allies they call this connotation we could propose here that he will find a trace of conflicts and war between Thunwoods and Uyghurs their western members and at the same time we must remember another circle significance of the west in Thunwood mythology we also met here the notion of some mysterious nine ways or nine texts incarnation this nine number is symbolic trace of bone cosmogony and frequently met in bone text we must mention here nine ways of bone texts which were carefully studied by snow group we also find the trace of local after of Thuncosmogonic myth here the god of heaven fought against the ever built the temple we met here such homophic personalities Shiva, Liu, Bu Bu Tarile or Tamiya that fight against demon Bu Mon plays key and dubious role in this opposition demon Kirstika as a male antagonist and there is an mystic myth reminiscent inserted in this text sorry I forget to list this text fragment excuse me so finally turning to Kamblania original text and range of questions we put in the beginning of this presentation we can make the following intermediate review this text looks like true shamanistic ritual description with all archetypical traits and attributes shaman magic trip is a crucial one ascending to heaven to underworld body transformation in ritual action the shaman drum and shaman the movie help us we must understand that this is real magic trip not in state of trends we also find different types of shamans here so we could assume the shamanism and organized religious belief who existed in Thangud state in different social groups as example Mongol beliefs in the epoch of Genghis Khan while shamanism and Tengilism coexisted and but at the same time I doubt that in official documents like Thangud codex there are references to pre-cultural autoctonal shamanism I think it could refer to kind of emperor shamanism as it existed in Manju tradition or rather to specialist on specific form ritual of religion without name follow the rock state definition and now I think we deal with cultural social limitation but in the same historic and cultural context so shamanism can coexist with other religions forms but shamanism occupies its own separate level which doesn't correspond with complex social structure what cultural tradition this ritual could belong to Thangud the text refers that shaman all is the main shaman in this totemic evidence identity applied to Thangud I already have marked that initially this text has been existed in oral tradition and it was fixed in writing later and possible additions and interpolation were made in process of philosophy writing there is no an adherent Buddhist implements in text only some works that could be interpreted the language grammar characteristic argument for this is a Thangud original text not translation to find here another more firm evidence the name of mythical hero what he may sound that are mentioned in a degenerous thought theory of writing established by the saints by the saints in the same time we find here more white semantic field but not only shamanistic regular self description this thematic field includes elements of text to mean for local legends so the structure is more complex all this in preparation to the ritual text on the rhetoric to the to the ritual text on the rhetoric question the same picture we find in one text started by Ross Stan and Marcel so we can conclude that for this ancient ethnicity ritual existed as a fusion of many different components but not sense but complex belief system religion without name excuse me and finally what part what part of ritual was lost and each circle unity was destroyed I don't know it's a mystery for me still but maybe it's sacred death for gain that was stolen by demons in a way we can propose that because of this tragic loss death was entered was created a demonic force entering the world to make his magical trail only to lock the gate of underworld but it wasn't possible to restore the whole order sustained by ritual this is only my version of understanding thank you