 Welcome back to Tuesday Entrepreneurship Mazé. My name is Joy Mochache. You guys have to stay tuned in because we have some wonderful artists. Did you see the interview before that Barry had? Mazimba Kalichorra, that was so amazing. But right now we're dealing with photography. And before I introduce our guests, I have to tell you guys how to reach out to us just in case you want to and also just in case you want to reach out to our guests. That is on our social media handles. That's on Facebook and Twitter. On Y254 channel and also on Instagram. That's Y254 underscore channel. For myself, I can only be found on Twitter for now. That's Joy underscore Mochache. Today, I have him set with me. A wonderful photographer. Both freelance photographer and Mazé. You said there was a different kind of photography you're doing. Yeah, Utawambia Badai. So his name is Wilson Mwangi. He is actually taking photographs for people such as, actually for areas such as Club Viva, Greensport Gardens, Jambo Grill and right now he is taking photographs for Lepalanka, the restaurant that we all know to be serving African food with a nice taste, nice twist of class. Indio. I watch Atuan Zikwonga. When did you start photography, Mazé? Photography came in 2016. 2016? Yeah. Ah, okay. So it's been three years now. Three years? Yeah. And you said on Instagram that you're doing freelance photography and freelance videography. So Utawambia, in case for viewers, how do you difference your photography and videography? To further to pay your difference? Photography is where you take pictures. Okay. So you do anything you want to do. You fill in your photography. Then videography, you do not do your video. Where you shoot clips, then when you are in the studio, when you are editing, when you come and find nothing, it just falls down. Okay. And Utawambia is different. Utawambia is different? Yes. That's true. Because even I was trying to be like, by the way, difference. Do I really know the difference? So you've pointed out the difference. Anything else you'd like to say when it comes to the differences? I'm an Evo. I'm an Evo. I'm an Evo. Hi. Okay. So you guys remember that it has to be hashtag Tuesday Entrepreneurship and hashtag one in the morning. Do continue to interact with us as we go along. So let me ask you, how was it when you started photography and the difference between now? What have you learned? When you started until now, from 2016 until Hapa 2019, what have you learned along the way? I have a photographer who is a booker. I am a photographer. I'm looking for a job. Is that a capro? Yes, it is actually. So I called him to ask me if I could take a photo and ask him to take a photo. But I don't have the passion to take a photo. I just want to say that I love the words. Yes. So I'm a photographer. Okay. I'm a videographer. So I have to be a photographer. I don't have the passion to take a photo and ask him to take a photo. So my job is to take a photo and ask him to take a photo. Okay. So I'm looking for a place to take a photo and ask him to take a photo. Then I'll ask him to take a photo. I'll ask him to take a photo and ask him to take a photo. That guy will appreciate me. I'm Junior. You want to shout out? Yes, Junior Graphy. So I'll ask him to take a photo. From there, my marketing career at that time was on a page. I was on a page. My platform was on marketing. So from there to now, it's easy. I'll ask him to move. Move? It's easy. I'm not sure. I'm not sure about the platform or marketing. But it's up to me. It's up to me. I'll ask him to move. I'm not sure. We'll talk about where you want to reach a bit later. Yes. We have to talk about that one. So I'll ask him to take a photo. Oh, you're talking too much. Actually, first let me ask you a question. Before we talk about this, this is your Instagram page. And it seems like these are photos that you take, I guess, for your business, for your entrepreneurship, isn't it? Instagram. Yes. So just photography freelance of different ladies, posing in different ways, isn't it? Yes. And there are pictures that you can take to go to Badai, pictures that you're taking, especially at Te Palanka and other places. But for now, let's focus on this. What happens before these photos are taken? Do these ladies call you and they reach out to you and then... Or how does it work? When I go to a number, when I go to a SIMU, when I talk to a page on a DM, when I connect through Babistwao. Yes. Okay. I don't want to cry and... I see. In fact, I don't want to cry. That's why I came to the event because I was so tense. I'm seeing a birthday cake with a candle written one. It's a birthday for a boy who's turned one years older. Mr Big Guy. He's actually very... That's a very cute photo. Thank you. Any of these people, your friends or just events? It's an event. It's an event. Come to Te Palanka at the end. Te Palanka is on the trip. Oh, by the way, that is Te Palanka, yes. Oh, was someone being proposed to you and you and I? At the equivalent time, you see. At the equivalent time, you see. Oh, so he asked you to come and like photograph? No. I'm currently at your club. So I'm going to be at Valentine's Day. Yes. I'm going to be breaking out. Yes. So as a photographer, as much as a moment. Oh, Valentine. Yeah, you caught a nice moment. Speaking of Kushi Kama moments, let's talk about some of the things that you need to look at before taking a photo. What are some of the things you look at because Naskia, oh, Mara lighting. Oh, Mara Nimi. What are some of the things a professional photographer has to look at before capturing that photo? That perfect photo. Oh, sorry. Poor Santa, by the way. A camera photographer. Okay. It's crazy to have photographers swing Santa. Okay. But see what a photographer. Yeah. One part, huh? Yes. So as a photographer, let's say you're setting your camera. Okay. In and out. Let's say you're lensing when you're setting your camera. Let's say you're setting your camera. Now, do the venue, the place, when you go. Okay. So, when you're setting your camera up, you're obviously going to light it enough. So, when you're setting it up, you're going to light it up. Yes. Okay. You're not going to be able to see this place in a geese or geese or something. Yeah, it's dark. So, let's say you're lighting it up. There's a speed light and a speed light. Okay. Let's move over here. So, the venue, you're going to be able to take a picture. Light it up. You're going to be able to take a professional picture. Okay. So, let's say you're setting your camera up. So, you've talked about outside factors. Let's talk about the instrument itself. You're going to be able to take a bigger photograph now. Your camera. What are some of the lenses you use? Which brands do you like using when it comes to cameras? And then also after that, tell us what programs you use when you're editing after. Oh. Okay. Let's start with the camera and the lenses. Let's start with the Canon. Canon. Okay. So, let me say you can't, anyway. Wait, let me. I need to know why, because I have a Nikon. What's wrong with Nikon? Nikon. Okay. I captured Nikon, and I personally asked my wife. She said, she's my brother. She's a friend of mine. She told me a friend. She's like, oh, she's a friend of mine. She's my friend. I was like, if you can't, just go and tell her. You clearly young people. If you want to take pictures of me at the market, so you take pictures of my mother. I'm green. She told me to take pictures of you at home. Mmhmm. You know? So, I'm just taking pictures of you at home. The little thing in here is that it's bad. If you go to school, you can't go to school. So, it's like you're participating in a school year. You're black, red, and somehow you're going to be happy. So, I'm not sure if I'm going to go to school. So, you've chosen Canon. Yeah. What about the lenses? The lenses are in a common event. There are no lenses in here. You don't use any lens. Oh, just like that. So, for example, if you go to a zoom lens, you can see that I'm using the lens. I am using the 50mm lens. 50mm? Yes. That's why I'm using the lens. You know, not everyone is a professional photographer. 50mm, what is that? Okay, I'm using the lens through the lens. I'm using portrait lens. I'm using portrait lens. Because I'm able to see the lens in the house. Okay. So, I'm using the lens. I'm using the lens to see the distance between the lens and the lens. Okay. The event, the event brought me to zoom lens. This was a zoom lens with maybe 200mm and so on. I was using the lens to see the distance between the lens and the lens. I was able to see the distance between the lens and the lens. You know? I was using the lens to see the distance between the lens and the lens. So, I'm using the lens to see the distance between the lens and the lens. Yeah, because sometimes I'm watching a National Geographic for example. I'm like, you know how they can zoom into, let's say they're dealing with insects. I'm like, what? They have zoomed. And I'm thinking to myself, probably, you know what I'm saying? It's just, it has a really nice lens to zoom. Exactly. And also for the animals, they capture from really far away. I don't know if it's the same, but no, my friend. It's a really different lens. That's amazing. Photography is a really amazing field. So now speaking of photography being an amazing field, what are some of the challenges you feel in Kenya? We can change when it comes to photography. Like sometimes we'll say we're too serious. They come on and they're like, is that even a career? I know more about it. Yeah, you said me, Nini. How do you feel about such statements? And how can we change such an outlook? I feel like I'm too heavy. What do you want to do with photography? What do you want to do with photography in memory? Yes. So, at the moment, we're in Kenya, to maybe take on an event. For example, we have a picture. We have a picture of all the memory parts of this event. For example, for example, I have a present from China. For this picture, you can see it on the media. So it's a picture. You can see it in the memory through the photography. So it's a very serious picture. You can see it in the real memory. It's a very serious picture. You can see it in the real memory. You can see it in the real memory. You can see it in the real memory. You can see it in the real memory. So, through photography. Yeah. So, photography captures the memory. And it holds that memory for a lifetime. Yeah, exactly. So, you can see the picture in the real memory. You can feel your back to that place again. Exactly. Like if you took... This is the photo I saw. I saw my parents when they were young. Like young. They were on the beach, you know, breaking rules, whatever. I think they were on a date. It was a very old photo you could tell. But every time I could see my mom looking at the photo, there was a change. So, I came back to that moment, and I was just like, OK, wow. Photographs are important. Photographs are important. Photographs are important. They take the memory back. Yeah. They take the photo, they take the emotion back. That is real photography. It's important in life. Otherwise, you forget these things. So, let's just say I took a very serious photograph. Yes. OK. All right. That's all. OK. So, go ahead. So, I took a photograph. Yeah. And then, I saw that I was taking pictures. I saw that I was taking pictures. I was taking pictures to another level. Yes. Maybe I performed badly. I was taking pictures. I posted them on social media. I posted them to another level. That's true. That's true. So, I took a very serious photograph. Take a photograph. And not anyone who has a camera in their hand is a photographer. I saw that I was taking a camera and a photographer. Yes. That's why I decided to take a photograph. But I saw that I was taking a photograph. Not everyone has a real gift. Exactly. OK. Sasa, speaking of not everyone is a photographer. All you can judge is what? Because inside you, you feel like... I feel like you're trying to say that you are a real photographer. I'm a real photographer by the way. Did you go to school for it? Or is it a skill that you picked up along the way? How many kids did you foundation? Me, I went to school. You went to school? Yes. I saw my photography. And videography. Before that, I was a very good footballer. A very good footballer? Yes. Can you speak as if it's in the past? In the past, I quit football by the way. How did you become a footballer? I became a footballer. Why? I used to play football with my parents. Oh. Then, I became a footballer. I became a footballer by the way. When I became a footballer, I became a footballer by the way. Which team were you supporting? I was in Manchester. Manchester? Yes. After that, I became a footballer by the way. I grew up in May諾. Recently, I watched your videos on TV. You saw me with the borrowing video. What happened was, I saw my friends' faces. Some of them had not seen me. There were some photographers built their own cameras. Some of them had not seen me. Some of them had not seen me. Others had not seen me. I don't know if you can see this video. Now, I do not know. I'm sorry, but you have to wait for some time. You can do it for the video. I may have done it in the video. I will talk about it later. Some have called with other cameras. Some of them have not seen me. We both grew up growing up together. As kids? As kids. Just kind of happened. When I went to school. When I was having fun at work. When I go to the playground and start working. I worked for the kids. Then I did this course. Now I go to school. I take pictures after school, You can come to Lisa and you can take a photo And speaking of you know how we are saying people should take it seriously How does family feel? Your family specifically How do they feel about what you are doing? I want to appreciate by this Anna That's good Maybe when I visit a family I ask them to take a picture of me They say no, it's not a camera No, it's not a camera So that's what I want to appreciate That's a part, yeah, that's a part I want to be serious By the time they say no, it's not a camera Yes, come with your work, we like your work Exactly We also have a part And they say no They are too busy to work So when you are going to get a picture of me You can take a picture of me and take a photo of me Oh And when I see you taking pictures I think you are on TV So that's how I feel And you can hope What are the things you don't want to do? I think I can't take pictures and I don't want to I don't have any hope. The next day, I'm going to buy a Gazette and I'm going to buy a T-shirt. So I'm going to tweet and I'm going to buy a T-shirt. I like raising hopes. I like that. For the sake of family. I like how you're depending on each other. You're supporting them, they're supporting you. That's really what family is all about. Speaking of support, a lot of them are interested in business and entrepreneurship. I want to get business ideas like, can I try this? Can I try this? If I try this, can I profit or will I lose? What would you say about photography? Do you think it's a profitable business venture? To say photography, it makes you profit. But at the same time, it makes you lose money. Students have to profit. Profit, at the moment, it's not about shooting, it's not about events. It's about making money. Photography is about making money. Okay. So, half of the side is about losing money. Apart from that, this camera has a lot of service. Maybe it's because of the sense of the word. This camera has a lot of service. If you have the money to shoot, it's expensive. Yes, of course. So, if you have the money for the account, it's not a bad thing. You can't buy a lens. The lens is expensive. The camera is expensive. There's light. There's light. You don't have to spend much time. You can spend a lot of money. You can use it. You can't wait to see the moon shining You have to wait I mean, there are many things you have to buy I have to buy the sun So, I have to balance it To make profit and then I can buy the sun Okay But it's putting food on your table Putting your stomach It's putting clothes on your back Because there is photography And the house is photography And the photography You have to do photography I'm not sure You're okay So, photography means Hiya, that's good to know I've had a really good time talking to you Mr Wilson Do you mind leaving your social media handles to Adali And then immediately after you do that Maybe you can encourage our youth to get interested in in entrepreneurship instead of waiting for employment Social media is Instagram Instagram is at www.blue.ai.graphy This is Instagram Twitter Blue.ai.media Facebook Blue.ai.graphy Yeah Blue.ai.graphy So, I hope you guys have caught that Hiya And what about for someone who is waiting for employment What can they do in the meantime? One is to do employment One is to do it in the meantime So, one is to have a base One is to stay at home One is to stay at home Okay Okay So, I was able to drop my CV to my family and I dropped my CV. So, your CV dropped, but you were able to drop your CV to your family. I love that idea. So, I was able to drop my CV to my family. Maybe, if I drop my CV to my family, I can really get my CV back. So, I was able to drop my CV to my family. So, I was able to drop my CV to my family. So, you already signed up for me. So, I found you. That's great. That's good advice. I hope you guys have listened to me. Mr. Wilson Mwangi, freelance photographer and freelance videographer and also CEO and founder of Blue Eye Media as you can see. He has shared his social media handles with you guys. If you'd like for him to take photographs of you, please reach out to him and you know, he can do a wonderful job of even editing because he's a pro at this. And remember it's hashtag two's entrepreneurship and hashtag one in the morning. We are not through. We have one more guest to speak to. Do stay tuned in. My name is Joao Machache.