 Welcome to Spotlight Advanced. I'm Colin Louther. And I'm Alice Irizari. Spotlight uses a special English method of broadcasting. It is easier for people to understand, no matter where in the world they live. Zhao Xiaoyong dips his brush into a patch of oil paint. Then he takes the brush and carefully touches it to the surface of the painting. The painting is of a group of yellow flowers. Normally these sunflowers are a symbol of happy things. But here the flowers hang down. It is as if they are as saddened as the painter himself. Xiaoyong is not making his own work. Instead he is copying a painting. It is by the famous artist Vincent Van Gogh. Copying Van Gogh has become Xiaoyong's life work. It is his business. Together he and his family have made thousands of Van Gogh paintings. They sell them to people all over the world. Xiaoyong's work may seem unusual. But he and his family live in Daifun Oil Painting Village in China. In Daifun, thousands of other painters copy work by famous artists as well. They spend much of their lives with Western artists who are not famous in China. Today's spotlight is on Daifun Oil Painting Village. Daifun Village is a small part of the city of Shenzhen, China. It is less than half a kilometer wide, but it is home to over 8,000 painters. At one point it was responsible for 60% of the world's painting reproductions. But Daifun was not always known for its art. For a long time Daifun was mostly farmland. The village itself did not have many people. It was near Shenzhen, but there was not much there. Huang Jiang was a businessman and painter from Hong Kong. In 1989 he visited Shenzhen and he visited Daifun. He recognized that Daifun would be a good place to set up his business. So he bought several buildings there and he employed several people to make reproductions for him. These people were not trained artists. Many were farmers or laborers. Zheng had to teach them how to paint. As time went by more people came to Daifun looking for jobs. Zheng's business expanded and other painters like him began to travel to Daifun. They were trying to follow his example. Zhou Yongzhu is another painter from Daifun. He came to the village in those early years. He spoke about his experiences in the documentary China's Van Gogh's. In 1991 there were many people painting in Daifun. I also wanted a job so I came. But we have never seen oil painting in our hometown. We also did not know how to paint it. Every day we painted these things. Van Gogh, Monet. But we did not know these painters. At the time we had a lot of orders. We had to work on paintings. There were three lines with seven people in a line. Everyone painted a part of the painting. In those years we finished nearly 300,000 copies. As time went by more and more people came to the village. It soon became known for its oil paintings. Almost everyone living there had something to do with making art. But painting copies was not an easy life. Zhou Yong also came to Daifun early. He learned to paint and even started his own business. But even then he worked in difficult conditions. He would receive many large orders from foreign businesses. They would use these paintings to put in hotels or in homes. They would sell them in other countries at a higher price. Zhou Yong and his family would work very long hours to finish the orders. They lived, slept and ate together in their art studio. They even raised their children there. They worked through heat and sickness for very little pay. Then in 2008 something changed. The world economy went into recession. People all over the world lost jobs or had a hard time finding them. They had less money to spend on things like paintings. Before, most sales came from outside of China. Afterward, these sales fell off. This was a difficult time for many of Daifun's painters. Work was sometimes hard to find. There was much less demand for Western copies. But this was not always a bad thing. Many of these painters had been copying other people's work for years. They had the skills to make their own work. But making copies had brought them more money. Now they had time to be creative. They could start making original pieces of art. Zhou Xiaoyong was one painter who began making his own work during this time. He began by painting a version of his first studio. Then he painted portraits of people in his hometown. Xiaoyong had copied Van Gogh for years. So his paintings were in that style. But soon he began to develop his own images and goals. Before Xiaoyong began painting his originals, he was unsure if he would be successful. He did not know if anyone would buy his work. He spoke in the documentary China's Van Gogh's about his hope and his fears. My life is my art, just like this. Not now, but maybe in 50 or 100 years time, people were like our paintings. Now, people might say, these people's paintings are not good. But if we wait 50 to 100 years, then there will be a generation that understands us. They will like our paintings. But Xiaoyong did not need to wait that long. For many years people knew Nathan for its copies. But soon people in China began to go there for original works too. They wanted to buy work that was about their own country. Former farmers were now opening their own galleries. They were not just painters, now they were artists. For some people these changes may be surprising. Copying paintings does not seem creative, but it may be the best way to learn. Eddie Kala is an American artist who has worked with people in Da Fenn. For him, this development makes a lot of sense. He spoke about Da Fenn on the podcast 99% Invisible. We always start copying. That is how learning works. If you learn to play an instrument, they teach you how to play existing songs. They do not say, well, write an original song. And so I think that is how all things grow. Today there are still many copy shops in Da Fenn. Reproductions of Western artists still hang in shops. Still these paintings sell across the world. But now Da Fenn has many galleries of original artists as well. It is still a place where people work long hours for little pay. But Da Fenn is also a place where people can grow and become more than what they were. You can also find us on YouTube, Facebook, Instagram and Twitter. The writer of this program was Dan Christman. The producer was Michio Ozaki. The voices you heard were from the United Kingdom and the United States. All quotes were adapted for this program and voiced by Spotlight. This program is called the 10,000 Masterpieces of Da Fenn Village. You can also get our programs delivered directly to your Android or Apple device through our free official Spotlight English app. We hope you can join us again for the next Spotlight program. Goodbye.