 Get it real. Welcome back to Spoonsville and it's going to be part 2 of movies we really just could not finish. We tried. That's something we didn't try. Something we really held to the note. Let's get out of here. So this is starting out part 2. First one. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. Failure to launch. get men to move out of their parents place. So she like kind of tries to seduce them, I guess. Yeah. That was about as far, it was just... What was it that hurt? It was unfun. It was the, it was a really tough, uh, it was a very stretched, like you just couldn't, unbelievable kind of premise. And it was just the humor and the interactions and the idea was just lacking all luster, wasn't it? I don't remember a lot. I just, I remember Matthew McConaughey was in there and then Bradley Cooper. I feel like that was, was that one of the first Bradley Cooper movies? I hope so. I think so, yeah. But it was, it was just, I don't know. And you just, like, just the overall, like the movie itself was just slow, even though it's one of those movies that they really try to cut to the next scene quickly, because I feel like they think their audience is going to lose interest. But even with them trying to make things speedy, it still feels so slow. Yeah, Matthew McConaughey is going to be struggling to meet women. I don't believe it. It definitely did not work for us. Yeah, yeah, I just, yeah, I wasn't gripped. And it's not even because we're fussy. We're not fussy. We watch romantic movies that are not even deep, that are just light and you just want to have a nice easy breezy day, you know? But this just didn't, uh, yeah, even for a light easy breezy romantic comedy, it didn't work. No. Oh, let me scroll down. The stand-in didn't make it much further in that one. Oh, God. That was with, um, what's her name? Uh... 15th of First Dates. Actually, Drew Barrymore. I like Drew Barrymore. I know her story. She comes from just pain and anguish. I've never actually met her. You haven't? I've not met her. I like her. Yeah, she's a good, she's a good spirit. And so I think this movie wanted to be serious, right? Yeah. I feel like it needed, it was the kind of movie that she was hoping, you know? This is, this is my serious role because she plays a lot of times romantic comedies, which is great in, but this was her potentially, her trying to get into something more serious. And I just, I, God, it just did not work at all. Yeah, just again, didn't care. It didn't work. Talking about, like, what details that are important for me in movies and then details that aren't, oh, I like just detail in general, but they, she kept having the same catchphrase, but for each totally unrelated movie. And I'm like, I don't know, does that ever happen? Low effort. Low effort. Very low effort. Yeah, it's just, it's tough to want to keep going. I didn't feel the need to find out what happened. Yeah, yeah, it's definitely not. Yeah. Not good. Death to 2021. That one we didn't last long with either. Was that even a movie? It was technically a movie. It was a fictional documentary. Oh, yeah. It was the length of a movie on Netflix and they had celebrities that were, they were scripted and they would talk about things that happened in 2021. But then it just started to get more and more absurd and ridiculous. And you're like, okay, well, you're pretending that it's actual documentary, but it's clearly no way this is actually happening. I mean, I think that's the thing. That's the point, right? That's the idea. Yeah, it's supposed to be a pretend documentary, but obviously it was kind of like, was it looking up? Yeah, don't look up. It was like, don't look up. I don't really enjoy Lucy Liu being just kind of angry at politics. There's just snooty and snide and jeering. I don't like movies that are just jeering. Does that make sense? Explain it more maybe. It just didn't seem witty to me. It didn't seem reasonable, you know? I felt like, you know, be a little bit smarter. You know, even people who agree with you would expect that you'd actually present your views in a way that's just kind of like put more of an effort into things. You know what I mean? That was, that was that one. Does this one count? The last letter from your lover. I think, did you end up finishing that one? I, we didn't finish it. Okay, still counts. I didn't. I tried really. I did. And the reason I tried was because I knew that you hated it. I didn't like it either at all, but we struggle because we are obviously having a review, a movie review channel. And so every time I'm watching a movie alone, I try to make it a movie that we wouldn't want to review or that we wouldn't really like. But some of the movies are so bad. This is, we actually try to watch this, the last letter from your letter. We try to watch this together, thinking that maybe it's something that could be reviewed, but it was just rough. Yeah. Yeah. You know, not to even say that, well, it's because there were no big names in it. So I didn't like any of the, because you know, there are movies with totally unknowns that I like. It wasn't drawn me in emotionally, connecting to the characters, connecting to that anything. There was nothing for me that I was connecting to. Kind of like off brand peanut butter. It was a little bland, a little chunky, you know? It was a little crumbly. Yeah. Chunky peanut butter though is good. You know? Yeah. Unless it's crumbly. Well, yeah. Okay. It's crumbly. It's just a little chunk, you know? Yeah. It wasn't holding its chunk. It wasn't holding its, it wasn't holding its chunk. It was crumbly, dry. Yeah. Give us some juice. Yeah. Give us something more. It really didn't. Yeah. So I felt like tough. It was no juice. Zero juice. Paper town. Paper towns. All I know about it is based on a book, I think. And it was, did I know anyone? Did I recognize the guy from Wallflower? Was he? The guy. The guy. We recognize the guy. I just can't remember which movie he was in. There are two types of like high school, coming of age movies. They're the ones that are good and they're the ones that aren't. There's the ones that. Someone died and they used to hang out a lot and then someone dies and then they found this person who died, who was dead. They find a dead body and then she changes and she starts doing things like exploring or whatever, leaving in the middle of the night and tries to have him leave with him in the middle of the night. They're kids at this point and he's like, I don't want that. And so then he just, she just does that on her own and that their relationship kind of ends from there and she becomes popular and super cool. Right. Glad you remember. And so she walks past him at school. They're still in the same school. They live across from each other but yet, and they had this, they were friends when they were kids and then all of a sudden she just acts like she doesn't know him, which is so annoying. My God, are there people who do that? Oh, I'm sure. I'm sure. Yeah. So you get the sense that she's important and I'm like, why would someone who does that, why would that person be important? Right. You know, why are we making her seem so like such an incredible person? Right. But she walks past this guy who they used to be friends, you know, and so. Yeah, I guess that's, that's the thing for me too. Right. It's like the way they have the dialogue or the characters and everything, it kind of already doesn't make me really like them. So I'm like, I don't really like the main character. I don't really like this person who's supposed to seem really interesting, kind of had the half of it effect where this person is supposed to, you know, everyone's supposed to have a crush on this person, but they just seem boring. So I think that was for me with Paper Towns too. I was like, I just don't really care. Don't really care about anybody in it. Don't really care what happens. I don't know. I think it was also the friends. Don't you remember the friends were really, oh yeah, they're really, really annoying. Why would we, would we, are we supposed to like these characters? That's the problem is I'm like, okay, I guess I'm not the demographic here, because I don't find that stuff interesting. I don't get it. Why do they make movies like this? They continue to do that and I just don't get it. Who likes that? Some people like it. Some people just find anything mean funny, I think. Well, not my taste. Yeah, definitely not. So that's, that's about it. I feel like there's not a movie that's supposed to be here. That's, that's, that's, right away, right? Well, no, but that's for part three. The second best Marigold Hotel. We barely watched that one. I don't even remember that one. It was Judy Dench and the guy from Slumdog Millionaire, and we got like two minutes in. While you were sleeping, while you were sleeping, Sandra Bullock is like early 2000s or, no, it was the olden 90s and in her heyday, Sandra Bullock heyday. And what is it? She, she works at a toll booth kind of thing. She has a crush on this guy that doesn't notice her because, you know, he's just going about his day. He goes into a coma. Oh, she saves him from like a train. She works at the train booth station. Exactly remember? Yeah, he falls onto the train tracks and then he's unconscious and she saves him from being run over by the train. Because she's in love with this guy who doesn't even know her and she says something to herself at the hospital and then a nurse overhears and assumes that based on what she said that they are engaged and then tells the family that and then the family just runs with that and then she's like, Oh, okay. And then she gets it in her head or someone gets it in her head that, okay, I can't tell these people that we're not engaged because it's going to break their hearts. They're so happy about me being engaged to this person and so I'm just going to run with it. She runs with it forever. Yeah. On top of it just generally being kind of not super intriguing. We kind of, I think we're both feeling, I don't know. No one would do that. No one would do that. Or if you do that, then that's a really uncool move and then it doesn't really make me want to hope that things turn out for this character. It's a really sleazy move, you know? Yeah. Yeah. And then, and then she goes about hiding it. That's the worst part. Oh yeah. Her boss is the one, she tells her boss about it and the boss is like, Oh, you know, you can't say the, you can't to be honest and tell them that, you know, because it's going to, they're already struggling with the fact that this guy's a woman. So you can't be honest. Just like write it out. Bad advice. Bad advice. Honestly, the movie sucks for that. It's just incredibly unrealistic. I like movies when generally, especially when the characters are trying to give advice, if they're meaning to, you know, obviously sometimes you want to have characters give bad advice and then that causes issues to happen. But it's nice when there's a movie where there's just, there is some good wisdom in there and this thing was just, how do we contrive this person to find herself in the most awkward situation possible? And this is stuff to care to keep going with that stuff because you're like, it's uncomfortable, but not in a, Oh, this sucks for her. She really got herself into a pickle. It's an unreal pickle. It's not a real pickle. Yeah. I need the pickle to feel real. Yeah. Because I'm like, I don't like watching this. You know, it's like, Oh, they're going to catch her and, and then it's going to be this whole thing. And obviously, you know how with these movies, there's always a twist, right? Where people end up forgiving her and loving her at the end. This is what I think is going to happen in the movie because I've seen a lot of movies like this. Unfortunately, I think what happens is that the guy gets out of the coma. She doesn't even fall in love with the guy in the coma. She falls in love with the brother because the brother starts, you know, wondering like poking around trying to figure out because he doesn't really believe that these people are engaged. And I feel that they, they fall in love. And that's my, that's, that's what I think happens. And I hate those kinds of movies that just keep you, that keep you uncomfortable. Oh my God, what are they going to find out? They're going to find out that she's lying. I hate that it never, it's never even a relief when I, when they finally, when things finally come out and everybody forgives them. It's like, I didn't need to go through that. God. Okay. Sure. The continuity is good. That was a bunch of other movies we could not finish. And it hurt to think about it. Literally like we were done talking about it. We were completely done while we were sleeping. Couldn't get through. Sucked. Battery died. Battery died. And so we were just finishing up the Sandra Bullock movie. Yeah. Yeah. We're not even going to recount what we said or not worth it. Yeah. Wasn't even worth thinking about that movie. It was wasted in my brain. So yeah, it hurt to have to remember all that stuff that was, uh, should not have been, but alas, here we are. Here we are. Thanks again for being here joining us today. Let's say bye, baby. Okay, bye.