 some basic gospel mode. This is a simple basic gospel mode. You know this song and the progression of the song. The key I made years ago is if I'm using five strings at the same time, five, then you go back to your four chord, which is your three, four, okay? Then the next progression is your two, then you go to your five, then it's as simple as ABC. So, if I'm going to my four chord, I can hit my three to my four chord. If I'm going to my two chord, I can do to my two chord. If I'm going to my five chord, I can do, you know, they are simple. You shouldn't be afraid. Yeah, because at that time you're playing music, not scale. Try as much as possible to combine these notes, okay? So, for this song, I know my one, then my five, five, then one. Now that I've known it, how do I make use of those basic gospel movements? Okay, how do I apply those movements on this progression that I have? They are all connected to each other, the scale of the same major scale, because that is really broad. Okay, so I can't just be restricted not to take some other notes that is leading me to the next chord progression. I can't just be on one and wait till I go to five and wait till I go to one back. No, so that's why these movements also help you to advance to the next leg. Okay, so you're doing this, thank you. Okay, I'm going to my five chord, I did something like you hear them a lot, gospel sounds. Okay, gospel movements, you hear them a lot. So, that note there is which is my six, five, flat five, then two, five. Instead of it being there, quickly go to those movements leading you to the five chord, to take any move to the next. So, let me go, thank you. So, the second move leading me to my four chord. So, what I did was open notes, you can also do it, yeah, if you're using four strings, you can also achieve it, you can also achieve it. It's just the, remove this string now, you'll have a four string beat. So, and also look at the dynamics there, it's very important. Now you hear a bit of slurring leading me to the three chord. Be observant. These are dynamics that beautifies your notes also. You can just be picking notes one by one. Sometimes you use those slurring and vibrato and I'm going to my four chord. What I did was, you're going to your three chord. That can also serve for your three chord movement. Okay, then, you know, we are to drop on the four chord. So, let me call that note out. So, I did one, shouldn't be that difficult for you to achieve. That's my good one. The progression there, that's my third. It's better that way. I can do it. You can go that way. It's all about expression. How I feel. So, as a business, you should learn to play those open notes there. Okay, it gives your playing more, when you play those open notes, it helps your playing more interesting and more entertaining. Okay, so that's it. So, the note again is slurring to the seven. Then, we are going to our four chord. You will not do this. Say, how I drop to the four chord. Five is my ssssss. Next one is, I just decided to go to the six. I don't think on the progression, the six is there. After the four chord, chromatic movement from my five to my six. So, five flat six, six. Then, because I'm going to my two chord, that's why I did that. Then, you can see my two chord here. So, also descending to my two chord. Three flat three two. Then, now help me to now, because I'm using five string anyway. That's why I could be able to stay continue the move. I could stay continue the move. Okay, so if you're using four string, it's not in limitation. You can still achieve it. For me, your four chord is like this. Or you can be able to achieve it. All you need to do is to look out for those notes. Look out for them. That's the something that I did there. The move I did go into my two. This moves up basic gospel movement. You just have to learn the fingering, the right fingering, and also let me move. That's it. This is my two rey, me, and so the chronic chromatic movement.