 Stop your fingers, twinkle your toes, pick your ear and drip on your nose. U-da-dee-la-la, u-da-dee-la-la-dee-da. Prabhu-de-ba. Hey, Curtsy, but you need some Corbin? I've still got an earwax issue. And he calls- I still got him a twig- Oh, Jesus. I know I'm saying the words wrong because I don't- You did it on purpose. I don't know the language either. Come on guys, give him a break. People did like it when we did the thing. They're like, I love how confidently Corbin's singing all the wrong words. All the wrong words. We don't care. You should see us in the car with our playlists blaring. You see how confidently I say the sho-lay? I mean, the suede-sweets. And then of course there's always the Deborah movie. And there's always new stupid babies. It's probably gonna help me. Probably gonna be the top comment. What's the Deborah film? But anyway, they've released a thing called the making of Mukabala from Street Dancer. Oh! So it's gonna be a little behind the scenes of the- Sweet! The way they got it done. The film we enjoyed so much. Cool beans. I mean the dance, the video. And it was so good. Yep. I've been listening to that stuff in my playlist. You know what I'm saying? There's been a bunch we've added recently to my playlist. Oh yeah? Yeah. That's cool. In fact, I've been adding so much so quickly I'll go back in and I'll see something and go, wait a minute, what's that? And I'll play it. Oh yeah! Oh yeah, that's what that is. Oh yeah, we still need to do our top ten songs. Hey, that's true. We need to do our top ten songs. I'll let you know. Here we go! Did you wear white gloves? I didn't even notice. About the visual effects of basically how they did it. Which, something I do appreciate about the video is how much people should appreciate lighting and editors. Yes. They take a scene in any form in terms of people doing animation. There's animating lighters as well. People that take a scene, like there was my scene header. I hired a lighting person specifically to make it look like how it looked. Because if you just film in a dark room, it's not going to look like that. These people, the cinematographers are the people who we actually praise a lot in our stuff are sometimes even more genius than the directors themselves. Correct. And help them bring what they're thinking of to real life. Yes. It's so, so impressive. You can see it sometimes here when they're just filming Prabhu. And we can talk about him in a minute because he's just amazing. But you see him and it's kind of just plain. But then when they go to the thing, it's like this grand thing. The lighting's perfect and the lighting coming up on people that wasn't actually there. That's why so many actors in particular don't jump up and down over awards ceremonies for their acting and film because they understand how collaborative the performance was. A huge, the editing. The editing can make or break your performance. So you've got the script writer who put the words in the actor's mouth. You have the editing. You have the makeup. You have the cinematography. You have the costuming. You have the lighting. You have the full production design. And then you have the vision of the director and then you're acting. So it is such a collaborative effort and it does. So much doesn't give even credit to the other disciplines. It's unfortunate because obviously usually when it's done well, the actor gets most of the performance and the director gets most of the credit for things. But it's such a collaborative effort which is why we love film so much. If you haven't been part of being on set or being part of making a video or a film or a short film or whatever, you know how collaborative that process is. Yeah, especially how it should be. And how it should be. You'll see things, for example, the cinematographer and the director will get all of the credit but there'll be moments when you're on set and the cinematographer and the director maybe missed something but because they have a team that they trust, there can be other people who are involved in production who will point something out and say, hey, yesterday you were using this particular thing to make that light. Oh yeah, let's use that. It is, that's one of the beautiful things about film and why I love to watch the credits at the end of a film. Especially a huge animated film because the number of people and even something as simple as this is no joke, something seemingly as insignificant as the people who handle craft services or the people who are just checking people in adds to the entire feeling of the set and how things are going to go on set. And when it comes to Prabhu, this again shows he's got what Michael had in terms of this. He's got that rare ability, there's clearly the work and the discipline because he clearly worked his butt off and his train and has done what he's done but there is an intuitiveness to his movement that gives him lines that Michael could get. Everybody could do the same moves that Michael did but no one did them like Michael and it's because of the intuitiveness, the way his brain and his body connects and connects lines and the way his head turns and goes down and the lines with the hand, he does the exact same thing. He was born to dance this man. This man was born to dance. I was hoping they were going to let him talk about the inspirations from one of the original and then also the way he took, obviously this version was very Michael inspired and they were honoring Michael in multiple different ways. I would love to hear him talk about his relationship with Michael. If there's an interview out there, I would love to hear it. I'd love to watch a film of just highlights of him doing choreography and talking to people and conceptualizing, even creating something. Watching him create a dance would be so glorious to see. Being on set and just watching him work, I'm sure when you were a kid you got to watch Michael dance sometimes. The fun thing about being able to watch Michael was watching Michael when he was in concert. The crazy thing about Michael in concert was how nervous Michael was before a concert. I remember the first time I went backstage, we went to just surprise him. He knew we were coming, but we wanted to go backstage and see him before the show. Like he would anybody before a show. An hour before the show, hey, we're here. Good to see you. How's everybody? He was nervous. I remember leaving with my mom and going, Michael's nervous. This is the same guy who's been performing since he's a little kid. Why is he so nervous? And then after the perfectionist, it was how was everything? Shoot straight with me. Was it really good? Because I felt we did this. I felt we missed on that. I bet he's very much perfectionist in that same way. I feel like we could have done better with that. I feel like we could have been more creative there. I feel like most people, whatever artistic form you're in, even some non-artistic forms, you have to have a little bit of that to be great. Yeah, you have to have something. Never satisfied, always striving. If you're satisfied, you're not learning. I don't sound like what Zakir Hussain said. Yeah, I've had moments where I've watched what I did and thought, oh, wow, that worked. That moment. But as a whole, I typically don't enjoy watching my self do stuff. Because all I'm seeing is what I wasn't able to do. Oh, yeah. It sucks. Yeah, as a performer, as I think most would say outside of Ranveer when he's watching a symbiote. That's true. He loves watching himself. He loves watching himself of that. But most don't like watching themselves. Because it goes with the relationship. You can see stuff that the audiences can't. Because there's some stuff in the header that I was talking to my director about that is like, there's certain moments in here that I can't stand because I can see what's wrong with it. Right. And she's like, no one's... No one else sees it. And I said, that's all I see. Or even worse when you create a character and then you see it. I remember when I saw Fagin, because they had filmed it. I remember the first time I saw it, I was like, that's not who's in here. I don't even want to look at that. Because who I see in here when I'm Fagin doesn't look like that. It happens. And that's a relationship actors have with their performances. But that's why it's amazing when people can appreciate it. But regardless of if you do or not. Yeah. That's what's so amazing is that you know what went into it. The people that have no idea what went into it. They just believe this character that you put on the screen. I can't get enough of this guy to find out. If there is interviews, if they have to be served, please let me know as long as they're not too long. I can have our sub or sub it if they have some time. But if he's talking about his relationship with Michael and how much in that aspect of his life, influence, whatever. Please let me know. Because I know he doesn't normally speak. I think he speaks Tamil. I think you're right. He might speak multiple languages. Yeah, don't. Like everybody else who does Americans. Exactly. Please let me know.