 okay that is looking really cool I gotta say I'll be talking about some you know posing and post-apose internal timing but this so good I love it that's all a bigger note there and then yes you mentioned everything after 350 which is right around here but to me even feels like a run around here it's still a bit bit rough with two lights there's a lot of a lot of effort going into there and I want to send you potentially a separate reference clip just for ideas but for the beginning I think this is cool my only note for this will be as you continue on to get this out of the post-apose it feels like you're having pose pose which kind of works for this I'm gonna argue that you know he's getting ready but it's like you hit this pose and then the head turns while all arms move at the same time and stop at the same time you can start offsetting where he might do this first like you might start around here turning his head first then getting his arms into there for this it's not supposed to pose and so separate it's a bit more organic or natural same thing when it goes out here he starts that step at the same time as that arm goes down I mean like this goes up so it will be leaving this arm having this go down first and then starting the step to go forward and watch out you're taking it's quite a distance here then it suddenly stops and goes down so I'll probably slow that down just a tad if you watch this here it's a bit fast and it feels like you're going like you're starting and then immediately dropping arc wise it doesn't feel like he's getting there but stopping going back and then going down if you kind of track his arc his route it feels a bit abrupt there same thing here so you get to that point which is cool to watch out you know you got intersections you want to make you don't want it to be just coming down and then fingers around it you want the front view of your what's the word let me see so you got that guy here so I just something here and imagine well it's actually bad that thing here you this will be the behind the thing so right now you feel like your hand comes in and then you've your your fingers just kind of go around it think of it of your hand coming in like that far away like that's his arm that's his hands my blobby drawings are his hands is his hand so that far away and a bit lower and then you get to point where the hand grips and then like like the palm of the hand gets on this first and then the fingers get around and curl and hold on and and grab that guy then same thing here like I said like he grabs whoops grabs the guy and then like his head goes up and his butt goes up and everything kind of stops at the same time so it's the idea is there but to me feels like you want to go with the chest first or maybe even with the head leads there and then there and then go up with the roots and then that doesn't work and he's kind of stretching his arm a bit more he got the shoulder bit lower and then it looks around the same thing here like you have the root go up and the head look at on the left side and stop at the same time so you know offsetting everything's kind of the note for everything then same thing here although I do love this here this is funny I love this here good ground grab that that's cool to watch out your elbows are kind of poppy as they go from straight to bent right there she this guy here so watch out how you get in and out of that you might have to just shoulders maybe a bit of the chest to kind of smooth out that transition but that's all cool this is so cool love that boom so good I love it that has so much weight gets ready so the only thing here will be goes back and again it feels like your root goes down and this goes back at the same time think about what would you do here first you probably head back then chest then route down into this and it's going to be awesome when you have the face going like a big big teeth and jaw forward boom love this this is so good right brings it up because watch out your arc see if I can track this here I got my fancy tool which might not work with this clip only does all right can I draw I can all right it's a funny tool that I have so we're watching arcs and spacing so you're gonna have let's go back here guys here and then it's a bit messy here here and then you got that guy here and then here yeah my tool is not the best I gotta rethink most tools here so if I'm sloppily tracking what you have here and you go down in your group here if I'm exaggerating if I'm blowing this up right so looking at this closer it feels like you're going it's good like you're going big big big and then suddenly the spacing is very small and then very straight as opposed to an arc with a bit more like that you don't want to just finish down when a complete that that momentum over there same with the spacing you want to start somewhere right go up and then it might slow down a bit because of hangtime reasons and then it comes back down you know it's kind of like a bouncing ball type of arc thing that's going on there but I love how it hits him goes down that's great now he's really really far back which is fine but just boom now you gonna have to like around here take this guy right and then as he goes back to me that foot needs to be here full-on foot roll more like that like he's really really taking massive steps steps back even this guy would be further back with this guy than here I mean staying here you want to get to a point where the weight imagine the weight here right and it's really pulling that guy over going this way but imagine you got you can stay with this stay with that and imagine the right leg will be here and then the other guy will be here to a point where the body is here and the and the legs are almost over there you know mean like the way is here and it's all pushing this way but if you just look at the frame it feels like he will be off balance this way but it would need to be like that so you can push against that that hammer falling down right because right now you do this and takes a couple steps and it's kind of readjusting himself without ever like that's your your your my sloppy center of gravity and you never really over go over here so you want to have something where the legs really are on this side pushing and that the weight of that hammer back over there and then once you get to there like that is not enough like this will be at the very end and then you get in there and look at this it's like here you're still leading this way even here it feels like your your borderline over there and at this point I feel like if you have this guy you want him lean just a tad more forward with the his legs more like that and then his weight will be around the weight of the the hammer will be here like he has a an overall feel of leaning forward as he brings that guy over there and then watch out that drop is a bit fast like it feels like he's really losing control there so I will probably ease into that more like make it a bit slower that's a fast transition you imagine like he has to kind of that's the the back view is here and it feels like the hammer is on this side right imagine he has to take the roots and the chest and curve it to his left so this comes towards us basically right and that way he can bring up that hammer up a bit and then down and then careful here you got this bend in your wrist little technical thing here so let me see if I can that's not set up there where your wrist will be more like this where let me see what I can do here take this out your wrist will be more aligned this way with the forearm you know like you got your upper arm and get your forearm and then your wrist comes down you want the upper arm and then you got your forearm but then the wrist is aligned with the forearm just enough then you can bend the fingers back a bit so it doesn't feel like it's this broken broken wrist there and then as I mentioned you this is too fast it's another really heavy heavy thing and imagine like weight lifters who like that he might throw his back up and shoulders and everything to really lift this thing up and then he will bring himself down like when this is up he might go lower with the roots to kind of make making sure that he can lift this and prop this up and then go back and then the rest is rough all right I hope that made sense and if not let me know thanks all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way like and subscribe would be awesome all right thank you