 Hey, Sascha here. Hi, I'm Wesley. Hi, my name is Leon. Hi, my name is Merlin. Hi, I'm Joy. And we're here at Amsterdam at the Q Factory at the Blackstar Room. Trying out the new St. James Ames. Man! All right, so now we're going to use this six or six combo. I was holding up pretty well in the lows also. Holy shit. Let's turn back the gain a bit then and try the... Oh, no, no, keep the gain the same. Okay, so there's gain on this. It sounds cool. It sounds like a familiar to me. Like those American Ames, you know? And that's what I like. It sounds like really round, but also the top end is like... Get glassy. Get glassy, but also the mids. Because those amps sometimes lack a bit in the mids, but I like that this does have a little bit of that mid range that you really need when you're playing the band. And it's just very responsive. Like when I do that, it's like loud and when I go like... Yes, it is. So that sounds great, yeah. But what I like as well, like the back pickup on a Nutelli can be a little like ice-picky. And this doesn't have that because when I'm going like... It still sounds like good or like not too harsh, I think. Right, voice two. It's got a lot of... A lot of gain on top. Balls. Can we say balls? Can I try the reverb? Yeah, this is like half up. Okay, let's try it up all the way. Yeah, cool. Yeah, that sounds great. Yeah, that sounds good. Yes, but with the chords I was playing, it was like... Still, you could hear the individual strings. And that's red. That's rare. Yes, that sounds good. That sounds great, yeah. It's a cool amp. I like it, yeah. You told me there was an insane amount of gain. That wasn't this channel, right? I'm afraid. Clap to the blues breaker. I really like that boost. It's just very lively, very... Warms up the whole feeling of it. Maybe the reverb off, let's see how it looks. Like totally... What happens? Whoa, that's honest, man. Really honest. So let's boost the mids a bit. I'm now at like three o'clock. Cool, that sounds cool. Let's dim the mids. So you can choose like your headroom or something. Yeah, I think it's really cool. It's like for the, let's say the blues or blues rock player. This would be awesome. Feels kind of vintage. Really cool. I'm guessing like if you need high gain, you'd go for this one, I think. I don't know yet. But that's what I would say. I also like the equalizing thing. Like if you go to channel two, you have the mid boost and treble boost, or like working differently actually. Yeah, and really easy. Yeah, really easy to use. Yeah. Well, I think to me it... There's a lot of amps out there claiming that they can do both. You know, like the black panel fender type thing and the Marshall-esque, Vox-esque British type tone. And this has got the headroom and punch of a fender amp. But with the second channel, you can really get into that British territory as well. So finally one of those spec sheets is correct. You know, even with the, to me a sign of a good amp or a good pedal, no matter where you set the EQ, it's going to sound good. And even with the mids fully cranked, there was a great tone. Clean and with the drive channel. So I think those two channels are really, you know, really tweaked to each other. Really balanced. Yeah. Then it gets that, like when you're pushing an old tube amp really hard and the transistor starts caving in and gets kind of muddy in the low ends, but without becoming undefined. Yeah, without becoming undefined. Yeah. Well, here it goes. Oh, that's really light. That's like a grocery bag light, you know? This is the moment. This is the moment. Oh, let's do it. Oh my God. It's so light. Yeah, this is crazy. So let's see how much this weighs. Okay. So this is crazy. This is crazy light. Okay. Holy shit. So I can just go on my bike to my gig actually. Okay. Yeah. This is crazy. Okay. Yeah, I started out with a twin reverb when I was younger. So this is a big difference. Okay.