 All right, let's take a look at this so I'm checking your email So this is looking all pretty cool I got some minor notes here and there and some of the posing stuff and some of the timing That you have here and I'm gonna look at your test, which I thought was actually really cool But I see your concerns, but still I want to go through it So the major thing I see here is that and it's throughout the whole shot is I feel it's just a bit too low Right from the get-go the head is so low kind of looking at the shoe I think it would be good if at the very beginning you were a bit more relaxed, maybe a bit more like this I'm sure my scribbles are helping and then so now you have somewhere to go you go from this C curve to The reverse here you can really curl up and pull which I think is cool. Just that way we see Maybe the face is also kind of towards us. I mean he could also Almost kind of look at her and have a bit of a smile like alright. I'm ready and then he starts Hissing into this which it wouldn't really add much. I know I know we're concerned about The length of the shots, so I think just that beginning Shouldn't be too bad on your pole here to be careful. This is such a fast pole, which is technically fine But then as you go back here Hey, we're stopping a bit in the straight line and also mimics this pole I think pose wise it would be cool if maybe you're going From this back into a bigger pole very slightly this way Into that and then you can relax into this currently it feels like you're pulling really hard and it's kind of Locks in in this pose where I feel like it would overshoot and go out a bit this way You can't really stop his momentum that quickly That so instead of doing Arm out and going this way I would go further back arm out and then go into this Same thing here where we're getting a bit too low. I think it continues See that we're really low and if you start looking at silhouettes It just ends up being a bit too overlapping in spots especially through here. It gets kind of muddled So I think he has really long arms. I think you could get away with Maybe that hand goes a bit below me but cheated a bit But they can still stretch that arm and bring that shoulder lower Just so we have a bit of a clear view of what's going on here. So I know how far you can Cheat his leg but something where it is that there's more negative space between arms and the chest at least And then at the end you can go down But even here you could stay like this But then have his head up like that that way we can see his face and you can do kind of a one of those It's been drawing drawing skills, but you know like clenched teeth as he tries to lift this and then it could be Here and then when you do this The head will be already up here. Is this all one move home and Yeah, it's one big move. I was gonna say then it will be Here with a smile because it's for the camera, but no ignore that note because it is one big move But speaking of which That big move here, especially those two frames that once you spline this this is such a huge move Let's pretend you want it to be that big It will go from here and then a couple more frames your body will be over here Like if you have that much speed in your backwards move, it's gonna Take a while for momentum to settle and then to reverse right now that reverse is really really fast so This move and that immediate recovery here. It's just a bit too much and kills the weight right there That's all cool. The only thing is Careful, I notice it's just stepped and we're gonna have some more breakdowns, but a the ankle is broken here but also your knee is It's it's kind of bent towards the camera So we're kind of missing the actual shape of the leg and it's also in front of the other leg Giving us if you do a squinty test or silhouette test when you push seven on the keyboard without lights In my eye, then you have this that weird stump And then we end up being fairly straight throughout there's a bend here, but just looking at those poses here and They feel a bit too Just too straight on but I know this is just step so with breakdowns it might get better, but just be mindful of frames like this funky Goes over there Even here if you're this far at that speed leaning this far over It feels like you want to go a bit further with your roots and then go up So it does kind of work that type of arc meaning you're Here right you have all that move and see and now Imagine you're splatting this out. You're gonna have a really fast move from here to here We're stopping here But then if you continue all he does is go up this way But if you're going this fast and you're stopping here, you're gonna have some more space even over shoot and come back Meaning that all the weight is gonna be on this leg Maybe this foot goes slightly off the grounds and then he settles and stands in this position here This is all cool. I like that slow drop and bends where he's all You know a bit more straight and confident and as the confidence erodes because of this I like that it's also visually reflected in him bending and being less secure in his pose. That's pretty cool That's cool. You can probably push out that knee potentially just a bit more That leg may be here again my drawings which if they help but just bigger so still a bigger negative space between those two legs And then just timing wise. I would go and see You probably just have a little bit more of a break through here break as in a bit of a pause Bit of a slower move through here so that this is your big explosion So it's what's going on fast pause fast and right now? It's a bit one continuous thing kind of it's kind of there He's kind of push it. I would just start go if you're moving here into this and Wait with this this big move I will keep it within this family here where just a bit less a bit more contained and then suddenly that last explosion out of his arms And as it explodes again, it might pull him a bit more Meaning that he might end up You know body wise he will be here This means that it will potentially here Bigger pull from the fish All right That is that looking at this now what I really like is this This is super cute And I like how he looks at him you could even pat the pet little fish here Maybe little caressing he's completely unaware what's going on what that means for the fish or something, but it's such a cute Character is that I can email you but is that the character? There's a rig that where a kid turns into werewolf It's old old the rig. I'm sure if he unearthed that old rig And I don't think it distracts because he's fairly quiet So if I look at the kid here, right? I see this. This is super cute Look at both of them. I'm looking at the guy looking at the guy. He pulls Gets the fish and that little getting out of the way I think it's not too bad and the thing is you can have more steps Right through here, which would kind of distract from that scrunchie silhouette So it ends up being here so that this has no overlap Otherwise, it looks like he's gonna hit the kids face So you can use those quick moves while he's a bit more scrunched in then the kid stops and then he starts to live So there's a good back-and-forth and audience attention Handoff that's a term This was weird. That's the whole thing where I went like what was he going to tackle the dad You can start biting the legs like a little zombie And yeah Coming out of here. That was the only weird thing, but it's cute with the For the pose But then if you push that or if you go for that I'll push this where he gets on his toes and tries to really get into Frames, you know, it's the cameras only this high maybe puts I would actually keep both arms And he's trying to pull himself up like I would push that moment in terms of cuteness and connection And if you keep it and I know you're saying that you might not keep it But He might react a bit too soon and then yes, the question is what he's going to do. I like that. He's trying to catch him I think that's really cute What would you do? I mean he will get away and then the case just kind of by himself You know it's disappeared and the kid goes mm-hmm and runs over then jumps in the air For a pose and then you see a flash and then you freeze frame and just have the kid in a funny pose Which in a way you could almost this is gonna be way too complicated and I know I'm adding complications, but imagine He's also concerned about the camera. So he's he doesn't go this far He was kind of go around so he comes out here So that by the time the guy is here the kid is here and when the guy falls you have the fish You got the dad in the air and the kid jumps in the air with a high five or like a thumbs up And then the photo and then freeze frame and that way you can see all three in a crazy pose I know this is adding a ton of stuff, but I Have to imagine anyway That's just an idea. Why not? But I really really like this. So let's email. Let's talk this out. I'm curious I would love for you to not abandon this idea, but it's obviously your shot and I know it's it's long But I just love that little kid So cute this little Fur hat thingy So, yeah, let me know this email. Let's see what we can do with this. All right. Thank you All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way like and subscribe would be awesome. All right. Thank you