 All right, check this out here slightly longer piece, but some good weight there and then it goes into And this is cool, all right Now there is also reference all of this here It's cool like that Prop making here for a big sword cool cool cool. Yeah, definitely cool to see I like it What I would say you have a couple notes here the grip from 214 That is the left hand grip you say from here Yeah, there's something Visually, it's also how that elbow kind of pops out and then it just feels uncomfortable and I think you might be able to To wait and I don't know if you want to drop that hand This could almost be like maybe even out for balance You know gives like a big preparation so that by the time you're around here And you might even want to bring that arm higher and this might be tricky But there's a cleaner silhouette and then you can see that arm that was out here to go underneath or Over right so you have this arm like this that folds over into this pose Then you can do this and that I think that won't be my my note for this. I Think this is really cool in terms of just the complex mechanics I like what you're doing in terms of the the lift especially this here with the turn bring this around if that's all very cool Well, I would say it looks more like someone's practicing which is not wrong But it's not like someone's attacking someone clear was doing all of this to be dead So just so that you're Aware of that, but I like I like what you have I think there's some things that you could tweak where potentially this leg either further in or You twist the body around so that the sword is further out So imagine it could even be both that you have a little bit of this and then the sword is out here So we don't have this overlapping too much We're spending quite some time down here that gets better because now we have a cleaner silhouette here But even then it could be interesting To have a bit further, you know, maybe again further in and this sort further out get a cleaner foot silhouette Because if you do bring it over there try to keep it like this and not flat to camera. Unless it's just just a line. I Think what's happening here is that you're leaning back, which is cool and you're using this leg to Push this thing up here to sort But what happens now is that I'm seeing mainly a This is almost the beginning of it. All right. I'm now off balance enough and now I can bring this up, but then this suddenly lifts Magically in terms of the weight because it's it's with the arms towards you. It's kind of like a pool towards you Where this doesn't quite make sense in terms of the weight distribution to me What would work better subjectively see if you do like this, but by now This leg is here If that makes sense like you're really Lifting this this leg and the knee is pushing this up like as much as you can So that even at this point you might still be higher And then you got a bigger stomp And I like this. I like what you have here. So from here now I know it's heavy and I don't know if you can if you want to consider bringing this up higher Possibly just because of gain of silhouette because it's gray on gray on gray We need to kind of clean this here. Those are the silhouette and then watch out. We are Dropping we're staying in this high position tip up here for quite some time only at the end does it come down. Let me see No, it's okay. It's one of these suits too late Like should it pivot because this hits this and then it rolls, but it doesn't Okay, it's good Yeah, definitely higher here and then just watch out if you're only holding it here and this is so heavy and The trajectory is this some onions getting there, right? Roughly What are we doing here something something roughly like this here? Oh Look at that. That totally matches roughly. So you're doing this here. So to me with something that heavy and Just dropping it right the body goes down This feels like I might be too picky, but it to me feels like This should be your arc right this goes up and down But now it goes up and down You know mean and this would work if it's the wrist holding it twisting it to make it go down like that So what you could do just thinking out loud not that not that it's crazily wrong You know, you could still argue well, you know they have something to do you can potentially on this Straighten out this arm So that you're like this so this straightening of this going this way will force this to go this way To bring it down that could be one thing or you keep this arc Instead of doing this and then the end is actually more Like this where the head is here and then the sword ends up being here I know it's the drawing probably makes no sense, but the point is that this continues to drop So if it would the tip will be here, you know me maybe here Now this might make it too off-balance So if you keep that as the trajectory of the sword, but then adjust your end pose So that your end pose is more under the sword This would stretch out this leg so that we're underneath the sword more if that makes sense And then you're almost already in this pose or you go from here to this Which is then a forward motion Into all of that. I think that could work, but that's solely up to you. I Think probably must move out the path of this sort. I see some Sharper turns here and there. It's not too bad. Oh right here Sharper dip there Given that this is so heavy. You're not gonna have a lot of changes where the tip arc is it's going to be fairly smooth But that's cool. I like that and I like that she pushes It's forward a little bit. I think it's cool All I would say is it's just the body has some hiccups Physically, whoops. Stop whoops. Stop a couple hiccups there and then I will probably not have a Slam down and then sudden acceleration here to me this the sun acceleration comes from this This is suddenly it's so heavy that this is the thing that pulls her forward So this is the speed up into a slow and what's happening now is that you're down slow sudden speed up This to me feels late. That's all cool. I do love this love this action. That's really great And then you got there you could probably into this Find a way to push this more Really exaggerating here, but it's like this is so heavy. It's like you want to yeah, you want to really Stretch this this way for that almost feels a bit too We're getting there. That's promising and now we're straight. We're pretty straight I know she's angled this way. It's just the dot line here feels just very straight No, be a neat pose to really go into this this big curvature You know, you might have to adjust the hips and maybe this leg would have to be for the back for all of this But I think that'd be really cool and on something that heavy I wonder if you can put in like this is such a hard hit. You mean and this Hard shock wave is going to go through there. So on that hit you're gonna have elbow shake into a shoulder rattle Not huge, but right now what I'm seeing is a Like a very soft settle Right if you can order the sword and you just look at this here It was very soft that we kind of need to feel that That tremor All the way back in here All ready That is that thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way like and subscribe would be awesome. All right. Thank you