 I got so excited when I heard we were watching this movie because when the spirit gave me the movie last night to watch the first time, he gave me this one to watch right after it and I knew neither of them and it was during a real breakthrough and I just felt so excited because I had that feeling of like it being the same moment and I saw the same invitation and I I guess I felt like I really received it last night and I look forward to seeing it even deeper smile again, so it was deep gratitude. Yeah, it's a good follow-up movie. We thought about it the first day too, you know. Okay, well this is another undoing self-concept movie. I think the one we watched yesterday was more they were kind of like thrust together for an intense undoing and this one's more about it's kind of exposes of fear of death, fear of intimacy and loosening of control and I believe that the two that have the friction in this maybe had had some interact relationship interaction before so it's not like they've never known of each other or met each other but it's just the dynamics are very strong for undoing so it's really good in that way and I think it's really good just like the other one with the letting go of control. What's the name of the movie? Life or something like it? Okay. Did you see it before? I know it. Okay. Okay, we'll give it a go. There's singing there on the road. She's singing at the end of that. Jack was right. I did die that day. Part of me died. There was a movie. We can't really live fully while we're holding on to any kind of concept and she had to see what she was attached to and see it from a different angle. It's beautiful. What was she attached to? No, before I think she was just attached to being a reporter and so forth. We really don't know at the end what she's doing. She's just had a baseball game. But she did pass by whatever that was in New York so we talked about it. You can't judge your advances from your retreats but she certainly didn't try to go after her dreams of going to the big city and get a bigger job and so forth. At the end I think the deeper thing is being attached to choice or to the world in any way because that whole script is written thing. I think I mentioned that in my interview this morning with Anne West. I was talking about the idea of something's meant to happen. There's nothing you can do to stop it from happening. Something's not meant to happen and there's nothing you can do to make it happen. There's a piece in that. There's like a resignation. We talked about it in context of this her being away on a cruise far, far away in the forest fire burning down all these places where she had worked and a lot of her clients' houses. But her house didn't burn down but that was part of us going into the how of quantum forgiveness, of just pure acceptance. Just saying well whatever, whatever will be will be and whatever is happening has to be happening for the higher good. So it was really a releasing whole sense of outcomes about the house and so forth. And the house burned a lot around her but it didn't burn her house so when she got back there was a house. She was in it today interviewing me so it was serving very well. But it's really letting go of that idea that somehow you can control the script or control outcomes. Because forgiveness is that on an inverse relationship if it was like an equation, let me just quote that part from the beyond all idle section way back at the back of the course text which is when you decide upon the form of what you want you lose the understanding of its purpose. So you can't really fixate the mind onto a specific form and know what forgiveness is and forgiveness is our only function. So therefore you can see that that's the joy of it all. It's loosening from the fixation onto form because the mind then becomes defined and mind is one with God. It's undefined. God is certainly not defined and never is Christ so whenever mind tries to rivet on a form then you can see in this movie she had first a lot of concern about dying on a particular day and then she was kind of loosening up to it and then ultimately I think that when she said, Jack was right I died but it was the part of me that never lived that died. It was more of a tweak. It was a change of mind in the purpose. So that's like the key thing. I'll try to have specific goals and think you need to have them for happiness because they really aren't happiness. They're just the defense against abstraction. That was the key point for me when I saw that movie. Then the famous Mick Jagger Rolling Stones song, I can't get no satisfaction. That's such a classic and everyone can sing that because that's kind of an experience on planet Earth. But the word get is the key word because if the mind is trying to get then it won't know contentment or satisfaction. It has to give. It has to get out of the getting mode altogether and get into the giving mode. But for her that was a big step when she loosened up and seemed to just sing it on air without awareness of what was going on. That's kind of like a miracle. You have to dive into it and you can't control it or figure it out. Just give way to it, surrender. That was a big part of her journey. The song goes through my mind is kind of the Palae Mori song. And the eagle flies with the dove And if you can't be with the one you love Honey, love the one you're with. Love the one you're with. That's the one you're with... Keep your eye on the price, like the pastafone, when you're down and confused. And you don't remember what you're talking to, concentration, slip away, because your baby is so far away, and that's the lead into it, to the love you want in your life, you know, it's one of the verses, but it's that idea of having a mindset and then getting riveted in the mindset and then forgetting the point. Yeah, it's a good one. Steely Dan. The wisdom of Steely Dan. Yeah, it's like those two motives in the mind don't even have a meaning point, the getting and the giving. So that's why those chapters in the chorus on special relationships, at one point he says that when two people invite the Holy Spirit into their relationship they are appalled, appalled, because the invitation to the Holy Spirit invites a purpose, a new purpose into the relationship and not a purpose for which the ego set the whole world in their relationship, because the ego set the purpose for all relationships to get, then they invite the Holy Spirit into the relationship, they are appalled, and then Jesus says there's only one way really to resolve it, and you have to change the structure of the relationship to fit the new purpose, you have to change the structure of the relationship to fit the Holy Spirit's purpose, and that's appalling to the ego. That's not why it made relationships, it's not why it made the body, it's not why it made the world, the body in the world was made in hate, and this new purpose is to forgive and open to love, so it has nothing to do with the old purpose, so that's really what both these movies were, a movie last night from wanting something and wanting to get something to true connection and true giving and true extending, and the same relationship in this movie was the same, the ego wanted to get something, so at the beginning it was just very annoyed, an annoying relationship, one based on frustrations and not getting what it wanted, and then it flipped around there. Does anybody see anything in the movie related to your experiences? I saw something one moment, there's one of the beginning scenes when she was in bed, her hair was white, everything was white, and what came into my mind was like a self concept of purity, rather than an actual experience of purity. That really just popped out for me. Yeah, striking. I was in, I cried a lot the first time I saw this movie. We kept on in deposit and crying, just because in that moment I felt very much like not even the act of dying of the life that wasn't being lived, but just I wasn't even there in that dying yet, and that was painful, because I could just feel the purpose of the movie, and this time watching it, it just felt very joyful because I feel like the gun truly dying to what never got to live, like that it's going, so I just felt a lot more joyful watching it, and just with the experiences the last few days just more open to whatever's coming or given, and also the surrender to the script being written to part, trying to control it for me. Yeah, I do remember the point in the movie preview realm, she was talking and saying, I have the perfect life, and then she defined it after that. Reminding me of Hark's back to the classic movie we have Family Men, where Nicholas Cage is like, my life is perfect. Telling Don Shadell, who of course is the angel. Don Shadell is like, oh, this is going to be so good. It's almost like a setup for a spike, the angels have to spike his perceived perfect life, you know. He's managing all this money, singing opera, and he's in the so-called life of the ego and the life of the world, like that old Frank Sinatra song. You know, about got the world on a string, sitting on a rainbow. Got the string around my finger, what a world, what a life, I'm in love. But when there's a controlling aspect of got the world on a string, she felt she had the world on a string. Great job, great buddy, great partner. You know, she was rattling it off, all her definitions of what the perfect life was. So it was a little bit like Family Men, except we didn't have an angel there going, oh, this is going to be good. So it was a prophet. Yeah, the prophet. And the prophet, you know, put the prophecy in, and then she reacted to the prophecy. But that's no different than the reaction of the ego to the scriptures written. I'm talking about the scriptures written on my interview today, in the way I refer to this slumdog millionaire. The whole movie is for him to have the right answer, the final answer in the game show. He literally watched it play out, and all the answers for everything that he needed was in his life experiences, and seemingly hitting the jackpot, and winning this thing, and falling in love, and all the different things, you know, hinged on acceptance. It is written, that's the way it's spoken in that movie. It is written. It's an amazing Indian movie to go after such a deep, profound idea. That's another one of our classics. What movie is that? Slumdog Millionaire. That one's the best. I clapped in theater. And then everyone clapped. Yeah, I know, it was that boom, that impactful. Yeah, I was talking to Lisa today, and I was like, well, and Michael, I said, if another great movie never comes out, theater, we're stocked. You keep pulling them out, like that. Sunshade, sir. We've got them. It's all under our nose. It's all right there for us. It's like our food storage. We are set. Andy's actually splicing your talking to that movie, The Sunshades, sir. So that'll be good, so you get to see it. All the splicing in, as if you were here. It's Christendom's seat. Yeah. Spirit's teleporting itself. It's talking to Andy there about that whole thing. That'll be interesting. I think it airs on Saturday morning. It was deep. It was just a deep interview, so you may enjoy that. She's always very, very sincere, and, you know, it's always like a meeting in the mind, coming together with her. I think this is the third time we've done it, so for a British accent, it's like a female James Bond, except she's not going to assassinate someone. She's going to find eternal life, and we come together. It's not a license to kill, it's a license to awaken. A license to awaken. That's it. They come at it, and it's very, very fun that way. She had the PDF and the book of Quantum Forgiveness. So, yeah. So, yeah, we do go, each time we meet, we do go deeper. It's like Krishna Murthy and David Bohm going in there, down into the Awakening. That was a nice series, too. Because it's deep when you get into looking at hypotheticals and seeing the whole world as a hypothetical, and that's, you know, that's... Yeah, right before I went on, Lisa Cairns had posted a clip. I think I'd seen it before, but it was, yeah, it was about time-space being one construct. Jesus says that in the Course. It's just two forms of the same error. And time and space aren't really different. Einstein spoke of them together as time-space. And they're both relatives. They aren't absolute. But most human beings think of time as absolute. If you enter in the world and you interviewed 7 billion people, and you would say, is time absolute? Is space absolute? Like time, you could say, well, is time the same for everyone? And most people would say yes, but Einstein proved that the answer is no. He proved it mathematically that everyone's experience of time is different. And also the time and space are the same, so that means everyone's experience of space is different. And it really coincides with, over 7 decades ago, with the discovery of quantum physics. But it's that it's all subjective. Because it's lesson number 2 from the Course. I have given everything. I see all the meaning it has for me. The ego is entirely subjective in time-space or entirely subjective in it. But people, that seems to violate common sense for most people if you ask them. Like if you had a watch and you had people standing in all the different countries, is one second in Russia, the same as one second in America, the same as one second in Canada, the same as one second on the North Pole, the same as one second on the South Pole. People generally would say, yeah, the second is a second. It's not like there's a Russian second or a Spanish second. But we do know, like when you go to South America and you can start to feel that the perception of time is different. Like in Switzerland, as opposed to Columbia, there's a different perception of time. You know, they go and they take atomic watches, which are the most accurate watches in the world, and they take them on flights and jets and supersonic jets. So they have a watch on the ground and they have a watch moving around, flying around in a supersonic jet. And then they bring the two watches together. They don't match. They don't match. The second is not a second. An hour is not an hour. A year is not a year. Their time is influenced by gravity. What's that movie? It's Matthew and Mama, Avery. They're stellar. Yeah, that's probably the most drastic demonstration of how time is so different when they go way off. They kind of miss a few things and then they're meeting with their partner and it's years. Two seconds off, years depending on the gravity. So it's just, all those things are just fantastic because it's just pointing to our subjective time spaces. It's not absolute. It goes against all of our, even our romantic songs. You must remember this. A kiss is still a kiss. A sigh is just a sigh. The fundamental things apply as time goes by. Nope. It's not true either. All those songs. But it's giving yourself over to, okay, if who I am is not relative, then it's worth going for. Who I am is absolute, but time space is not. That's the distinction. That's the distinction that Atonement makes, the distinction of identity. You just imagine people go out, you go out on the first date, you're sitting there at the dinner table, they're eating candlelight dinner. So what do you do for a living? I am abstract reality. Like a good movie. It's like saying I want to know. Why do I find it hard to write the next line? Oh, why won't the truth to be said? So it's a great adventure. It's almost just saying to the Holy Spirit, convince me, show me that the world is relative, time space is relative, and that I am not that. Because it's the frustration of wanting something specific to be everlasting. It's the frustration trying to get something, it's ephemeral or relative to be absolute. The mind is in a state of sleep. It's yearning for that eternal qualities. It's yearning for meaning. It's yearning for continuity. That's the heartbreak of the world. It's the mind is asleep and dreaming and searching for continuity in the form there is then. So ultimately it must wake up first to the quantum field, unified field, and then beyond that is abstraction. So all of these movies are practical, and that's the purpose behind them all. And I was asking, how did you find this purpose or turn into this? How did you start to see movies in such a radically different way? And I said, well, it's the higher self or the intuition that's guiding the way, and how does one reach that state of observer or witness? But in practically speaking, how, how, how? It's, well, I said just to be open, and to be 100% intuitive. And what does that mean? It just means don't react or respond to the images, living in your heart, living in your core, living in your intuition, your higher self. And she mentioned in the movie it was that the theater was the one there about the priest and the... Spotlight. Spotlight. That child abuse within the Catholic Church in Boston. And I asked, just come out in the theater. So she said she saw that and she had a lot of intense emotions come up. But we had kind of laid the framework for movie watching and the purpose. So that's another mind-watcher that's out at the theaters. Mind-watcher. It's like, I want to see the passion of the Christ. There's a lot of blood flowing around in that one too. That's like, don't give someone. I remember seeing that with a friend of mine and with my biological mother who's Christian. It's just sometimes in the end with the whips and the blood flying and just blood just splattering all over there. And she was sitting next to me. I could hear her gasping because of the interpretations of the blood. It would be like having a deep love for a figure and then watching that figure whipped repeatedly over and over. And that was one of the things I liked about the rancher book which gave like a fuller picture of things. But there was one point where Jesus was in a room and he was about to be really, from the world's perception, really beaten and whipped. And John, one of his apostles, was in stealth mode and kind of following along, had got into the room. And so Jesus knew he was about really, the body was about really whipped and whipped. So in the rancher book it says, Jesus is turned in the crowd over there and looked right at John just nodded like, you can go now. You don't belong in this room. There's a great gesture of love and mercy and graciousness knowing where John's mind was and saying, you don't need to see this. It's not something you need to witness. You can go now, you won't be able to handle this. And Jesus graciously was very giving, knew what was helpful. There's just some great moments in the rancher book, you know, just captures this loving instance. Very beautiful. Okay, that was a nice little evening. That was very nice. Those two movies back in the pack, this was a little softer, not quite so. And if you're supposed to catch a mullet, they're going to catch a mullet. Yeah, that's it. She was like a tough egg. She wasn't even a tough nut. She was like a tough egg. Like a really tough egg. A tough egging. It's easier to crack an egg. A little more effort than a normal egg. That's a good analogy. Harder to feel. They weren't just completely thrust together from never having been together. There was a friction of history that the spirit could unwind. Her girlfriend was talking to her and said that she had slept with Pete. She was slightly bothered by it. There was a meaning there that the spirit could work with. There was attraction-repulsion dynamics going on there. Whereas with our two meeting in the movie last night, there was a repulsion-repulsion dynamic going on. And then there was rust together, which is always very fast. Repulsion-repulsion and you're fine together. That's a quick crack and peel. I just love the way these movies just reinforce that all things work together for good. And there are no exceptions. That all things be exactly as they are. Both movies, including this one, like The Prophet, did his piece perfectly. Because that was a catalyst for her to start looking at things and questioning things with a partner and this beautiful life and questioning the being interviewed at New York. But she still needed to say yes. The breadcrumbs were given by the spirit but she could have easily gone up that elevator. To the boss but she decided not to all those things. You just see how much happier she was just following her heart. She would learn. At that interview, her break, it's like, she was interviewing herself. She was looking at her life and it was like a teacher that you would learn. It's almost like for her to get very clear. That sold it. She had to leave the courage behind and let the spirit prompt the questions. And even that, and at that point, it was no longer about keeping the career or anything. She just couldn't ask another fake question. It was for her. It's almost like the value of her life just got stronger and stronger. It's like I need to know these answers. I need this. And it's like, yes, she still got the job but it was like, that's that. And when she followed her heart, and asked the question that she wanted to do, it was just like, the worst thing you could possibly do you're going to get fired. But it's completely opposite. It's the best thing she could possibly do. It's the same at the strike. When she put her face down, and really just came authentically here and there, she was a bit juiced up. She was just following her heart, just letting the hair out. She was surprised then that she got the job. Leaving New York and going with that guy to Seattle. It just seemed like a happy dream to me. She was just there just in her joy. And everything is forgiven because then she's there at the baseball game watching her. Very happy for her. It's just like the happy journey. All is forgiven. Otherwise, she'd be in New York, all dressed up and just in a fake smile. Death. Death. Be dead. Yeah, it's the juxtaposition of what do you want? Here's your choice. Yeah. I like the contrast of the two movies because the same thing happens just then with the sort of concept. Just like the hard little league, it wasn't a hard enough to crash. But that's all it is. How much do you want to suffer? The more we can just say, as much as possible. The easy, but the more joyful it could be instead of suffering. Why do that? We're getting into this, the different ways to crack open. Of course, the Spanish and Mexicans have the pinata. They go, you keep whacking, you take a turn at cracking and whacking the pinata and then the goodies, the candy comes out after it's cracked wide open. That's even that little party that's part of it all. Cracking wide open. David, did you see on Facebook there was a little video of a small child, maybe about two or three, whacking at pinata but it was in the shape of Spider-Man. And then he just puts the gun down. He couldn't do it. It's the same height as him. He just couldn't do it. He didn't even hit it at all. But he just couldn't. And he just It's so beautiful. Bring down the tradition. Yes. He couldn't do it. We're going to mess it up. Just in different instances. She still got the guy. It almost could have seemed she did something wrong during the surprise, going with it. I don't know, just in different instances I've seen that. But it all worked out for good. I don't know what ended up happening. I felt the future. Or that, just when she was asked to go upstairs in the elevator and she said, I'm going home. I'm going home. But in Go-Go World I don't know that. There's even a thing at the end that might be a little stretched. That's why I heard it. Because someday it might be relaxed or something. And it was just like, no more days, no more time. Thank God. No more of that. I really love that. Another great movie night.