 The movie has such a great cast, what's your funniest or most memorable moment from making it? I always think when I'm shooting I need to start writing them down because they always ask. I was definitely laughing every day, but it's always hard to tell what. I mean it was really funny when Joel, there's this really awful scene where somebody's torturing him and they have a skin grafting machine and they're peeling off his skin layer by layer. And the skin was coming off and it was bleeding, but he was pretending like he was tickling him. And that was stupid, it was like three in the morning so that really made me laugh. I had to watch it frame my fingers. It's so weird when you're shooting it's not, because you see everything and it's like so not a big deal. And then I have trouble watching it, like when my leg breaks in the movie, like I can't watch that scene again. There's a lot of queasy moments in this film. Yeah, I just thought about the leg thing again. And Francis is dark. There was a moment during the talk, there's a torture scene where Jen and I kind of like fighting for our lives inside of a kitchen. And Jen's dog Pippi decided that Mummy was really in trouble and came to the rescue and was like willing to go fight this very tall German kind of guy in leather pants to try and you know save Mum's life. Jen had to go, Pippi it's okay, you can... What type of dog is it? Just one of those cute sort of wispy tiny but kind of dogs with a lot of personality. It was a little kind of a bit fun to do it and I think part of my fun was the relief of the anticipation leading up to it. I was like it's going to be so hard to do. You know how long a scene takes to shoot in your head. You're like it's going to be coverage, I'm going to have to do. You know probably going to be doing it all day, I'm going to be tied to a chair in my underpants. And the prosthetics and setting the prosthetics and the bleeding and all that stuff. And I think it just became a lot easier to do than I had built up in my head because you know when you've got an actual gag in your mouth and you are actually tied to a chair and you're trying to rescue yourself free. It becomes like a physical challenge to just keep breathing and to break free that ends up putting it in the category of no acting required. So you just do and you don't have to think. That skin grafted thing, is that a real thing? Well according to Francis it's a real thing and what it's used for is to take skin off the body of a dead body, the first two layers of skin in order to skin graft onto people who need skin grafted like a burn victim. And yeah so it really exists but it's meant for the purposes of good usually. But you know all torture scenes probably have something in them that is meant for some other purpose that is then used to kind of like really hurt the person. There's one thing about writing a scene, writing a graphically violent scene and then bringing it to the screen. And I think Francis did a brilliant job and I think he does it in a very elegant way which means he doesn't avoid the brutality of it but at the same time he doesn't overemphasize it either. So I think it's brutal but I think it's still pretty bearable. There were moments we were trying to get up and escalator and Jennifer was wearing this huge dress and you know almost got stuck and everybody started acting like you know shaky and funny. It was kind of an abstract moment that was pretty funny.