 I don't think we've ever done a thumbnail. Naked? Yeah, we should. Want to do one? We probably have. Partially naked. We've done over 2,000. What was the thing we did where we ripped off our shirts? We were so excited. Remember, that was early. Was that when we got the 100,000? I think that's when we got the 100,000. Yeah, it was. It was the 100,000 thing and we ripped off our shirts. Fun fact, that video got copyrighted because we used two- I'm getting stuff on my personal channel. I got a copyright claim on something that I posted like a year and a half ago. Weenies. Yep. Happens all the time. I get a copyright claim almost every day from something. It's ridiculous. Hey, welcome back to our Stupid Direction to Eat the Corbin. I'm Rick. Are you? Sometimes I'm a dick. Let's make him shiver. This is actually from Commando 3. Oh, we are going naked this time. I think we've wrecked the trailer and wrecked it to one fight scene from there. I'm Commando right now. It's with Arnold Schwarzenegger. Right here. Commando. Right here. Vidiet Jamwal, who we've seen in a lot of his videos, he's known for martial arts and being naked. No. So he's the guy, I think. It was either him or Tiger, but I think it was him. Jumped through the car door? Yeah, I think so. But he's like, Tiger's known for obviously being a great dancer and all that kind of stuff. He's actually known for knowing martial arts. Got it. And all that kind of stuff. Like Jackie Chan? Yes. So this is another thing from his film Commando 3. Another fight scene. We've wrecked it to one other. If you haven't watched that, I think it was probably over two years ago, honestly. But we also have never seen a film with his. So what should be a first film with his that we should watch down the road? You know how we love the stunt work. The bad guys always shoot so bad. I don't know why the bad guys always suck at shooting. He actually did that. I bet he did. CGI? Yeah. Oh, nice. We have a situation. Conan's beached Albin. Send the forces in. Kill the white actors. And shoot current. Shoot all the white guys. Yeah. It was great in a man bun. This is nice stunt work right there. Yep. Really good fight choreography. It takes weeks, if not longer, to choreograph. Yeah, really great fight choreography. Oh! Fight sequence. Good. Breathe. Hey, why does he walk over? Break his hand. Break his arm. Ah! Choreography. That was beautiful. Yeah. That was like great fight choreography. Yeah. One of the white actors were just got awful. Awful. Makes you want to shoot everybody in casting for letting them get on screen. Yeah. But the don't shoot cast them. Whoever the stunt coordinator was. And it was actually very poignant for this week. Beautiful, beautiful work. If you don't, I'm referring to Alec Baldwin, his film, Rust, and the tragedy that happened on that set. And how weird it is. But it shows you how important, not only stunt coordinators, but like the crop masters and safety is on. Because obviously this had guns, this had literally guns, knives, very, very difficult stunt work. And another thing that you need to take into consideration, we will mention this regularly about what a demanding job it is for a cinematographer. Not just the day in, day out grind that they have to do and they have to be where they are in certain positions. But in addition to the stunt people, the cinematography in this was very hands-on, on the ground, moving around, grueling, and dangerous for them. Because the cinematographers are right there. Pieces, even stuff that breaks, like a stunt bottle, breakaway bottle, or breakaway glass in a window, breakaway tables. All of that stuff is still a physical substance that flies all over the place. And there's nobody closer to the action than the cinematographer and the director. Usually it's just, sometimes on a scene like this, the director is in another room watching it on the screen. But the cinematographer is right there. And so hats off to everybody who did this, because this was a great fight scene once. Do you think he actually did this? Yeah, I do. I think he does all of the stunts. Do you think he was on wire or so? I think he probably had some protective wires. Oh, it's obviously that guy can't be there. No, I think he had protective wiring. No, maybe not. Maybe that was a legit stunt. They rehearsed and practiced and just did over and over again. But I think he was wired. Yeah, because that was great. I believe he could actually do it, because he's a fantastic martial artist. He can do it. It's just for safety reasons. I bet they wired him just. Not for a hand, but also the other guy. That's a dangerous move. Because obviously, just like he broke his neck there, that stunt actor can literally break his neck. Who does the podcast? Is it Danny Radcliffe or is it? I can't remember if it's Danny Radcliffe or Elijah Wood. One of their stunt actors got paralyzed doing stunts. Oh, no. And now they do a podcast together or something like that. Oh, wow. Together. I didn't know that. It's a dangerous job. You're literally doing the stuff that they do in the films. Yeah, I was reading an article on Variety about all of the things that people are talking about in the industry, about this tragedy with this. The thumb rust. Yeah. With Alec Baldwin. And how, first of all, it shouldn't happen. It should never happen. Then Alec Baldwin, he was told beforehand that the weapon was free to use, which is what happens with most actors. They're told by props and everybody that it's safe to use. But in this article, it talked about how dangerous the industry is, because things are getting blown up all the time and people are getting thrown all over the place. And there's been, I think since 1990, at somewhere in that neighborhood, there's been 45 deaths by stunt people in the industry in some way, shape, or form. Because what they do is so crazy dangerous. Even with all the precautions. So this was, aside from all of the danger, this was just absolutely beautiful fight choreography. Yeah, absolutely wonderful. It was ballet, man. Yeah, and that's what good choreography is, because it's literally when you're training for months. That's what all the, what you don't see in the Marvel films, they train for months on the scene. The Darth Maul fight sequence, that looks as good as it does because everybody knows everybody's moved. I mean, I did a sword fighting sequence in the play Camelot. Not a complex sword fighting sequence. It was two of us against one guy. And everything had to, right? We spent four full eight hour days rehearsing it. Very simple. It doesn't last more than 60 seconds. And still, occasionally, we were using real swords. So occasionally somebody made a mistake and you accidentally stabbed somebody in the hip. So first, you just, they make it look that easy. The weeks of preparation that lead up to just a few seconds on screen is incredibly talented. And again, it's why stunt workers ought to be honored by the Motion Picture Academy. Everybody else is doing it, including SAG. It's time for the Academy to start giving Oscars to stunt people. It's ridiculous. But yeah, let us know more fight scenes from him and what should be his first film that we watch? Because I do hear a lot of like, in terms of, they're compared a lot, like him and Tiger. But they say, one, he's a better martial artist than Tiger, but also a better actor. Well, they've done one together that we could kill two birds with one stone. No idea. You guys can let us know what of his we should watch. But also send more fight scenes. Yeah. We'll have to see more from him down below. Josh!