 All right, there is sound. Let's play this here. Yes. Nice to mull you meet you nice to meet your mole. Don't say mole I said mole. Yes. Nice to mull you Big business Okay, so my main impression the couple things I don't think you need a camera move in this Yes, nice to mull you meet you nice to meet your mole. It's also very very subtle So, I don't know it's not that it hurts the shot But at the same time, I don't think we need it in terms of story and in terms of you know What's going on that would maybe enhance the shot? The other thing is and I'm looking at your email here And I'm not quite sure What this guy is doing in this shot either it could be kind of a fun thing if you watch it again Like oh, that's weird as a creepy guy in the bushes, but at the same time it could also be confusing I don't know. That's my I'm not sure you need this guy But feel free. I don't know. Let me know in the email What your thoughts are and why you put that character in there? I don't see anything in your current email So maybe we can incorporate that in a different way. My main impression is that I like the idea of him It's almost like overcompensating with this and getting really, you know into a personal space Because we're gonna do with her if she is going to Recoil or have like a broader reaction of what she's going to do there But in terms of what he is doing my main concern is that he has a pose for everything he's saying. Yes. Nice to mull you So nice to mull you I don't mind that though. I like that. He goes forward and like that's like he is so Too big like him as a character is huge the flowers are too big his gesture towards her is too big I like that it feels kind of in character meet you And then careful here looks into camera So I would gaze that you're down and over But then it's kind of like oops. I made a mistake and he gets I don't mind that pose It could be potentially interesting But it's like the second big beat and that's a new pose. Nice to meet your mole Don't say mole and then you have that careful with the tangent right where that Alliance there, but don't say mall. So now we're back into another big pose. I said mole And then we have kind of in between into I said mole. So I Like that you're using the space in terms of he is here We're getting into a bigger move here. Then he's getting into a straight Getting kind of do a bit of a similar position there We're back into this here and it kind of in between So it's kind of like yeah, nay I'm just slight. I'm curious if there could be something Explored where we have Just something a bit more interesting in terms of his personality like he seems a bit You might say one note in terms like broad posing and gestures and stuff that he does He doesn't he doesn't seem it's very interesting to me, but that at the same time Maybe that's also his character trait with all this and just you know, it's not he's not that interesting, but To me it would be like what if he is like this again, and you don't have to do any of this I'm just I'm just thinking out loud. What if he's like that goes into this which again, I like this And I think we could potentially even bring up the shoulders more and push that pose, but then you meet you Meet you. I'm it's it's less of just that it could just be a Meet you where it's I don't know maybe like he still kind of holds the flowers But takes a couple quick steps back like oh like I meet you like he still wants to Shore the flowers, but he had to retreat a bit realizing he made a mistake You know don't say don't say more and then don't say more I mean I can't say what you're going for with this, but you're also kind of losing his eyes there But I'm just wondering since you already have the flowers. He might be able to go back Let me see if there's another pose maybe like in between here So imagine that he's don't say more like that's a kind of the retreat pose And then when he says don't say more it could be that he Kind of gets into this, but then imagine We flop it and he is turned away from her right so this pose just flopped looks down Maybe he could pick at some of the flowers nice to mull you me so it was more like Taking couple sticks back steps back like this. It's nice to mull you meet you nice to meet your mole And then nice your mole could be almost like something where he does this again, but he Opens himself up one arm back one arm forward to hold the flowers. Oh you meet you nice to meet your mole don't say mo And then don't say most it turn around I said mo. I don't mind this Because he addresses her even though he looks too high here the question is is this something where he He messes up and then he actually addresses her like you know almost in a way of I try I tried to be Romantic, but I just messed up and I said it Or is it something where he says it you know to himself or you know quote-unquote the audience somewhere? Maybe that could be exploited from that game, but I don't mind this I can't I like that the thing of like he's basically what I'm rambling about is that he would be Trying but that's kind of his state where he's just very nervous He can't say it, but he's he just he's super nervous That's why he picks at everything and he keeps him kind of lower Right. He does this big thing of oh that was too big and the rest of it is all That he's hunched over nervous looks her way picks at the flowers and at the very end he goes You know what I'm just gonna admit it. I said mo. I said mo and I'm just an idiot Where like he he is finally relaxed by realizing I'm just an idiot and I'm just gonna tell you I messed up And that's when he opens up again towards her. That's kind of that's kind of what I'm thinking where he's like this Gets really big realizes everything was just too big and then the rest is all like oh here Maybe you're almost like what if he puts the flowers all the way up here? You know don't say more don't say more or maybe what if he says that? Don't say more. Do we have a passing pose? No, so maybe Maybe the don't say more is something where he looks away While all the flowers like he's trying to hide behind the flowers and all you have is I am brawl Acting like I don't say more Don't say mo. I said mo and then he turns around like right after that He turns around so this move would be a turn into this I said and that after that makes sense. That was a lot of rambling, but I feel like that could be interesting Right just to recap. Hopefully this into this Me you meet you and that would be more in something in that range meet you where he's low He's trying to be almost visually lower than the her Shoulders up and imagine he's almost like on his tippy toes Nice to meet you mo. Nice to meet you mo will be again a bit more like halfway in between or maybe He he brings out so he opens himself up. He tries again. We're getting one hand. Maybe Don't say mo and then don't say more is when he turns away from her He realizes I can't say that flowers here just the eyes and then he goes He goes from he drops the flowers and goes from this to a straight to a turn into that and That's that I know that could be something I probably also lower the fence a little bit give her maybe a more cheated profile towards us so we can really See this where the mole is, you know something where we can have a bit of a a bigger view Or it could be like this and when he gets closer to her she turns away from him Kind of who that was a bit too big and that also reveals the mole again It's full profile like a massive mole Anyway, I'll leave it at that. It's a bit rambly. So hopefully it's somewhat useful Let me know in an email your thoughts what you want to take from this or nothing or how you want to proceed And that's it. 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