 So my name is Corinne van Egeraad. I'm from the Netherlands based in Amsterdam. I own a production company there. My husband, Peter Lommamy, we are documentary filmmakers. We make creative documentaries. We make cinematic experiences. So we're not so much journalists. It's really more the artistic side of the documentary field. What brought us here is that we've had a couple of films at Dockage, the documentary festival here in New Zealand. And the founders of the festival, Alex Lee and Dan Schoen, are fellows. And three years ago we came here to make a film about the personal rights of the Wonganui River. Our background is mostly in human rights filmmaking, combined with creativity. What we've been doing recently, over the last years we've been working a lot in Myanmar. And we made a few films there about the transition to democracy, seen through the eyes of poets. We've also been teaching film students, creative human rights filmmaking. And so they reached out to us because they wanted to make short films about their life under oppression. So two years ago we made a film called Myanmar Diaries, with a collective of young filmmakers. Half men, half women, 10 young filmmakers in Myanmar. And we basically creatively produced it. And that film premiered in Berlin. It won the Berlin Anna Award, which is awesome because it really was one of the few chances we had to highlight the awful situation in Myanmar. My real attraction to making films is that it combines creativity with urgent topics. I think that by telling stories in an appealing way, you can engage large audiences and still have important themes come across.