 Thank you, thank you, thank you. So, I Live in Warsaw No, I was born in Warsaw, but I live a little bit in Berlin and also in Trento and I started sculpture, but meanwhile I started to do also performances videos, video installations and this is my first work of art. I Graduated with this sculpture in 93 and this is called the Pyramid of Animals and the idea derived from a fairy tale of the brother Grimm Called the Bremen Town Musicians and in this fairy tale there is a moment where this four Four creatures Step one on top of the others this image I used for my diploma work and the idea was that I wanted to Create a monument made from Animals for all animals, so it means that I had to choose for animals from living animals and to arrange The procedure to put them to death Also to arrange the skinning and then the stuffing and Why I did this because I Was asking myself and also other people if we now still a Conscious of the death of the animals we are consuming and of course it The work was considered very controversial and it was attacked very much by the press and by the animals lovers and also by people who Who just took the chance to Speak in public. I also videotaped the death of the horse and The death of the rooster The next work was blood ties And on this photographs are showing The naked bodies of me and my sister Red Christian to tell Christian Christian and and the Red Cross and In this In this work, I was recalling the Kosovo war that was being fought at the time and And The Red Christian and Red Cross are symbols of humanitarian aid institutions but derived from religious symbols and the representatives of the two religions were fighting each other and this was The input to put me and my sister as we are sisters and the and the work is Called lot of ties Ta ties of blood ties of blood in this context and The next work is called Olympia and it refers to the Tomanettes painting and at the time I was ill I was fighting the Hodgkin disease and It consists of three photographs and and the video and For me personally the video When I was getting my chemotherapy my chem injection was the most important part of this of this photograph and video installation because it helped me to To how to tell it to to create a distance to my illness And what I liked about this work the most was that I got a lot of feedback from ordinary people that Understood and appreciate that The next work was I created was bus women's bus and when I was the first time in Budapest I went to a To a women's bus and was totally fascinated by the women's by the all the women Basing and I also was fascinated by By how the women behaved and For the first time of all, I really saw all naked women and so For for a small time I thought for a short time I Had the idea that maybe I could rent the bus and arrange a shooting but then Immediately I understood that I cannot have both Both things the women act The women act and behave naturally Understood that it couldn't work so I decided to shoot a video with a hidden camera and I went with camera in a plastic bag with a hole and shoot Many, I don't know 20 hours of footage and later I selected the most beautiful pictures And I liked the idea of showing women and their bodies in a way that is different from what I was used from art history and also Movies and also TV commercials as the next Installation I did was men's bus and I Disguised myself as a man in order to make a video in a men's bus house And I want that if I will be recognized as a woman In my perfect disguise because I had a beard I had the fake coke and and hairs on my hair on my chest and I was not recognized as a Woman but Later and when I when I was watching the footage I I really couldn't believe that That it was enough to put the beard and the fake coke and Just Be somewhere I really Wasn't supposed to be so and when I started When I had will be too much This is how I was disguised In the next work I created was right of spring I saw in a television and on television fragments of Reconstructed pieces of the ballet the right of spring of Stravinsky and the choreographer for right of spring was Genial ballet dancer was love Nizhinsky and I was so fascinated by the movements I was watching and also by the story of Reconstruction itself that I decided to do my own Interpretation of the dance of the chosen victim and the chosen victim in the corag in the original choreography Was chosen to dance to dance until it's Exhaustion and death in order to feed the earth and as the movements Seemed very too dimensional for me. I immediately got the idea that That I could use people like puppets being Moved by strings And an important idea of this project was also that I could use really very old people and Pretend that they are that they are performing a very elaborated choreography that even for younger people and young professional ballet dancers is nearly impossible to to do This is how the installation looked later So it was thousands and thousands of of Shots that then were put together in a movement, but really the people were lying and they were not Moving by the force of their of their Muscles but By a trick animation by trick The next work I did was punishment and crime and I Named it after the Stoyevsky's crime and punishment and in order to accomplish this Aim I penetrated a group of people interested in found World War two weapons and Explosive materials I was allowed to attend the rifle ranch and watch Experiments with different weapons and found and self-made explosives and Also the faces of the young numbers members of the group are hidden behind masks of models and pin-ups and We are wigs everything that surrounded the man in the video Exploding cars building shedding fragments that occasionally hit the camera the atmosphere filled with Adrenaline and testosterone was authentic. So the last The last work I have some pictures of is In our dreams come true and it's a project consisting of a series of performances Audits engaging Happenings and videos which I was pursuing over three and a half years and in that series I acted as Director the chief chief performer and as raw material material in the hands of my master guides Gloria Viagra and the maestro Is it already 15 minutes? two more minutes So So this is a gregos pitway maestro who is giving me singing lessons because I was taking the singing lessons Because I was fascinated by him but it is somehow artificial appearance because he's a real opera singer and I had the I had the impression that he was not able to to distinguish stage life from from how do you call it from from private life and and Gloria Viagra Was my idol of I don't know of Perfect femininity and I've chosen her to teach me how to How to dress up how to I don't know how to make make up and all these things so so this Both of these people were I was like a puppet in In the hands and they were forming me Through three and a half yes Some appearances of this in our drinks come through Facade and consulta where I was singing Queen of the night Because I really learned to sing here. I was singing an aria. It was a performance called diva reincarnation. I am in this Cast inside and I was singing as a aria of Olympia From the tales of Hoffman and And it was a shock for people who didn't know me because they were invited to join a performance and knew that I will be the subject of the performance and When they've seen me as I couldn't believe another incarnation and in this project. I was incarnating also a cheerleader And The last of the series of an audience come through was castrato Where my two mentors who are educating me to being a real woman are Castrating me on stage and this is the end of the project and the end of my speech