 Hi guys. I'm just getting all set up. Hang on. I've got to find myself. Hold on. There we go. Mute, pop up the iPad so I can see it. Alrighty. I think we're ready. Maybe. I need a cough drop. How is everybody today? Alrighty. Just make some space here so I can open up the journal. Hey, hello. So we're going to do some more practicing here in my watercolour journal where I've just been doing lessons from classes I'm taking and experiments, color testing of different palettes. And we're going to do some playing, kind of giving a free free view of what I've done before. This is from the Gene Haynes books. If you don't know who Gene Haynes is, you should really look her up. She's fabulous. Her books are wonderful. Hi, Sanae. How are you? Paint rag, hello. There's some fairly successes in here and some failures. You know, this is just, it's a process. Some of my favorite ones are these ones where we did a painting with two different types of paints. These are some of my favorite pieces in this book. I think it's where we left off here last time. We did this. So I want to do kind of, this is what we did last time. We were playing with a new flesh tone palette and I'm just kind of stuck in a face mode right now again. So we're going to go with that for the moment and I do have my Daniel Smith palette out and I did get it wet because I don't know if I want to maybe use some colors from it, you know, out of the ordinary flesh tone colors. I'm not sure yet, but it's out. It's wet. It's ready to go if I want it. Prop it up over there. Got to play a rag. I've got my book. That's really more like a textbook by Bern Hoegarth. His books are really good. They're kind of textbook-y. So they're not, you know, like super fun books. There's something you would probably study if you want to art school, which I never have. But anyway, it has good reference material for doing more realistic stuff and drawing and shading. You know, this is one is all about faces and the head. And I don't know that I'm ever going to get too into doing realism, but I have it out in case I want to refer to it and I think today we're just going to like focus on maybe doing an eye. We might do a pair of lips to it. Depends on how far we get. Okay, I'm just thinking maybe I should zoom in a little bit. I think that's better. All right, so I'm going to just really I'm just going to do a big eye. And I'm going to It's good to have a reference photo or a book or something out and handy. I'm going to start with a number two pencil. This is a Faber-Castell Jumbo pencil. I like these big fat pencils, especially when you're, you know, have any issues with your hand and you have maybe a little bit of arthritis or something going on. They're fatter, so they're easier to hold. So I'm going to just draw the basic shape that I want for that eye. Kind of a squished lemon, right? And you all know I generally don't get this realistic about things that I do, so. Don't stress yourself out trying to What am I saying? Create a whole face. Just pick a feature and practice that feature until you've got that feature right and then go to the next one. It's good to study a book like Bernholt Garth's that has some anatomy and things in it so that you can get your faces more realistic, especially if, you know, that's what you're going for. I almost forgot. So before we get started, you probably want to in tap on your picture, if you're on a tablet, tap on the picture of the broadcast, then tap on the three dots in the upper right corner, then tap on the gear and then tap on 720p. And that'll give you good resolution. And then I am going to turn off the autofocus, which should help. There we go. Oh hey. Okay. Oh good, Rainbow. All right, so I'm just this, you know, like a squashed lemon shape and this is gonna be normally, you know, I don't know, maybe because I'm right-handed, I usually do my eyes going the other way when I just do a single eye painting. So I'm kind of challenging myself to have the eye be the other way. So this is a tear duct and, you know, your eyeball is round, right? So your eyeball doesn't go all the way to the corner. And this is, these are studies in this book. These are experiments and I kind of like because I'm really basically a mixed media artist, I like having all the pencil lines showing and, you know, the orientation lines. So for me, they're not a big deal for you. You may want to keep your lines really light and at some point try to erase them. For me, that's not an issue. I like the pen and pencil marks. All right, so now we're gonna put in, I'm using my Bernholt Garth book for reference material. He's got a whole section here on just eyes. And I am gonna kind of have it be an expressive eye because I forgot to get out any eraser. That wasn't too bright. Not an expressive eye, sorry. I don't know how to say it. Nice. I have big bags under my eyes, so the eye that we draw is gonna have a bag under the eye. There's not really any nice way to say that. I have big, you know, yeah, I have big bags under my eyes. Thanks dad. That's a genetic thing. I'm always at them. They used to bug me more when I was little. I should say younger. Upper lid, you know, your lid is not flat, so your lid is, you know, got some thickness to it. So that's what we're drawing. And this is the crease above the eye. And then let's give it an eyebrow. Then we're gonna come in here and we're gonna put in the iris, the colored part of your eye. And I have a tendency to draw these really big, but you might want to do it smaller. And then we're gonna put in the, um, and I also have a tendency to make it go all the way down, which depending on what kind of eye you're drawing, you may not want to do. I have. I like the Royal Legnickel brushes. I have a few of their different brushes, and I actually like them very much. I think they're a nice affordable brush. My brush collection consists of lots of different kinds of brushes. So that starts to look like an eye. I do think this kind of goes down a little too far, let's see. One of the reasons you do, you do it in pencil is because you're not gonna get it straight the first time, and you can erase it. I don't want to erase all the lines because I just said I like the lines, but I do want it kind of, kind of right. That's better. Hey Josie, how are you? So I don't know what brushes I picked today. Honestly, I just picked them, but it looks like I have them. These are all rounds. And I have a Master's Touch number 24 round, a Royal Watercolor brush number 16 round, and this is another Royal Brush number four round. I have Princeton, Grumbacher, I have lots of different brands. My favorite is Princeton, but Royal Legnickel make a decent brush, and they're affordable. I also have a couple of really expensive brushes that I have trouble using because they cost so much money. So I would say probably don't buy something like that. Okay, so that's not bad. So now I'm gonna take, I have a waterproof pen, and I have my Princeton, my Pilot Varsity Pen. I'll have to decide which one I'm gonna use, if I'm gonna use both maybe. You know, y'all know I like the Pilot Varsity Pen. So I'm going to use the, this is a Sharpie, Sharpie Pen. This is the refillable Sharpie Pen, and it has waterproof ink in it. So I'm going to, I think use it where I don't necessarily want the line to bleed. I know the Pilot Varsity is gonna bleed, and I'm gonna use that to my advantage when we start painting. I also look for, uh, Ramo, I look for brushes to be on sale. So I look for, like, we have an Aaron Brothers Art and Framing in, a few of them here where I live in San Jose, and they are a subsidiary, by the way, of Michaels Arts and Crafts, and they frequently have brushes buy one, get one for a penny, or buy one, get two for free, or something like that. They always have really great brush sales. So I tend to get my brushes there when they have a sale. So I'm being kind of thoughtful about what pencil lines I'm making dark and which ones I'm not, or at least I'm trying to be. But if you make a mistake, remember, this is just a study, so, and, you know, basically we're mixed media artists, so, you know, they're, that, the great thing about that is there's no rules. So well, this is going to be more of a shadow, so I don't know if I want to put any pen marks in there. Maybe I do. I don't know. I saw somebody on Facebook the other day that did some eyes and lips pictures, in a kind of a different style than we're going to do, but I really, it kind of triggered an idea for me and I thought, I thought that was really clever. And I'm on so many Facebook groups, I'm not sure which one it was. I don't know, I don't know. So rather than just draw a line for your eyebrows, try to, you know, have it be sketching lines that look like, actually look like hair or suggest hair. That's not bad. Yeah, so in other countries, other places, even in America, you have issues with, you know, not having the same kind of stores or having to pay a lot for postage or something. But yeah, the royal brushes are decent. Princeton is also decent. Grumbacher makes a good watercolor brush and all of those brands make decent acrylic brushes too. The biggest thing is, you know, take your brush at the store and really, you know, break the sizing because it's going to probably be crunchy because it's got sizing in it and really play with it like this. Make sure that it bounces back. This is a Princeton Neptune, by the way. Make sure that no bristles come out in your fingers. That's like my biggest thing. I hate that. And I've had expensive brushes do that and I've had cheap brushes do that and they, you're painting with it and there's bristles in your, in your artwork. I hate that. Okay, this is the Pilot Varsity Pen and this is filled with, this, this pen is not waterproof. It's going to bleed and I know it's going to bleed and I'm okay with it bleeding. So this, I'm going to go over some of our lines with this in a few places where I want to be able to push the ink around and make it bleed. And I might add, you know, more but I might not. We'll see. We're going to stop there for now at least. And I'm going to start with, I'm going to actually start with that Princeton Neptune one I picked up and I'm going to put the water where I want that ink to go. You're funny. So I want the ink to go in towards the pupil. So that's where I'm putting the water. And you see this beautiful blue-gray color of that Pilot Varsity ink. And this is just water in the Pilot Varsity ink. I don't mind working with the different shapes of puddling that I get. I like that. That's one of the things I love about water color is the layers of sort of puddles of color. Some people don't like that and you might want to spend more time blending than I ever do. I don't generally do that too much. I'm going to, this is a really big brush but I'm going to use it to, you know, I'm an expressive artist so I'm going to use it to let some things drip. I need to move my watercolor palette. I mean my face palette. All right. So I don't know how good of a view you're going to get here but I put some of that Pilot Varsity ink in the eyebrow and now I'm going to just take some water. Let it drip if I want to put more of the pen in there or not. So you could just do that with just the one water, water-soluble pen and not anything else and be totally happy. All right. I do think we're going to take some of our flesh tone paint and I'm going to take one of the lighter colors here. This is the custom flesh tone palette. The video is live on my YouTube channel. Put some of this down. Put a little bit. Hey Lisa. And then we're going to put some water. Whether you call it lifting the fancy term or you just, like I am, you just call it blotting. We're going to take some of that paint off if you get too much. Have a rag handy. We are playing with eyes today. I was inspired by something I saw on Facebook and I want to say it was Jody Ol but it might not have been, I'm not sure. It might have been Jody Ol. I don't know but she did a post earlier in the week where she did some eyes and lips that she was working on and I thought they were so interesting. I do think we need a little bit of, remember with watercolor you want to start light and work your way darker because you can't take it back and it's not like acrylic where you can cover it up because you can't do that either. It's looking pretty good. All right let's go to a smaller brush. Let's try this one. And sticking with a bigger brush then you have less control and if you're an expressive painter like me that's not what you don't want control. You want to be, I'm sorry I'm reading the comments and trying to talk at the same time and it's not working. So for me using a bigger brush means I have less control which is what I want. I don't want so much control. Okay so this is the Daniel Smith palette and I think I'm at the point where I need to decide what color I want my eye to be and see. Oh good Maria and welcome. Right? Yeah facial feature studies are fun and she just when I saw the post on Facebook it reminded me about how fun I thought they were. Okay so I'm gonna I think start with sleeping beauty turquoise. Isn't that just a pretty color? Okay so we're gonna have this be a blue eyed gal. Now remember if you're trying to do a proper watercolor and you don't want it to be so much of a mixed media piece then you need to leave a light spot or a white spot for the highlight. If you're a watercolor I mean a mixed media artist and you don't care so much about that you can always add the white highlight later. I tend to get carried away with the color and forget to leave the highlight. I tend to like doing faces less than I just like doing a piece of the facial feature like an eye or a lips. I think it's more interesting maybe it's more of a challenge I'm not sure and then I'm going to take some Prussian blue. So if you get a close-up look of your own eye there's I have brown eyes and so there's but there's different shades of brown in my eye so whatever eye that you do there's going to be different shades of color in that eye. We're going to let that dry for a little bit and we're going to work on the pupil and I'm going to choose a Payne's gray which is a similar blue gray shade to the pilot varsity pen which is probably why I like the pilot varsity so much. That would be my guess it's probably a good guess too. I like Daniel Smith watercolor paints they're one of my preferred brands Schminka is also a good brand if I had to pick a second favorite that would be another one and when I'm listening to anyone of you all or stream or someone else here on YouTube I'm doing the same thing so I usually am doing paperwork or video editing or something and I've got my iPad going in the sidelines. Okay we're going to let that dry for just a minute and I'm going to pull some Moonglow. Moonglow is a beautiful gray purple color I love this color and we're going to use it here shadows I think put a little bit and then water so don't go if you're if you're wanting to do the expressive drippy thing um puddling of color then don't go too far with the color before you get in there with the water don't put violet everywhere because it's going to dry and you're going to have it will still move it's watercolor paint but you'll have trouble moving it at least that's what seems to happen to happen for me so don't think about just because you're doing an eye even when you're doing a whole face that you have to use you know flesh tones and black and white for your shading because you don't have to I'm liking the way that's turning out sometimes you know I get to the point with my paintings and this happens a lot where I think to myself oh god that's really ugly what the hell have I done that happens to everybody so if that's happening to you and you're thinking that's the only person on the planet that it's happening to and that you're doing something wrong because how come nobody else has that problem first of all it happens to everybody you're not the only one it happens to so just keep working past it until you really I heard somebody say earlier again I think it was on a Facebook post where they said and I think it might have been in studio ABC where they said that they keep working past it until they've either screwed it up so much it's beyond hope or um um they finally worked past it and they like it um it's great I almost got some into the sclera which is the white part of the eye and while I don't mind a little boo boo here and there I don't want to do that too much so I'm just darkening up that upper part of the upper lid I'm going to go to the have a little tiny brush out here I'm going to go switch to that eyes and lips are fun to do these kind of studies with because they're challenging I have lots of creases and shadows and highlights okay I'm going to take a little bit of uh let's see pink just a little bit this is rhodonite and I'm just kind of mixing it with whatever moon glow is left here on my palette and adding it to the corners of the eye where the tear ducts and things are and I'm going to add a little bit of it to the lower lid here that's pretty good I like that I'm looking to see how it looks on camera sleepy beauty turquoise it's a really great color um I'm going to let's dry that for a minute so I can think so just like with acrylic I like to dry my paint in between layers um it's not that you can't reactivate the prior layer of watercolor this is watercolor but it's going to move less it's going to be harder to move around um so if I really scrubbed out and I could get these prior layers to move um but they're going to be harder to move because I dried it all right let's see I'm going to switch to the little tiny brush and the iris is dry we dried it most mostly it's dry let's see yeah I want to switch to um I have this color called lunar blue one two three four five six one two three four so lunar blue which is a blue a gray green blue and I've got my little small brush out here I'm just going around the outer edge of the eye and putting in some of the color and also pulling some lines in towards the pupil doesn't have to be even it's not even in your real eye so I'm barely touching the brush to that paper no digging any holes to china with your paintbrush there we go now I'm going to take um some of the some water and that color towards the top here there'd be a shadow from the island so I'm just going to blend out that color I just used and whatever other colors are on here that are wet or activate be able to be activated around to other brushes let's see let's use this one and let's go in with um ivory black we're gonna just use black I don't use black too often I'm gonna darken up the pupil I'm gonna try to leave some lighter spots to suggest a highlight in the pupil and I'm also gonna try not to cover up all of the pain's gray because I don't necessarily want to do that yeah I like that anybody else have problems with the picture freezing I'm watching myself on my iPad I guess not oh bye Josie I guess it was just me now one thing you can do is you can um do some of your pencil with um some of your pencil work with colored pencils which is really fun and I have these uh multicolored pencils from coin or these are magic pencils I have a whole bunch of them and you can use them in your to do your preliminary drawing and they'll they don't move around because they're waxy all right we need to brighten it up and give it a pop because although I like it it needs a pop um and I think that I want to do this with the eyebrow a little bit let's see okay that's good to know it's just me something with my computer because you know why wouldn't it be so two ways to give it a pop make it darker and make it brighter so I'm using my leftover um ivory black a little bit more make the shadows darker make the highlights brighter so for the highlights I think we're going to use new gambos which is a bright yellowy orange a little bit of it goes a really long way so we're going to put a little bit there a little bit here and then I'm going to take actually I'm going to use my big brush I'm going to take some water might be a little bit too much so blotting blotting blotting there we go yeah I love yellow using a nice bright yellow is a great highlight color a neon is fabulous um orange works I'm looking at my burn hogarth book so you can do a tonal painting where you have a painting like this but it's only shades of say blue and if you look at your blues you'll have warm blues and cool blues so the warmer blues you can use for your highlights the cooler blues for the shadows and that's a fun challenge to do uh in a study painting like this so just have fun with it that's a big that's the biggest thing so I like that let's see I do think I want to do something crazy crazy crazy because I'm not because why not I mean there's no rules and if I mess it up what's a big deal well you all see it but what's a big deal so this is one of those magic pencils this is um it looks like this is color number eight it's like reds and oranges now the paper's kind of wet so I'm I'm not touching it very lightly I'm very heavily to the paper because I don't want it to um damage the paper normally I would dry this but I'm just being kind of lazy this morning and you can get in here with some um a blending pencil or blending pen this is an empty molotov marker and it's got um gamsol in it it's not reacting well to the water but that's fine I don't care it's giving me the look I want so I don't care all right let's see and let's get a cooler one so we have one that's um blues and violets and this is number 15 and you can do this before you know you can do it after you can let things dry and then do it I'm the lazy crafter I'm not the frugal crafter that's Lindsay I'm the lazy crafter dry why wait for things to dry so I'm just going around the iris just like I did with a paint with a pencil being just kind of loose and sketchy and scribbly with it and suggestive and let's see I need a white pen this one might work yeah so these I have two sizes I have the two millimeter and the four millimeter I bought them empty and I filled them with gamsol and it's the best way um to use in my opinion to use gamsol to blend your colored pencils is to have them in these empty markers um and it's the best way like if you're taking your colored pencils with you say on vacation which I you all know I do a lot take my art supplies this is the best way to transport them you probably could put embossing fluid on here in here I I wouldn't I don't see why not the empty markers aren't very expensive this is a uniball signal white gel pen so if like me you have a habit of going crazy with the paint and forgetting to leave any white space and let's dry this first while we're chatting here with white gel pen white paint and add back those things that you lost if you're about to keep white yes it is my favorite blending option I've tried lots of different blending options including colorless blender pencils and all of that sort of thing my favorite one is gamsol odorless mineral spirits I think it works the best in my opinion now if you if you put colored pencil on your drawing underneath or above then you're probably going to have trouble with any white gel pens wanting to write over it because they don't generally like that too much hey Kathy I think gamsol odorless mineral otherwise known as odorless mineral spirits is the easiest thing to use to blend your colored pencils and since I'm the crazy lazy crafter crazy well crazy crafter too but a lazy crafter hey Melinda um I'm always going to take the easy road always so um yeah odorless mineral spirits you can get it it comes like this this is one from hobby lobby it was 799 I used a coupon and it was funny enough usually in most most other stores it's by the oil paint supplies in hobby lobby it's by the colored pencils so if you can't find it look by the pencils and um it has a very low or no order which is great for me because otherwise I couldn't use it I'd make me wheeze um and then in that same aisle you'll find the empty Molotow paint markers and you just fill them up with the odorless mineral spirits and you're good to go oh thanks Kathy so that's pretty good I think for a quick study of an eyeball I'm feeling like I need some more shadow right here yes gamsol's the same as odorless mineral spirits that's an affirmative I think gamsol's a brand name I mean you know the biggest reasons that I started doing watercolor Wednesday were for a couple reasons of course to share my love of watercolor and encourage you all not to be afraid of using watercolor but also don't be stuck in the rut that if you're going to play with watercolor you can't use the other mediums with it that's ridiculous use your colored pencils use your pens and uh your pen and ink use your acrylic paint use your gel pens um oh good good information paint rag um have fun with it and you know it we're all mixed media artists at heart so you know that means that there are no rules and am I an expert by no stretch in mind expert Maria you're so funny okay so I'll be the lazy crafter you're the crazy crafter Maria how's that and I think you're gonna love um like what Kathy said she loves using them all together I think you're gonna love that um it's just gonna give you our mixed media pieces your journal pages and extra depth and ah so much fun I'm adding some black in here because I'm just really feeling like I don't know I'm following my instincts and feeling like we need to do something with the shadows and it really I don't use black a lot um generally but yeah I'm not saying that's for dang sure my therapist will tell you that so would my husband probably yeah I like that better it needed it just needed to be darker I think we have the best little art family here on my channel and and all of your channels in the Facebook group I've been uh watching some drama that's going on with other YouTubers lately and I'm so glad that um we don't have that here and that we have a kind supportive group of mixed media family here on YouTube oh Vaseline okay so Maria you're gonna have to do a tutorial on the Vaseline because I've not heard of that that's a new one okay so I kind of like that and I think I'm gonna stop now because if I keep going I'm gonna ruin it does anybody have any questions so while I'm waiting for you all to catch up with the question I know see you said something about Vaseline Maria now you're gonna have to do a um now you're gonna have to do a tutorial an internet drama is just not worth it you're right but we have a really great supportive mixed media family here on YouTube and over on Facebook let's keep supporting each other we all know our lovely wonderful Shannon Green um who many of us uh look up to and she's the reason that we are all here in the first place uh is having a hard time and if I don't know I haven't checked today to see if she's reached her goal yet on GoFundMe but if you haven't helped her yet um and you can help her think about doing so um and if you can't maybe you can just share her post go to her Facebook page and share her post or share her video where she talks about the struggle they're having right now we have a number of people who are going through health crises right now um currently or have in the recent past so let's send them some love and light people who have had other hard times they've had personal loss um let's send them some love and light and um support there's enough negative people in the world let's not add to that if we don't have to I'm going to do one last thing I said it wasn't going to see and look what happened I lied holy cow you ready uh wait I want to put a piece of paper I just got paint everywhere that's perfect I love that okay well Facebook is one of the ways to stay in touch with the mixed media community Kathy besides being here on YouTube and um we can be a lot more supportive of each other on Facebook than we really can here on YouTube so I would encourage you to think about it even if you don't do it for anything else um um you don't have to tell your family you're on the Facebook uh yeah I have create some crazy family so I'm friends but anyway you don't have to be like me and friend everybody on the planet um but yeah let's um let's support each other and Maria of course we're going to be kind um of course we're going to be kind Maria if you do a tutorial we will be 100 supportive do it um I would love to see the Vaseline process we're all here to share I'm by no means an expert but I definitely want to share what I do know and learn from all of you yeah and my brain is always going in five million directions at the same time so when I stumble for words it's usually because my brain is wanting me to say something else it has nothing to do with what we're doing so just FYI um happens all the time um but yeah let's just be supportive of each other and you know my links to my Facebook group are in the description below along with my Etsy shop and all of that stuff um but uh let's yeah support Shannon and send some love and light out to those who I know I know are suffering right now or having a hard time right now Cindy Utter our beloved Cindy Utter if you're a subscriber to her channel if you're not go over and subscribe but um she's having a personal health crisis right now and I'm sure many others are that I don't even know about so um let's send them some support and have some fun playing with your supplies don't worry about breaking any rules don't listen to this as posed experts just shut that off put turn on some music and play with your stuff and you know if you're just getting into watercolor and you're don't want to spend a lot of money that's fine get a set of Prima watercolor paints a koi set the kois are available at Hobby Lobby as our Windsor Newton they're both decent starter brands and you can use a coupon um so if you want to get a few watercolors to like add to your stash of stuff to play with your mixed media then um definitely do that and just start out inexpensively you don't have to you know this is a full set of Daniel Smith um I shouldn't say full set this is my palette of Daniel Smith they have 238 colors there's no way on the planet I've gotten a room in my studio for that but these are my favorite 52 colors of theirs and um they're expensive so you don't have to start out doing this yes whether you're a Christian, Buddhist, Wiccan or whatever send love and light prayers if you do say prayers to you know these people they can use all the good thoughts and energy um and you know we're a mixed bag of people and we don't judge and we accept everybody and because we love art and we love life so let's just be supportive and I just want to remind people that you know there are just so many more things in life that are more important than being petty so let's just not go there all right that's it for right now guys I am going to take some pictures before I put everything away and then put everything away and try to go get a couple of errands run yes you definitely can post your eye picture in the Facebook group um I want to see if you guys do projects while we're watching a live broadcast or because of a broadcast of mine you've seen for all for God's sake please post it in the group I would love to see if you work on something else while you're watching my broadcast which is that's usually what I do um and I'm not always following along I'm usually listening so post that too I would love to see what you do I try to go and you know like everything and you know comment on what I can um the Facebook group is getting really big so that's getting harder for me to do do try to spend a few minutes a couple times a week going through all your posts and I try to at least glance at them even if I don't comment or like I try to glance at them and I probably have seen it so but I try to at least give it a thumbs up so you guys know I've seen it but yeah I would love to see what you do that would be fun and yeah judgment and drama free zone not only on my channel but in my little mixed media world and in my Facebook group it's a judgment and drama free zone and if you're going to do either one of those things you're going to get booted out no questions asked and no second chances just fyi I'm going to be brutal about it all right everybody have a great day and don't forget the most important thing you know what that is right go out do something nice for yourself because you deserve it I'm going to go over to Joanne's I think and look take a look at they have these big giant folk art has these big giant brushes that are intended for chalk paint and wax and I'm thinking I want to pick up a cup one or two of them and try them for stenciling because I'm really I'm really interested in them and I have room in my studio now that I cleaned a purge so I could before I could you know afford to put them in here somewhere all right bye everybody have a great rest of your day paint some eyeballs and let me know what you what you come up with all right and burn Hogarth so burn Hogarth does drawing and anatomy books uh head and figures they're more text bookie but if you're really into getting better with realistic drawing and learning more about anatomy and getting your proportions correct he's a great author these are great books I definitely would recommend them you can get them on amazon and I'll try to put his name and a link to his page on amazon in the description below after this broadcast loads to youtube all right bye guys