 I have a couple of quick nuts and bolts questions about writing and your process. Your prose is very much characterized by restraint and economy. And I'm curious what kind of writer you are. Are you a linear writer who gets it, you know, each sentence right before you move on to the next? Or are you, do you overwrite and cut back mercilessly? And my other question is you write often of nostalgia and longing. And I'm curious how you avoid sentimentality. Well, that's nice to hear. I'm glad that that's the case, in your opinion. You know, I think I write about loss. I write less about nostalgia, I think. I mean, it's connected, of course. But that's really what the writing, you know, everything I've written has that at its core, the idea of loss. And as for how I write, I just, I mean, I don't know how I write. But I certainly am not, you know, I mean, I go through, you know, a million drafts and I'm constantly reworking everything. So, you know, the idea of writing a sentence that's, you know, that's all set to go and then moving on to the next one is the opposite. Whatever the opposite of that is, that's how I work.