 Tchaikovsky wrote an incredible concerto for piano and orchestra that nobody plays because of the popularity of number one. But I love the Gillel's performance of number two with Kondrasch and one of the most inspired and reckless things. And you're going to hear one of the few people that play the second concerto many years ago. I called her and I said well I want to do something on the cadenza because the cadenza is truly part of virtuosity. Can you do the second concerto? I know oh no no I can't I can't get that ready. But did I say that? Yeah but five minutes later she calls oh I just looked at it I'm working on it. And here it is. Here is it. Tchaikovsky did not have Lisbianism. In fact if Lis were alive and he had heard the Tchaikovsky's second cadenza he would have said oh let me change the passage work to make it less awkward the way he did with the Schubert Bondur. But it's very orchestral and I think that's why it works and it's lovely the melodies are lovely. It's lovely it's it's it's such a piece of junk. Exactly.