 to get together all these people and all the idea around this project. The other important reason I think is that we are holding, doing the premiere, the world premiere, of a cantata piece that has been written for this ensemble, for this occasion here. We are very pleased to have this cantata with the presence of the compu how to celebrate the sixth anniversary of this department. I must confess that I was quite confused how we celebrate a department that stands war and sometimes sounds strange and weird that working in this department we constantly are debating with ourselves the ethical aspect of doing what we do as scholars. In my side life I write poetry and I have written a series of poems that in some way reflect I think is part of my job here as well as a scholar and how we look and how we study human relations with other humans that normally are sometimes driving to conflicts. What is the reality of our world even today as I speak to you, we are living such a strong issue very close to us, a strong war, an invasion of our country. So it's difficult actually to talk about statics even when we are doing that. So I wrote a series of poems that are deliberative for this concert. I was honored to have this deliberative part of the music by my partner, as I said, who made poems much better than they are indeed. And then David Triss, my good colleague and friend from the department of Spanish poetry he translated into English and made poems much better even than the original ones. But as you see and you get the debrief there with you, what we have here is two sets of poems. One is the creation and another one is recreation. The first part of this cantata is, it's a more dramatic in a sense of reflecting upon destruction. We are with 15 poems that are talking about the 15 days before the end of the world basically. So we end the first part with the destruction of the world in which we live. But then we recreate it. And this recreation is exactly the opportunity of making things different. The opportunity that we have to reconstruct, the opportunity that we have to rebuild. It's not so much stress. You see that our recreation takes two weeks and not only one, as the original Bible creation says. So we talk two weeks to recreate this world. And the creator of this world is a female character. It's not a male one. And we start creating the women and we start creating the world in different manners and different ways. Probably as a hope that we can also recreate in our own world some differentiation, some distinction and some peace, I would say, as well. So you have the texts there. They are not descriptive. They are not telling a story. They are much more provoking in our senses, as well as the music will be. We'll provoke our senses in different ways as well. Quite related to Brazilian musical expressions. Well, myself and the composer, we are Brazilians. Inevitably, we'll do that. We are joined today for this concert by two Brazilians that some of you know already. By the group of Horado, a celebration, a dream. So you can forget that. But if you like it, we can go there and celebrate the music together as well. But I hope that will be the second option that we have here. So I would just invite you to join us in this adventuring through this cantata. Imagine these last days before we end week on world and how we can recreate this world in different manners and different ways. I hope you will like it. Thank you. And I just would like to tell you as well that on the 7th of April, on the 7th of April, at 7.30, where Gabriela and Katarina on the 7th and 7.30. Gabriela is here in Green. You can ask her details after. It's her premiere. Thank you so much. Thanks again.