 All righty, we have the monster fall cool cool cool and Here's a monster attack Well Let's go with this one first This feels a bit fast and this it's made of the the stepped mode. I just be Once we spline this out we as a royal we you're doing it But there's just something about the arm going back with the leg at the same time So I will probably keep this Here go back with that arm first that it pulls the Upper body and shoulder with it then the head reacts and then you can come back with the leg And it's good to see all that are from no areas. That's a good silhouette This one I'll probably bring that arm a bit lower just kind of depends What your emphasis is going to be in terms of how do you want to present it? Even this feels a bit too covered over there This I will probably bring that tail a bit lower show some fingers here Probably to just leave some negative space in there Maybe even this coming up a bit get a bit of a line like that little things here and there But let's just spline this you know like avoiding tangents here on certain frames But I think as a general thing if we can delay that and give this enough time to hold here so that You can then Drive this again It's basically it is full slide because it's opposed to pose But I think if we have like I said the delay in that go back and then on this you might even Drive it through this imagine that the shoulder Upper arm area here is the driver and then that arm comes in for a big snap Probably have on this view bring that a little bit lower so you understand that structure a bit better So it doesn't feel like a short arm But then you have to imagine if it's such a big turn Going this way and so high I would have a moment where that Creature might even be up in the air a little bit and off balance That makes sense Because there's so much movement in this I feel that moment We'll have it go up and then he can land but then again you have such a turn and twist which is nice Technically, but we never go beyond that line. That's why I would go slightly Off balance because of all of this but then as you come down It would come down where the body would be over this way and then come back Into that and right now there's a feeling of Such a big move that kind of stops after this Or we just kind of come down or just continuing like this and then after that We're immediately going to this big move and again This will be needs more breakdowns and in the display and you see how what leads this action Is it going to be this area shoulder and into the elbow where we might have any bigger drag potentially in the head? Even here and then follow through with that room With that move for me. It's just Pushing the weight just a bit more There's a little hint of a pause Which is good on that one to me just pushing then that pose a bit over more And even this will then be so as you go back Into this going up again. We're stuck in here versus. Whoa. Let's go back back back Like you want to have a line of action Was already like this and then you bring it back and you go, all right, let's go and do this But then we're stuck in this line Versus even you can see this even here versus maybe that tail not so high to give that upper body more room to go Back with those arms in the head is here and really pushing that line of action and then It's kind of everything goes forward here So you might potentially leave with that chest more and let that that head drag a bit more So all of this shoulders up and then boom It's like imagine you're you're leading with this area Maybe up until here, but then this is moment where that part will slow down a bit And then those arms will then overtake and go But then after that after that impact I see some Change and stretching but imagine that after this that lasts from here to here It's gonna be so strong that these will obviously stop because of the ground But then the head and chest can continue to go down a bit and then come back up into Up and down to what you have here. It feels like And then that's it like this. This is a bit of a weird So much force turn twist everything and then it's like, oh, I'm exhausted. Oh, oh, what did I do? That for me is a bit of a break there. We're like, what's what happened here? Did it are the fingers hurting is all of this hurting? What's going on with the creature here that to me sully is a bit of a weird break. I'll see a style break It's almost like an energy intensity break of what's going on here Then up into ah, but then be careful that I will push that Higher to be more asymmetrical It's a bit too twin than the posing and all of this And even here just going back again more breakdowns and spline will help us offset things But right now it just all feels they feel very apparent. They're just all kind of moving the same there those arms So we're going to You know, like one goes up more than the other again that pushes into asymmetry Yeah, and then recovers into that This feels almost a bit off balance or probably in that leg back a bit more You can see this here just a bit just I know it's very heavy and all that it wouldn't fall backwards But I would still give this leg a bit of a backwards pose there in my awesome drawing Then this one Again breakdowns and everything but if that's such a sharp bow back like what is If something is it's being hit here, I probably drag that hand a bit more and then it falls through and Does the whole move back This feels like there's too much moving at once through there So like in your head, I would I would pinpoint like what makes this go back This is a projectile something or specifics This is a shock wave and we want to see that even if you don't see The shock wave if you don't see the impact the projectile maybe on the shoulder We want to feel that in in the breaking of the body parts of what gets dragged behind and all that This is not too bad. I like here when you go back. I'll probably swing this arm further here So we're going back with all of this and it feels like we're almost starting an arc in here Then we're locked in this for a bit long where I will go on that pose further out Then it can be a maybe a bit more out and then it can Lead into That drag there here. Definitely. I like how it's there's a lot more drag and twisting here Then it gets a bit too post-to-post not post-to-post but um Just too symmetrical I was liking up until here and then to me then it's only oh, they both go up Boy, they're kind of the same height pretty much and they kind of land everything kind of lands There's an inkling of offset, but then on that post just the way it's stepped now It feels very similar And then it's almost like the fingers are a bit too loose and doing their thing there. So to me it would be And then oh now continue continue what you have here. You're starting to drag here Keep going keep going. Oh, no. It's only stops and twists again. So to me I would have something where like this Side would now land first So on this What's the twist here? Well, I don't maybe I can see this going the way you have it and then it says put in the lens on this side So Hold on. That's me moving my frame if you do this Actually landing on this I can also see going twist twist back during that Where we end up really favoring this but then I would just either way I both can work but either way I would really favor a side Strongly and then you have a bigger one to drop Versus this feels a bit too clean and flat So which is again And even something where it's like uh falling and maybe this foot can slip first So it doesn't stay locked there till the very end like here it starts to like, okay We're really holding this pose there. I would already flip that foot up and then this could already be higher And that way you have a bit of a stronger silhouette offset and and how things fall Just a bigger complexity towards the end subjectively, of course And that's that. All right. Thanks All right There's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions Either way a like and subscribe would be awesome. All right. Thank you