 buh buh duh buh buh duh dee buh buh buh dee buh buh buh dee buh buh dee buh buh buh dee buh buh dee buh buh buh buh dee buh buh buh dee buh Edna don't touch that thing on the floor Oh Juicy Instagram, Twitter, and other things Juciness Twitter, Facebook, Instagram Instagram Juciness Juciness Tok Today we're acting to the VJ Sadapati Interview debuted Oh Are you going to be talking about Super Deluxe again? I don't know This is an old interview with VJ Sadapati It is impressive to see his outlook about acting and the art. It has subtitles, hope you enjoy. So I'm looking forward to it. It's just him talking about acting, not the specific. Right, not a particular role per se. I don't know what to say. So it's his interview with the... Roger the Conf DJ with subtitles. Okay. So it doesn't really tell me. That awesome actor. It came out in 2021 in January. Oh! Maybe it was post film companion? Yeah, it's film companion. So I guess it came out earlier this year. All right. Cool. I'm looking forward to this. Hey, hey, hey! Tati-tati, tati-tati, la-di-tati-ta! I'm still here you know. Get the audio where it used to be, and shove it up my butt. Here we go. We should get all of our interviews to go. I don't stupid Hello sir, welcome to Khunkapa This is your acting part You have to be careful Like walking, talking, acting, etc You have to be careful So you are a preparation based or an artist You have to be instinctive Thandi, these are external Behavior is external I have to say it in a dialogue I was talking about I am trying to understand what is the real health of the character That is important Everything comes on its own I don't believe in that I don't care if you know that I don't care But there is a person inside If it is a Bharadwaj, if it is a Prathottam, then it is a Bharadwaj If it is a Prathottam, then it is a Bharadwaj I can't think about it Everything can happen on its own You have to sit in front of the Bharadwaj You have to sit in front of the Bharadwaj You have to think about how he thinks Do you act like a hundred percent about Vijayaswethapuri in any movie? Do you act as if you are here? I don't know what to do I don't know what to do I don't know what to do I don't know what to do I don't know what to do I don't know what to do I don't know what to do I talk to the teacher He is making a share I am at home When I go home I find it It is a sofa My family is almost like that So That is so close to me In the same way I believe that all the people are there. I have heard about it in my own personal life. We all are there, we have a lot of things to trigger. You have imagined it in a wrong way. You have imagined it in a good way. You have imagined it in a good way. You have imagined everything. You have imagined the water that the body has exhumed. You have imagined the world and the future. When I was doing Sundarapandi, I was very happy. I felt like killing all the women in the village. I felt relaxed when I got the chance. The killing was very relaxed. You cannot do anything to anyone in the village. But you create the content of the film. When you believe in the truth, your mind will be relaxed. When you do romance, there will be many other things. When you do romance, it will be great. You will feel it in that place. You will feel it in that place only. When a girl is with you, you will feel it. You will feel it in your legs. A second girl will see your body and every other thing after seeing it. You will feel relaxed in that place. But it will be good to have a second girl standing beside you. And once your bigger girl will feel relaxed. Everybody feels something is right and we are the things. You will feel free to do movement that is face to face. Actually, all of them are like this. I can't get a chance to do it. When I search for it, I find it very interesting. When you see a film, or do you take precautionary measures to prevent other actors from being affected? No, sir. You don't care? No, I don't care. Because no one has ever seen that film. I look at what they have done. I look at what they have done. I try to read the top verses. People mind. What they have done is that people mind almost everything. But I am an actor. Almost everything. The words he speaks, the behavior, what he thinks, all of them are like that. That is my childhood habit. Why did they speak like that? Why did they speak like that? Is it wrong to stand like that? Everything is like that. Why is this house like that? If this house is like that, they won't be able to move. Everything is like that. It is not clean. It is here. There is a reason for everything. Why is this house like that? Why doesn't he have any vision? When he looks in the eyes, when he looks at his legs, when he looks at his face, when he looks at his face, I don't know all of them. I don't know all of them. I have seen all of them. That's the only thing I have seen. So, now you are making a mass film. Don't do a movie like Rajvees. Don't keep a film like that. Don't keep a film like that. Don't keep a film like that. But if you see film, then you have to see that film. What is that? That is his ideology. That's how much I delivered the Mass Dialogues. Rajiraj sir has something in mind. That's a form. Kamal sir is a form, Satyaraj sir is a form. In that form, I also have a... You were like that before, sir. I was a little bit down. Before that, a dialogue was made. Ramraj sir was like that. Ranee sir was like that. Kamal sir was like that. Yes, he was like that. Mohan sir was like that. Satyaraj sir was like that. Bhagiraj sir was like that. There was a variety. You can think about it now. Varieties are a little less. There were so many actors in Indujewal. I wanted to see that again. So, I know the content. I know the reason for the taste. I know what's going to happen. So, I wanted to present that to you. Now, in the market, you have invested so much. Most actors are big-budget or mid-level or low-budget. They are all big-budget. And actors are also products for that. But you are actually the only star I think right now. You are doing that. You are doing this. So, now, in the market, you have a set value. I think it's not enough. They are looking at me. I tell them that it's not enough. Who are you? Look at the movie. But I need a reason to tell them. I will collect your salary. Okay, fine. I don't have that much. I can't afford that. I can't afford that. So, I want to invest in business. I want to invest in business. I don't know why I am here. I am good with my money. Whatever I am getting. I am happy with that. I am confused with my manager. I said, if I am going to grow, I will go down. If I am going to grow, I will grow. How will I grow? People are afraid of me. They are asking me not to take the money. They are asking me not to take the money. The world is changing. People are changing. So, I don't have that kind of relationship. They are asking me not to take the money. They are asking me to go down. I asked him to go to a nice house. I asked if he would be living here. I asked him what to do. I asked him to be happy. He said that he would be happy with the money. I said that his money would be happy. We are afraid of the business. So, we asked him to take the money. He said that he would not take the money. I told him not to take the money. So, I am in this situation. I ask him not to take the money. How will I find Seethakaliputu? What will I find in 96? Or how will I find Junkai? Some people asked me, why don't you help me? How will I find him? I think Rajini sir will be lucky to find him. When I was working with two actors today, when we both discussed, no one would have taken it easily. Rajini sir taught me a superb performance. I learnt a lot of things. I learnt a lot of things. I was watching the show constantly. I was very worried. I wanted to go to 3rd place. I wanted to make a movie. I wanted to work with Rajini sir. I wanted to make a movie with Navasu. He is an intense actor. He is an entertaining actor. We both are ordinary people. When we both shared a screen, he looked into me and said, how would I know his ideology? I told him that I will do whatever he tells me to do. If I learn from him, I will not be able to earn money. You have acted in Kerala, you have acted in Thiruvannam, you have acted in Police, you have acted in Thiruvannam. Do you have any dream role about Vijay Sethupathi? No, sir. Nothing. Nothing. Nothing. Nothing. I wish to see something. Do you want to become a king? No, that dream. This Karpani Kalappa is a real king. It is not here now. We have a Karpani Kalappa in Dharamudra. Bikram is also a film. There is a lot of Karpani Kalappa like that. I wish to do that story. I wish to become a great king. That is also a dream. I wish to become a futuristic film. I wish to become a futuristic film. I wish to become a great film. I wish to become a man and a woman. I believe that all these conflicts are there. All these conflicts are there. I wish to see all these films. That is very important. I wish to see all these films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. I wish to see many films. Thank you sir. Thank you so much. That did not seem like 11 minutes. No, it didn't. He seems like a very intelligent guy. And we've seen other interviews, he seems like a very genuine person as well. And wanting to not be labeled, which I think in Indian cinema is probably harder. Yeah. Because audiences want you to be the hero. Right. What they've seen you as before. Yes, they want this, not all of them, but that's why there's these big mass films that do so well. Because a bunch of people want to see this person that they love so much in this particular role. Correct. And he's an artist, he doesn't want to be in one role. He wants to do 96, he wants to do super deluxe, he wants to do these mass hero films. But he wants to do everything under the sun, and I appreciate that. I do too. Yes. You know, he said things that are the quintessential marks of a genuine actor, a trained actor, that his primary place he goes to and the first place you should go to is the script. And you don't look for externals. That's one of the biggest mistakes actors do, and I made early in my acting world, is that you look to the actors that you admire and you try to emulate what they do. And the fact of the matter is they are who they are because they're not trying to emulate in anybody else. They're just being. And they're not putting on an affectation, they're just being. And the other thing he said that's very true about acting is the fact that, and this goes into the judging of characters, where you have to recognize every character is in you. You could be anybody. Yeah. And wanting to tap into those things. And that would be the next thing that, you know, once you've played a character, you may want to play someone like the character again, but you probably want to move on to something new, and chart territory that taps into a place in you you've yet to explore. So, yeah, he just every time we hear him talk, and the more we hear him talk, it's so obvious that he is. He cares about the art form. He cares about the art form. Yeah. Love it. And what did he act in? Or was he just saying he wanted to work with the WAS? Or was he to have we reacted to that trailer? I don't remember. That was in the WAS reference. I'm in the Siridan Shaw reference. And I think he referenced Kamal, but I think that was as a fact. It sounded like he worked with them. Yeah. Let us know. Maybe we're just dumb and we already reacted to it, and I just forgot. That's very possible. Yeah, so let us know. And what should be the next VJ Satapathi film that we watch down below.