 Hey guys, Mark and Jeremy here. We, we sped this up, consider a blight. We got to watch Jason Goes to Hell. Note that it's not called Friday the 13th due to, uh, legal issues. Yeah, this is actually a pretty kick-ass DVD case. This is dope cover. Like, look at that. Like, Jason's face is getting sucked in by, like, demons and shit. It's not focusing on it because it wants to focus on either of our faces. And the, in the back of it basically shows the whole movie and it actually talks about animated DVD screens. It's animated menus. High tech. Um, yeah, it's Jason Goes to Hell because Paramount no longer had it. Uh, it's New Line, which leads to, like, the twist ending or whatever at the end. Yeah. Um, which I'm sure we'll get into. Um, I love this movie. This is like, this is kind of what I grew up on. Like, cause I, I don't, I think that if it's not the first Jason movie I saw, uh, it was early on. Like, I remember, I think I might have seen the first one and then my neighbors were like, oh dude, like this one just came out. Uh, this movie's 25 years old this year, which is crazy to me. It's what I always thought Jason movies were. I mean, it doesn't really have a lot of Jason in it. So I guess we'll talk about some plot. Like this movie starts randomly with Jason no longer a baby. Yeah. Like no longer a kid, like at the end of chasing this naked lady. And then he gets blown to fuck. Robocop times infinity. Yeah. FBI agents with pistols, shotguns. Yeah. First guy's like pop. She does like the flip over and the guy's standing up. They got pistols. Now like the next guy shows up. He's got like a fucking bazooka and a bunch of dudes like coming down from the trees. There's one guy who's got an MG. He's like, great. It just blow this motherfucker to hell. They literally blow him up and like his head spins and hits the ground. Then his heart's there and the heart's like the big focal point. And then they bring it and we get to see Cain Hotter as security guard. Like the guy who plays Jason in the beginning and end of this movie. And then it turns and I guess in some mirror shots. And then the corner seems to get hungry and he just wants to eat Jason's heart. It's to sweat. And he's like, yeah, he's saying. And that's basically what the movie is. It's a weird amalgamation of Sam Raimi movies, Australian horror films, kind of like what Peter Jackson's earlier horror movies were. Kind of a really mixed mash, messy version. I kind of think that's kind of indicative like Adam Marcus is director. I'm not going to claim he's a good director, but he's definitely shows like kind of what directors of horror movies kind of turned into where they're just referencing other horror movies. Oh, for sure. There's so many references, not just in terms of material. Yeah, but like they reference a lot of land as reference, like a direct somebody's called Landis. They talk about the Myers house. Like I mean, John Cunningham did that in like the early Friday, the 13th as well. Oh, yeah. Like there was a little bit of that. But we get a direct reference to the Evil Dead, where they find the Necronomicon, the end, the tag on, like it's got a lot of that. And even just some of the shots are very homage to contemporary filmmakers. Like low hanging shots, really close up shots, slow, like quick zoom ins. That conversation that slowly gets closer and closer. Yeah. And there's this really random kind of homage to John Woo at one point. There's this slow motion gun fight. Yeah, which is like, what is this doing here? It's a funny movie. Like some of the gore is fantastic, like that random chick who gets ripped in half in a tent. And that's what I mean by when I say this has got the Jason that I love. Like this movie is loaded with nudity. And it's like the least sexist with the nudity, because there's also like a fair amount of dude nudity in this. Yeah, the cop is just randomly naked in videos. Full naked, getting all shaved. There's like nudity on the guys. Yeah, the guy is naked. All the sex scenes. Yeah, like basically dives into the tent naked before. But it's like the desk, like that, the tent scene, like the chick gets like carved up with a scalpel. And then you see you're dead later. And then the chick, which I love because like they choose, it goes back to that old school, like Jason is an S.D.D. where they're like, we don't need this condom. And the guy like throws it on the ground. Yeah, he steps it on it. And then Jason steps on it and then shanks them. And that's the thing. He's not Jason in this movie. He's basically a zombie, weird game thingy that's being transported from one person to another until you kind of retcons the whole Jason thing. Yeah, it's definitely something. The thing that possesses and it comes out, like it's the thing that's on the box, I guess, comes out of his mouth and like goes into the next person. But then like suddenly bigger when it comes out of the guy, like it comes out of the cop, the young cop's neck. And the thing that this movie does have a bit of a similarity to the first film is you don't give a shit about who anyone is, except for Rufus from Supernatural. Yeah, Rufus. He's a cool badass cow. Crate and Duke who insisted on wearing a cowboy outfit for this. Which is kind of cool. It's unfortunate because his character is really cool, then he's defeated by a random trapdoor. Yeah, basically. So stupid. That's the problem too. It's like these kills are kind of interesting, but there's a lot of characters that are in this that you just don't give a shit about. Like there's the guy who's trying. It ties with Jason X for the most kills in the movie at 23. Yeah, there's a lot of movies. There's a lot of people. And there's a lot of funny ones too, but the problem is like all these characters are either really weird caricatures or they're terrible characters. Like the main guy who's trying to save what's her name's daughter this whole time. He looks like a cheap ass Phil Hartman. He's a terrible character. He's really he's just like running around doing stuff. This movie is a mess. It is a very entertaining mess. It's got a lot of energy to it, but it's a fucking mess. I couldn't remember any of the characters names. Jessica. Yeah, just because right there. I was going to say Stephen too. I remember that name and I know Jason's name. And Creed and Duke. I remember this film is definitely trying a unique idea, but the problem is by taking for he's like Kane Hodder out of Jason. We got these other people doing it. And then even when Kane Hodder is foresee for he's he's literally doing the Terminator Salvation mode of killing people by throwing Phil Hartman around for like a good two minutes. That's the main thing. This movie really could have used more Jason for updated technology, for updated visuals and some really cheesy ass fucking special like visual effects, not practical practical effects. It does it. Can be as fucking bad. They're really good, but this it's got so like all the death, the squeezes the head and in the right after the shoot out he elbows the chicken in the face and her like face folds into itself. That was really cool. While he's deep friring your husband. Yeah, but again this movie's just it's just a mess. The music. Yeah, I was waiting for it. It is terrible. It is literally the same. It's not going to end up on listening to the movies. Fuck no. Brian Fidel did the soundtrack for Terminator one. He went a little bit off the deep end with that soundboard, but at least it was entertaining. And this one is literally just the same three fucking keys over and over every every scare thing is just and then especially the beginning to when there's like this low ambient music when the guy's doing the corner stuff and then it cuts to the credits are like the opening titles and it's the same sound. 90s Medi like it took maybe 10 minutes to make this music and he composed a grand total. It's Harry Manfredini as well, which there's no real excuse for it. He's better than that. No, it's terrible. It's the worst soundtrack out of all of the movies. Oh, yeah. And the first one I don't even think had one. So yeah, that's it. That's better than this. That's better than this. It still feels like a Friday movie. Like I really think even though we don't have a lot of Jason, I the cadence of it, the pacing, it still feels you want to know what this feels like to me a better version of Freddie's nightmare of Freddie's final nightmare again, though, that was 1991. Like we talked about maybe doing a deep dive on horror in the 90s because it it really falls off the deep end until the late mid the late mid 90s. Like 96 was screaming a few other things. There's a couple gems in there, but but then again it changed. It's not the same thing that we were that we were getting all these movies and I mean Jason started getting tired. And I think that's what this movie is trying to do. They're trying to change up Jason because he was getting tired. Well, but in psychological kind of horror stuff like that, like dramas, everyday action heroes that became the norm. And so that this kind of fell apart. And this movie didn't do great. It didn't do well in the box office. But I mean, I don't feel that as a I don't I can completely see why I I still like this movie. And this movie not only with the Evil Dead tie with the yeah, the end of this movie is I mean terrible. The actual end of the cover. Oh, focus on it. It says it says this is the most incredible ending we've ever seen. Fuck you, Fangoria. The last 10 seconds. Yeah, that's that's the only Parker's hand pops out of the sand and grabs the mask, which by the way, Kane Hotter plays Freddie's hand, which he did, which makes him like the only guy to wear the glove and the mask. Like, yeah. So like it's it's it's it's there, which is a very interesting but and what's funny enough is that was their idea that was kind of like their build up to Freddy versus Jason. This was supposed to like this is nine nine years nine years that it took and they had to go through the mastery of Jason X first. It's got that tag. It's got the Necronomicon tag, which like basically leads to the Ash versus Freddy versus Jason comic, which is a rat comic. If you haven't read it, check it out. It's awesome. It's got a great mythos around it. It's got good kills. Got this. Yes, there's obvious fucking flaws to this garbage heap. But for me, I like four. I like six. I like one. I kind of like three and I like Jason goes to hell. Jason goes to hell for me is one of my one of the better ones. It's better. I mean five is I fucking hate five. It's better than seven. It's better than eight. You disagree with that because you're fucking out. Okay. All right. So in our ratings, what would you give this movie out of my seven? I mean, I'm still probably going with the three. Like I realized I probably should have to give eight a one. I thought about it later and eight. What did we give it a three? I gave it a two. I should have given it a one. I can watch Jason takes Manhattan over this. Admittedly, I have to skip a little bit like the first like 20 minutes of that movie. But I like that one better because that was the best Jason experience for me besides six. Four was good, but I just died. Yeah, I don't know. I just think that I think Kane Hodder just had the best. Kane Hodder on his murder bone around. He doesn't happen. We talked about it. He's got it in X. They think Black Panther did this first. It just X. Oh, we're going to piss off so many people. So you're going to give it a three. I'm going to give it a two. I'm surprised you got that high. But we're back on pack where I rate these movies higher than you. Yeah. So that means we are now three away from Freddy versus Jason. Jason acts the grand opus masterpiece. And then the Jason remake with Jared Padalecki and then Jason versus Freddy versus Jason. We're finally, we're almost there. We'll try to keep a smaller gap from happening. But I can definitely say when we do do Freddy versus Jason, it's going to be a long one. Yeah, we got some fun stuff. We got a few, we got some good things up our sleeve for that one. So anyways, guys, hope you enjoyed this review. Thank you for watching and we'll see you in the next one.