 Alrighty, a new version, no sound, we got new sets, lights, nice, nice, oh cool, nice, yeah it's very neat, I love the changes, cool, okay I got some thoughts for sure, also asking about poses and weight, let's see here, let's go, since there's so much in terms of posing as cool, just weight wise first, that's great, I think I will probably get up a bit slower and it's just a bit of a compression there and it's just those couple frames and it's literally like you know if you're getting up like this just tiny bit, like it's literally just couple frames into that, the biggest thing is this though because what you will do is right now it's not that it's even, it is slow too fast but as in slow, too fast, not too fast, but what happens is that you're going up and then it's just then she's there with not much to go with in terms of the route goes up kind of stays there and just goes down straight into this and this is what I'm not buying whatsoever just because we're about to push forward with this leg but then there's not even a full extension and we just come forward really really fast so what I would do is give this rise here ease into this more it's a bit slower here so that you have a bit more of a snap up, overshoot higher so that she extends that leg and then she comes down you're gonna have to add a couple more frames it's basically you up down and on the down she can compress into a bit of a bend but then you got to go down and like this you can't just suddenly go like that from your current position she has to go up down into this meaning that she overshoots comes down and then that leg needs to compress a bit because that route goes down and then push forward into a full extension we need to have at least one frame if not two frames I would say two frames of an extension you can always rotate that hip over and the route more but you need to see a push because right now I feel like she's got a rope here and magically being pulled forward that's fine that's okay sure that's cute I like all of that and I think that's great and on him wait well I'll look at the this guy leaving something funky there the guy goes up and well imagine it's still rough I mean I would still have a bit more of this and maybe a bit of compression you can see some a gap here right you can compress with the chest a bit more and then it comes down and then you can have that exaggerated drop here and then I love that he barely moves and then I look over that's great yeah it works really well what is going on with this guy so he is coming in I'm not sure what's going on here because he's so straight for so long that I don't get there's no sense of steps and route going up without I don't know if you'd be fast the faster you get the less you know it's not like a bounciness the faster you get the more concentrated like you know less up and down you have but this might also be right now the camera you know what I mean I'd be curious you could send me a version where you have cubes here higher stacked close to camera so I can see really what is going on because right now is this part of the guy or is the guy actually just standing and the standing I'm assuming he's just standing and it's the camera that goes away translates away that causes this but it's a bit funky to look at and I wonder if you're gonna have to adjust something in the camera there or or or cheat it and have this guy bent and arms you know it's almost like it feels like he's running like I know he's he's in place but he can almost he can take a step forward but because you have that pose and the movement and especially the pose change it will look like he's running even though he's not if that makes sense right now just looks a bit funky how he's sounding so he's forward what does she do she hits this here a bit tricky because we don't quite feel I guess it's the what is she hitting is the thigh here hitting the knee already I think to read that a bit better and then maybe it's a cheat that foot to me the foot would have to be here or not just below and visually past this not underneath it not to the right this doesn't feel like or look like this contact but if you have her foot here with the leg it's like she passed his center line already and then now you understand oh okay um some odd here but he seems to be jumping forward stops and then goes suddenly down are you but he's not hitting the wall this is a bit odd in terms of spacing this feels like he needs to continue into this this there's an odd stop which again question could be the camera but I'm looking at all these lines here I don't quite see anything that will cause that to check out his stop there but then that kills the way to it also the way he stops shoot a bit too quickly too fast I think you can make him a bit more naturalistic and roll over and overshoot she's docked out overshoot comeback and then that comeback would be funny because he goes there like he goes forward and then back just because he's wobbly not because he looks up but because he is wobbly and looking and in that position he will suddenly see this guy go oh no into that that would be my thought on that watch out this is a bit are we dissecting here watch out that we don't intersect in the wall it could just be something to texture but for her how does she land she lands pretty straight on so what do you could do I'm always looking for contrast right where if she's like this on that jump could there be an overall rotation in y by 40 degrees 45 degrees you mean not like 180 but and that means she could lead a land here in that foot more here or here and the front foot actually more towards us it might screw up that silhouette because you don't want that need to bend towards camera but my point is that all of this she's pretty flat on and what happens to that is that she's so flat it makes her very twin the mirrored right in all these poses even this is pose wise too mirrored even this I know there's an offset but it's just not quite enough I would push that a bit more and I will probably have that chest go up a bit higher meaning that right now it looks like a head attached to a butt and if you just keep that head here so you can see part of a torso and then you could have potentially just that like to be a bit lower and then you can bring that leg a bit higher just really push that and then that arm it's a low arm but you know we've pushed the asymmetry of that a bit more it could also be something where she goes and it's really late where that arm is actually down then you have a bit of an upwards move just something in there I do love again now we have that little change there and then drop that's all great it's just too twin then too bent forward where it's just odd to just see only the head and nothing else of the upper body you know maybe it's like this but the head is here if you want to see a bit of that curvature that's why I'm saying what if she will be rotated to help you with this and throughout the fall she would then land in that position now you might argue I mean she could rotate a bit this way oh see how that feels there's no overall layer in there that's fine again we're a bit flat here that's at least a change there but that's a bit flat so to me it would be potentially this guy lower this guy could be higher like that more like this a bit sooner right that I like but just that moment too too straight to mirrored this gets a bit wonky watch out for posing because we're losing now the rest I think you can easily keep that arm down here maybe change this one too up what is she doing it's just a resting pose to to see what's going on so it could just be but that could be here even if it's this and like that you know here and we don't see the hand but at least we understand the structure of an elbow this just feels like stump out there that's okay the textures might be tricky to really understand what's going on in here so maybe bring that arm out further into a cleaner silhouette and giving you this kind of thing might just be cleaner that's fine I mean for this in terms of posing you could you have a straight but it could be I'm not sure you got enough time for that I was just thinking Gami could you just go for the full on C reverse because he's so heavy that at this point she actually goes back and it's her hair down come on down into this and then she goes back into this so you start like that like that and end like that that's one thing you can do I don't mind what it's here but it's also not a massive amount of effort so it might be who have you just to go even if it's just a little and then the head back and you can still have this and you imagine maybe the hands are almost off and it stretches the suit not an anime the suit but I'm just saying you know it could be like just that she's her last-ditch effort of pulling this guy it might feel also a bit more desperate and this given that he's that heavy I think it might also be a moment where where we can pull this a bit more it might argue that you're doing it twice then I would say keep this because he's already kind of turned over so it's less effort so if you want to if you don't want to have it twice keep that here but then this will have to be really like come on we gotta go and you got into some room to lift the arm and then she will look over and then plop down and get into a reverse I do like the head move at the end so yeah I mean the thing is for maximum contrast instead of two arms down two arms here what you could do is she goes ah go on and this arm slips first or slips so that at this point that arm she slipped back so that her arm is here and she finishes the whole thing so she could be a bit straighter right that arm ended up being here and the rest is just done with one arm for the finish and now you have a one arm pull at the end for contrast so that we don't have a two arm pull overall so I think that's probably something you can do and I think if you keep this and you have her here which means that arms will be higher and his hand is higher to give you this right we have a bit more of a clean separation between the legs and the arms versus everything kind of blends here and his arm is kind of hidden it's a bit muddy here so that there's a posing in silhouette probably can be pushed a bit more all righty it's kind of that again love the lights just a little bit of semi light comments at the end let's just see what's going on here and the previous review that's all this lights comes over here whoop over there oh and like yeah it's great love it yeah it's a really great change love all the textures and the set stuff at the lights this really feels so much better subjectively I like it a lot better you know this is always just my opinion there but yeah love it thanks all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome all right thank you