 Getting y'all set up for the live today. Hope you're all having an amazing today. I think it's Wednesday. Pretty sure it's Wednesday. I Could be wrong about Wednesday, but I think Wednesday is the thing so I sent the client the results of the sample piece that we all did collectively with you guys as well yesterday and I was given some notes Which is fine perfectly fine perfectly acceptable and natural whenever I do a large commission or a countertop commission we always do Sample boards so that we can ensure that we're on the same page With the client because it's a whole lot of not fun once you do a really big piece for somebody and And After you think it's completed they are like I Really Wish this Whatever whatever was different. So to avoid that you do sample pieces and so yesterday's live feed was a sample and And So today is going to be their sample number two we do two samples anything beyond that is a fee $25 per sample and so The notes were that they thought that the background was too gray And so they were wanting to incorporate some gray lines in the veining So that's what we're going to do so that's how I address Sample pieces I take their Criticism I'll discuss it with them and then I'll make a new piece based on The notes that I received from the client Within reason if she was like I don't want any beige tones no creams Just solid white then we would have to discuss Why having solid white anything is not the best idea Happy happy everybody happy today Thank you guys for coming in and watching what I'm doing today. I'm going to be doing a sample board this used to be an ocean and I'm going to Since this lip isn't that big. I'm pretty sure I can coat it and Make it Not noticeable So that's what we're going to attempt to do so I'm going to use a lot of the colors that we used yesterday But also a lot of the colors that we didn't use yesterday We're going to do a translucent white We're going to be using titanium for both our translucent white and our opaque white Let me turn a light on Also have some kind of allergies today apologies for the sniffles We're going to do our shimmer pearl. Nope. Yep from Color passion We're going to do some abalone from resin arts We're going to do Some beige luster Not that much not going to need that much We're also going to do some Bright gold from just resin. I'm not going to use the rich gold shimmer and then we're going to make a little bit of a gray With just titanium and black I have a lot of grays, but I want to Use colors that I already have Going in the piece Then we're going to need a translucent white Nope an opaque white and then I'm going to have some left over in this cup in case I decide to Have more of another color Somewhere That fell over quickly Hope you're having an awesome day. Thank you for coming and seeing what I'm doing today If you haven't left me a thumbs up, please do so if you haven't subscribed also do that and also if you're so inclined we Share our video because That'll help our channel grow and we're really trying to hit 100k By the summer We can do 40,000 subscribers in a year We haven't had We haven't been asking people to share and subscribe so I think that's the issue, okay So I'm going to use just tea tiny bit of titanium white This is a paste by just resin and We're going to stick my thumb in the next cup because I'm talented We're gonna make a milky colored white and the reason I'm going to do this is because Anytime you have variants in Opacity You can create a whole bunch of depth and actually I think I put a little bit too much in there, so I'm gonna Put a little bit of this Extra leftover we resin Just in there I Did get a lot of great feedback on the first version of Do you get jalapeno in your eye? Jeff's cooking dinner and he almost just got peppers in his eye. That's fun Okay, so we're gonna use pearl white luster This is just another white, but when you use multiple whites, it'll give your Design your finish more depth Also, if you notice your paste getting a little bit solid just Put it in a warm water bath or hit it with some heat and it'll just Liquefy right up super easy. I get emails about that quite often and it's a super easy fix Won't be chunky or anything like that This also has a little bit of a shimmer a luster to it and who doesn't love just a little bit Of a shimmer something eye-catching So we have our translucent white. It's like a milky kind of hue. We have our opaque Pearl shimmer we're gonna do some Abalone This one is by resin art. We don't want a whole bunch of it. We don't want a solid color. We just want some Translucent sparkle. I went ahead and prepped this board just like I did yesterday, but with less gray so it's mostly white with Just a little bit of gray and so this abalone is going to Help some of that gray color show through Now we're gonna use some beige luster by color passion I'm not using a lot of this color I just want a little bit of the cream to show through it helps to mask any eventual yellowing or amber ring Should the client put the piece in the sun Or lock it in a garage and it get really hot that will that can also cause some amber ring But this really just warms up the piece. It is Just on camera a color that I wouldn't normally use I don't like using flesh tones ever even though my flesh has never been that color Because I'm pale forever Okay, so the gold that we have decided to use for this piece is just resin bright gold It's a beautiful molten gold color We're not mixing a lot of it up. So I don't need a lot of paste if you guys don't know pastes Kind of like a powder except for better Well, it depends on what you're using it for but I Prefer paste. I don't have to worry about those little flecks of color that never really quite Melt into your resin But I'm warming up to I'm warming up to powders Rhonda has opened my eyes to What they can do? okay now for the Gray color I'm gonna use some just resin black that I haven't used in forever. So it is a little bit solid And I'll liquefy it some Oh, you like the beige and yesterday sample. Well, thank you I think it did some fun stuff for the piece, but in my regular everyday art in The colors I usually pick are more loud so Here's the thing with dark colors Especially when you only need a little bit of it It goes a long way. So I basically put my stick into the paste and wiped it off on the rim So it's basically just a residual We're gonna start there because As you can see Little bit goes a long way And I'm going to put I'm gonna just put some of this pearl in there so now my gray has a little bit of This shimmer and if we decide to add a little bit more black to it and make it a little bit darker of a Gray we can do that too. So hi panda puffs. We are live. Okay. Oh We didn't make my opaque white So I'm gonna use the same white I did for the translucent but use a little bit more Paste but you still don't need that much a Jar of paste should last you quite a while depending on the size of pieces you're doing I Do resin every day and my paste lasts me probably a month Depending on the color So I don't want to be able to see through the white to my stir stick Unfortunately, I can so I'm gonna add just a little bit more Using my handy dandy patents already established Stir sticks all these colors and more can be found on our website. We have over 800 colors on our website And we have more coming The next shipment to arrive will be a color obsession tents and pastes Alright, so now I can't see it through the resin to the stick good to go Good to go so like yesterday I'm gonna put some gold down under and I think I'm gonna put some of the gray that we did down under as well Just to give some depth Some people think that under painting is just Actual painting under a piece When in reality you can do it with resin because resin likes to go where it's already been and doesn't like to move From where it already is so where it is now What it makes sense doesn't it? Did you get it wrong in your head by yourself to yourself? Okay, good, and maybe a client won't like these extra lines. I'm adding So we're gonna find out togetherish You're gonna need a bigger studio. So I've been needing a bigger studio one day. We'll get it very wise business person once told me When you run your own business, you just have to do it till it becomes uncomfortable by yourself and Keep doing that even after it's uncomfortable Until it's not possible anymore and then move on to a bigger space my quest Okay, so I'm putting down some of the translucent white and then some of my abalone in the areas where I Want the under painting to show through where the grays are I'm gonna use some What I assume is pearl. I'm just gonna meld these colors out just with my hands I'm not trying to mix them together. I just want to create a solid base For the next part of this design so because I used translucent or transparent colors over What I already have down for a base painting you can see Through them and even though I'm running my hand over the areas They're not moving. So that's a great pro tip to give your peace depth I mean, I can move it if I wanted to I can get extra rough with Hi, Bowie. Thank you. That's enough So in areas like that where I needed to feather it out a bit Bowie Go see stop barking from over here. He's he is barking from outside of the club So this will I be able to be a finish all on its own But we're gonna take to the next step Rhonda TM Bondi is super nice How long have we been in this space? We've been in this building for Six years and we've been in this loft for three of that Yes Okay, then we've been in here for four years Then could be finished all on its own. I Actually, I may take a picture of this Because she may like it just like that. No, she won't because it won't have the floating gold on it I'll just take a screen grip actually can one of the mods screenshot this and then send it to me It's up Kim. If you guys don't know Kim gal is the inventor of color passion So all the CP colors that we use They came out of her brain Thank You vamp for in this face, right? Bowie Okay, next thing we're gonna do is just like yesterday We're gonna do a nice dirty pour or exotic pour. So I'm gonna put a really heavy heap of The translucent white We're gonna put some opaque whites You can see the difference in tone even though it's the same color But when you put different amounts of the pigment into the resin gives you different tone Super pro tip different tones give you different amounts of depth and color and it's awesome And then we're gonna put some of the colors that we mixed up, but just not a whole lot So I just did a little squiggle of the beige Put some pearl in there let's do a Squiggle of the gold Voila We'll put put some abalone on top of that and let's do Some more pearl then We'll do a squiggle of the gray You don't want to put too much because those squiggles are really add up and some more abalone put some more of our Accent colors some of the gray Some of the beige. I don't know how these two colors will work together, but we're gonna find out together I hope you can see the difference in that pearl and that opaque white Maybe not because they held it way out of camera frame angle area Okay, now we have all of those Colors in there. I'm gonna give it just a swirl for interest Because if you just pour it out how you put it in Okay, so anyways It's gonna come out funky So now I'm just going to pick where I want my ribbons of color to go Every time I do this over a base painting that I like it makes me nervous. Is that weird? That's probably weird, but it's fine I live with it. So a lot of the deeper tones the accent colors we did are hidden in all of the whites that we used but That's okay They'll come out. So I'm gonna put some veins of Just the the accent colors that we are using Maybe some of the gray that we made up a lot of times you have to talk your clients out of the artistic decisions that they make and sometimes That doesn't happen and you have to give them a sample of what they asked for For them to see that you were right the whole time That's not the case in this Instance but it's often the case So I put some of the translucent white next to those darker gray lines So the colors you're adding don't mix before you pour it Jerry I'm trying to understand your question. Are you talking about mixing the colors in the resin or are you talking about in the Exotic or dirty pour cup. Now. I'm just heating it to pop bubbles. I'm not trying to create any movements Becoming one color Yeah, I just put a swirl in my dirty pour exotic pour cup just to give it Just not the puddle look I want to swirl it around in my opinion. It makes the Pour that you Ultimately put on your piece look More fluid could just be me, but that's what I like to do So I'm also going to do some opaque white lines Because the opaque white will sink through the other colors and give it even more Depths, all right. I'm gonna let this sit for just a moment so that The white that we just added that has no heat on it as we heated it up before I added those white lines so the resin that was down that I heated is just a little bit thinner than the Cooler temperature white that I just added the opaque white lines. So since it's cooler It's going to be a heavier resin and it's going to sink through All of the resin that I had down it Before so while I'm waiting on it to do that. I'm going to take you guys down and show you What we're working with presently You can see some of that gold sinking so it's got that dark line next to it But it's also some of it floating. That's why it has that spine down the center Then all this under painting is showing through so it looks like there's multiple layers So much depth and then the gray that we added that I'm hoping I can make it look good Slash we'll make it work So you can see the exotic pour lines And then I'm going to put in the end the floating gold. So this look of the ribbon candy this scallop look is from Hesitating as you're pouring it out. So it came really Okay, so it's gonna be a TD after dark came out really thick right here. So I slowed down the pour because of that It gave it that overlapping look that almost snakeskinny You guys remember that ribbon candy that your grandparents probably had That's what that reminds me of but when we tilt it around it's gonna look really nice Okay, so I think we're good to move on If you guys are partaking tonight Cheers tank sippy sippy alligator tail. I see that Let's have Clara. Hope you're feeling well Glad vamps on the mend a little bit Okay So I'm gonna bring out the torch and the difference for me between the torch and The heat gun is I can control How much resin moves off the piece because I can spot heat it and control that a little bit more Then I'm gonna tilt down this way actually So I'm gonna heat these areas so that those move and these are a little bit cooler because I haven't heated it in a while So that won't move quite as much Then I'm gonna tilt it back When you tilt a piece You make all of the parts of the piece Move in a more cohesive Flow so all those lines that I added after the dirty pour Maybe didn't quite flow in a really cohesive Pattern, but when you tilt it everything is moving so everything's gonna Flow in the same direction So if it looks kind of crazy and busy and not put together if you tilt it then you can bring those Pieces together So I think the gray looks okay. I'm gonna add a little bit more in Following the pattern that I already established with my dirty pour I'm not gonna put any more beige in because that's an undertone color I am gonna put a couple more opaque white lines through it as well. I also like to vary the thickness of the lines that I add I think that gives a Lot more natural look not every line in a natural Stone is the same width. I know I'm covering up a lot of my snake skin, but It's okay. I'm gonna let that sink for a quick second And then we're gonna tilt it again Hello all you beautiful mods if you guys haven't subscribed yet, please do so Leave me your thumbs and if you have a second after a video post please leave a comment because I Like to hear from you guys, and I can't see every comment while I'm live and it helps my channel with Oh my good engagement. That's the word Also, all these colors that I use today can be found on my website artists till death comm at the end of the video I'll go over what colors I use and That's not gonna be very long from right now So I'm just gonna tilt it a little bit more Kind of get the flow of everything how I want it when you tilt and you have different Temperatures of resin some of it was warmer when I added the next layer The next color Then it's gonna sink When it does that It'll create an awesome shadow So I am gonna add the floating gold, but I want to show you guys where I'm at before I add it because I think it's Really great. How big is the client's table? It will be a five-foot Buy something Dinner table a dining room table. What's up? Pensa-tucky? But all of that natural flow all that great soft movement Hey tutor It did look like a heartbeat at the bottom of the piece boom boom So this gold on its own the just resin Bright gold it has particles that sink and float so it's catching the light, but also all of this is From where it originally sank and then we tilted it this way So you can see these translucent colors roll over where the gold originally was But this that's showing that shiny part. That's the spine that I mentioned Earlier in this video All right now, let's do the floating gold and class will be dismissed So I'm gonna just bring you guys a little bit over here so you can see what I'm gonna do with this gold I Need a pipette I'm gonna take my pipette comes with every one of these Liquid golds that we send out and I'm just gonna put some Right there if you guys don't know this liquid gold is basically spray paint really good spray paint That's just not aerosol, but it still has a propellant in it. That is what is Basically gives it the ability to be put through a sprayer spray can aerosol one of those words is right and so It's also in there. I'm hoping you guys can see the shadow. That's around This puddle of gold. That's the propellant soaking out. So if I were to just take this and Put it into resin It's gonna grow and bloom because of the propellant. It makes it really liquid and really fluid But if you let the propellant soak out Then you have a lot more control over the thickness of your lines and They won't crack when they bloom the propellant equals less control So if you just let it soak out on the back of a paper cup Not the inside because the inside is typically wax line. So it's not gonna It's not absorbent. So you have to put you could use just printer paper. This is Double-sided butcher paper. So the back side is glossy. I'm using the not glossy side Whatever that mat satin the not shiny side and So when it looks like there's no propellant left, I do another little test and it looks good so that is when I'll go through and add some tendrils some veins of The floating gold I posted this video today of yesterday's sample piece almost everybody In the countertop world that wanted to know about anything of the piece Was asking about the gold So think everybody should give this gold a shot Highly recommend letting the propellant soak out. So you have more control But it's your rodeo. If you don't want to do that then Don't all I can tell you is what works for us and this is What has been working Love using our stir sticks to do this because I have more control Because it has a crayon crayon Oh, yeah, my bad, I was still showing y'all the Propellant just give me a second to show you guys what this looks like in real life I'll give you guys a close-up The shine on this floating gold will blow your mind I shouldn't have put this gold right here, but I did the reason why I shouldn't have is because You don't really want the most Noticeable feature of a piece to be smack dab in the middle So I'm gonna have to Do some balancing now. This is a little Art theory for you college days It is pencil tucky, but I've just jarred it down into smaller containers because Most people don't need that big Thing that it comes in Just like the other lines. I like to vary the weight of It so some thick some thin And I think I love it with this molten gold this last gold that I used you really want to Have you ever taken a glove off and it didn't come off, but it pops you that just happened to me All right, check it out That gold just glows Just another way you can add depth and dimension to a piece Agreed don't do too much with the floating gold It can be too much But also It just lifts in my opinion it Elevates the work in my opinion. So you guys I Hope you like how I addressed the clients comments concerns and Notes on this product sample For the table that she's interested in I'm worried about this It's not that natural, but it's also not not natural because you can't control nature I'm worried it just stands out a bit I'm considering like so if you be I need your face. Oh, she's silly Should I swipe through this? This bit right here This bit right here do what again Do that cuz I like this. Yeah, it's just that little heart beat. Oh I forgot to tell you guys. I have a sale right now I'm looking at it on camera. I have a sale right now and the sale is 2023 it goes on till tomorrow if you want to get these products and any of our other products also I'm teaching a class in Pasadena on oceans and geodes The 20 something of this 29th of this month and I have a couple seats left. So if you want to come and do Geodes with me and Oceans I'll teach you in person in Pasadena and you can get your seat With a discount right now With code 2023 as well as all the other paints and colorants on our website So I'm gonna start the live classes in February and that's where we teach a class on Our channel on YouTube using our stuff and if you want to pre-order the colorants I have it all in a little box. You just open and you're ready to go To pour with us on the channel But if you already have all the products you just pour with us on the channel We typically do at the 24th of every month if that's still good with everybody, please leave a Comment saying that you're good with that date Hello Kelly So, yeah This is the second option for the client. I hope she likes it I hope you guys enjoyed it. If you try this look, I would love to see it post it in our group atd's poor people and and Make sure you tag us the colors that we used all are available on our website artists that calm our beige luster by color passion Just resin black Just resin bright gold Resin art abalone you can also substitute diamond dust or Milky Way shooting star Just resin titanium color passion pearl shimmer Liquid gold and that's it So I hope you guys Like the piece Give me a thumbs up if you did share it if you think it's worth sharing and we will see you guys in The next video, which will be tomorrow No idea what I'm gonna do yet depends on what the client says about this piece Probably won't do three marbles all in one day You guys did send me a recommendation on a Another type of stone you want me to attempt so I may start investigating that tomorrow But anyways, I hope you guys enjoy the video and we'll see you guys tomorrow Till then be kind to one another because you never know what someone's going through Well, we do the test so you don't have to and then Bowie says hi Because people can't hear you in there Hi, Bopo. Are you being precious? Yes, you are such a good boy does mama big boy All right, you guys have an awesome night. We'll see you tomorrow. Bye