 The music in Liberty to Go See and in these kinds of, almost in any kind of theatrical event, enhances the moments because it allows you to sort of lift it up a little bit. Music is a very powerful tool in the sense that when you hear that particular song, if you haven't heard it before, it instantly changes your mood. It gives you a point of reference. And that's what this particular instrument, the violin, is doing for this production. The character is at a certain emotional point where the spoken word can no longer do justice to express that emotion. And even though there is no vocal singing in this performance, the aspect of music certainly enhances that because every single character and every single person in this story and in this house is going through something tremendously important. It's not to be taken lightly at all. Some folks are interested in the sound quality of it and some folks just kind of see it as being a part of the production. And I don't think it seems like a foreign part to them. I think they accept it as something that is sort of necessary to it. With the music, we were able to create tension just with light hits. It's not even always that it's all melodious music, but it could be just light hits that our fantastic violinist is able to give. But that contribution really sort of creates a kind of another storyline. So the music is a character in it to itself. So I think in terms of process, just taking into consideration the messages of each of the characters, looking at sort of the period of time that the scenes took place and really just kind of looking at European classical music, whether it's from the Baroque period or the classical period, etc. And then taking some pieces that I know resonate in a particular way for the cultures and ethnic sort of backgrounds of some of the characters as well. So there was sort of this mixture of music that came into play. I kind of select it from there, whatever was on my heart, whatever I felt. Most represented the character in the best way. I select it. We're all sort of living music. All of the elements, melody, harmony, pitch, rhythm and form we embody. And I think that as we learn, there are different types of history that we can appreciate. There's written form of history. Of course, there's the oral form and all sorts of forms. But I think that one of the ways in which those particular forms that were mentioned differ in music is that you feel something different. I remember listening to a lesson about lynching that was being explained from a professor. But it wasn't until I heard Nina Simone's version of Strange Fruit that I actually got it. So there was something about the timbre of her voice, something about the melody, the pitch, the rhythm and how she sort of formed that together that I actually got it. So I think that in essence, to answer your question, music helps us to get it in a more full and complete way.