 Then it's the end on the top. My name is Cynthia Marsh. I'm a forensic composite artist I work for Denver police and other area departments doing composite drawings based on witness accounts. I started doing composite drawing After working for over 25 years as a professional artist the idea that wow, I can maybe I can do composites do sketches for the police help with cases and help Witnesses and victims and kind of a bad time in their life doing composites It's quite different than doing traditional art and the difference is is that as an artist when you're doing a job You usually always know what it is that you're trying to do but with composite drawing what I'm doing is I am drawing someone's memory and I am having that person that I'm interviewing guide me in the drawing So it in essence. I don't know what the goal is in this drawing I don't know what the person that I'm drawing is going to look like until The witness or victim that I'm interviewing tells me the drawing is done. What about okay, so I Is he looking if I can get a good response from that person that that the drawing that I've created is As close to that what they remember as possible and they and we can go no further in Correcting it to make it as precise as close as a close to match to their memory as possible then I feel that I've done a good job