 CHAPTER I Under a sky heavy with stars and faintly brighter for a low-hanging sickle-moon, the gypsy caravan slept on the turf by the roadside, its shutters closed, its shafts stretched out like arms, in the shadow of the ditch nearby as Titoris Horse was snoring. Far away above the black crests of the hills, a bright streak of sky announced the coming of the dawn. A church clock struck four. Here and there a bird awoke and began to sing. The air was soft and warm. Abruptly from the interior of the caravan a woman's voice cried, St. Quentin, St. Quentin! A head was thrust out of the little window which looked out over the box under the projecting roof. A nice thing this, I thought as much, the rascal has decamped in the night, the little beast. Nice discipline this is. Other voices joined in the grumbling. Two or three minutes passed, then the door in the back of the caravan opened and a shadowy figure descended the five steps of the ladder, while two tussled heads appeared at the side window. Dorothy, where are you going? To look for St. Quentin! replied the shadowy figure. But he came back with you from your walk last night, and I saw him settle down on the box. You can see that he isn't there any longer, Caster. Where is he? Patience! I'm going to bring him back to you by the ears! But two small boys in their shirts came tumbling down the steps of the caravan and implored her. No, no, Mummy, Dorothy, don't you go away by yourself in the night time. It's dangerous. What are you making of fuss about, Pollux? Dangerous. It's no business of yours. She smacked them and kicked them gently, and brought them quickly back to the caravan into which they climbed. There, sitting on the stool, she took their two heads, pressed them against her face, and kissed them tenderly. No ill-feeling children. Danger! I'll find St. Quentin in half an hour from now. A nice business. St. Quentin, a beggar who isn't sixteen. While Caster and Pollux are twenty, taken together, retorted Dorothy. But what does he want to go traipsing about like this at night for? And it isn't the first time either. Where is it he makes these expeditions to? To snare rabbits, she said. There's nothing wrong in it, you see. But come, there's been talk enough about it. Go to bye-bye again, boys, and above all, Caster and Pollux, don't fight. Do you hear? And no noise. The captain's asleep, and he doesn't like to be disturbed. The captain doesn't. She took herself off, jumped over the ditch, crossed the meadow, in which her feet splashed up the water in the puddles, and gained a path which wound through a copse of young trees which only reached her shoulders. Twice already, the evening before, strolling with her comrade St. Quentin, she had followed this half-formed path so that she went briskly forward without hesitating. She crossed two roads, came to a stream, the white pebbly bottom of which gleamed under the quiet water, stepped into it, and walked up it against the current, as if she wished to hide her tracks. And when the first light of day began to invest objects with clear shapes, guarded forth afresh through the woods, light, graceful, not very tall, her legs bare below a very short skirt from which streamed behind her a flutter of many-colored ribbons. She ran with effortless ease, sure-footed, with never a chance of springing an ankle, over the dead leaves, among the flowers of early spring, lilies of the valley, violet anemones, or white Narcissi. Her black hair, not very long, was divided into two heavy masses which flapped like two wings. Her smiling face, parted lips, dilated nostrils, her half-closed eyes proclaimed all her delight in her swift course through the fresh air of the morning. Her neck, long and flexible, rose from a blouse of gray linen, closed by a kerchief of orange silk. She looked to be fifteen or sixteen years old. The wood came to an end. A valley lay before her, sunk between two walls of rock and turning off abruptly. Dorothy stopped short. She had reached her goal. Facing her, on a pedestal of granite, cleanly cut down, and not more than a hundred feet in diameter, rose the main building of a chateau, which, though its lacked grandeur of style itself, yet drew from its position and the impressive nature of its construction in air of being a signorial residence. To the right and left the valley, narrowed to two ravines, appeared to envelop it like an old-time moat. But in front of Dorothy the full breadth of the valley formed a slightly undulating glace, strewn with boulders and traversed by hedges of briar, which ended at the foot of the almost vertical cliff of the granite pedestal. A quarter to five striking, murmured the young girl. St. Quentin won't be long. She crouched down behind the enormous trunk of an uprooted tree and watched with unwinking eyes the line of demarcation between the chateau itself and its rocky base. A narrow shelf of rock lengthened this line, running below the windows of the ground floor, and there was a spot in this exiduous cornice at which there came to an end a slanting fissure in the face of the cliff. Very narrow, something of the nature of a crevice in the face of a wall. The evening before, during their walk, St. Quentin had said, his finger pointing at the fissure. Those people believed themselves to be perfectly secure. And yet nothing could be easier than to haul one's self up along that crack to one of the windows. Look, there's one which is actually half open, the window of some pantry. Dorothy had no doubt whatever that the idea of climbing the granite pedestal had gripped St. Quentin and that that very night he had stolen away to attempt it. What had become of him after the attempt? Had there not been someone in the room he had entered, knowing nothing of the place he was exploring nor of the dwellers in it, had he not let himself be taken? Or was he merely waiting for the break of day? She was greatly troubled for all that she could see no sign of a path along the ravine. Some countrymen might come along at the very moment at which St. Quentin took the risk of making his descent, a far more difficult business than climbing up. Of a sudden she quivered. One might have said that in thinking of this mischance she had brought it on them. She heard the sound of heavy footfalls coming along the ravine and making for its main entrance. She buried herself among the roots of the tree and they hid her. A man came in sight. He was wearing a long blouse. His face was encircled and hidden by a grey muffler. Old, furred gloves covered his hands. He carried a gun on his arm, a mattock over his shoulder. She thought that he must be a sportsman, or rather a poacher, for he walked with an uneasy air, looking carefully about him, like one who feared to be seen and who was carefully changing his usual bearing. But he came to a standstill near the wall, fifty or sixty yards from the spot at which St. Quentin had made the ascent, and studied the ground, turning over some flat stones and bending down over them. At last he made up his mind, and seizing one of these slabs by its narrower end. He raised it and set it up on end in such a manner that it was balanced after the fashion of a Cromlich. So doing he uncovered a hole which had been hollowed out in the centre of the deep imprint left by the slab. Then he took his mattock and set about enlarging it, removing the earth very quietly, evidently taking great care to make no noise. A few minutes more slipped away. Then the inevitable event which Dorothy had at once desired and feared took place. The window of the Chateau, through which St. Quentin had climbed the night before, opened, and there appeared a long body clad in a long black coat, its head covered with a high hat, which, even at that distance, were plainly shiny dirty and patched, squeezed flat against the wall. St. Quentin lowered himself from the window, and succeeded in setting his two feet on the rocky shelf. On the instant Dorothy, who was at the back of the man in the blouse, was on the point of rising and making a warning signal to her comrade. The movement was useless. The man had perceived what looked to be a black devil clinging to the face of the cliff, and, dropping his mattock, he slipped into the hole. For his part, St. Quentin, absorbed in his job of getting down, was paying no attention to what was going on below him, and could only have seen it by turning round, which was practically impossible. Uncoiling a rope, which he had, without a doubt, picked up in the mansion, he ran it round a pillar of the balcony of the window in such a fashion that the two ends hung down the face of the cliff in equal distance. With the help of this double rope, the descent presented no difficulty. Without losing a second, Dorothy, uneasy at being no longer able to see the man in a blouse, sprang from her hiding place and raced to the hole. As she got a view of it, she smothered a cry. At the bottom of the hole, as at the bottom of a trench, the man, resting the barrel of his gun on the rampart of earth he had thrown up, was about to take deliberate aim at the unconscious climber. Call out, warned St. Quentin. That was to precipitate the event, to make her presence known, and find herself engaged in an unequal struggle with an armed adversary. But do something she must. Up there St. Quentin was availing himself of the fissure in the face of the cliff, for all the world as if he were descending the shaft of a chimney. The hole of him stuck out, a black and lean silhouette. His high hat had been crushed down, concertina fashion, right onto his ears. The man set the butt of his gun against his shoulder and took aim. Dorothy leapt forward and flung herself at the stone which stood up behind him, and with the impetuous of her spring and all her weight behind her outstretched hands shoved it. It was badly balanced, gave out the shock, and toppled over, closing the excavation like a trap-door of stone, crushing the gun, and imprisoning the man in the blouse. The young girl got just a glimpse of his head, as it bent, and his shoulders as they were thrust down into the hole. She thought that the attack was only postponed, that the enemy would lose no time in getting out of his grave, and dash at full speed to the bottom of the fissure, at which she arrived at the same time as St. Quentin. Quick, quick! she cried, we must bolt! In a flurry he dragged down the rope by one of the ends, mumbling as he did so. What's up? What do you want? How did you know I was here? She gripped his arm and tugged at it. Bolt, idiot! They've seen you! They were going to take a shot at you! Quick, they'll be after us! What's that? Be after us? Who? A queer-looking beggar disguised as a peasant. He's in a hole over yonder. He was going to shoot you like a partridge when I tumbled the slab onto the top of him. But do as I tell you, idiot, and bring the rope with you. You mustn't leave any traces. She turned and bolted. He followed her. They reached the end of the valley before the slab was raised, and without exchanging a word took cover in the wood. Twenty minutes later they entered the stream and did not leave it till they could emerge on to a bank of pebbles on which their feet could leave no print. St. Quentin was off again like an arrow, but Dorothy stopped short, suddenly shaken by a spasm of laughter which bent her double. What is it? he said. What's the matter with you? She could not answer. She was convulsed. Her hands pressed against her ribs. Her face scarlet. Her teeth, small, regular, whitely gleaming teeth, bared. At last she managed to stutter. You, you, you're a high, high hat. That black coat. Your bare feet. It's too funny. Where did you sneak that disguise from? Goodness, what a sight you are! Her laughter rang out, young and fresh, on the silence in which the leaves were fluttering. Facing her, St. Quentin, an awkward stripling who had outgrown his strength, with his face too pale, his hair too fair, his ears sticking out, but with admirable, very kindly black eyes, gazed, smiling at the young girl, delighted by this diversion which seemed to be turning aside from him the outburst of wrath he was expecting. Of a sudden, indeed, she fell upon him, attacking him with thumps and reproaches, but in a half-hearted fashion, with little bursts of laughter, which robbed the chastisement of its sting. Heretian rogue! You've been stealing again, have you? You're no longer satisfied with your salary as acrobats, aren't you, my fine fellow? You must still prank money or jewels to keep yourself in high hats, must you? What have you got, looter? Eh, tell me! By dint of striking and laughing, she had soothed her righteous indignation. She set out again, and St. Quentin, thoroughly abashed, stammered. Tell you? What's the good of telling you? You've guessed everything, as usual. As a matter of fact, I did get in through that window last evening. It was a pantry at the end of a corridor, which led to the ground floor rooms, not a soul about. The family was at dinner. A servant's staircase led me up into another passage, which ran round the house, with the doors of all the rooms opening into it. I went through them all. Nothing, that is to say, pictures and other things too big to carry away. Then I hid myself in a closet, from which I could see into a little sitting room next to the prettiest bedroom. They danced till late, then came upstairs, fashionable people. I saw them through a peephole in the door, the ladies' decorletties, the gentlemen in evening dress. At last one of the ladies went into the bourgeois. She put her jewels into a jewel box, and the jewel box into a small safe. Saying out loud as she opened it, the three letters of the combination of the lock are O, B. So that when she went to bed, all I had to do was to make use of them. After that, I waited for daylight. I wasn't going to chance stumbling about in the dark. Let's see what you've got, she commanded. He opened his hand and disclosed on the palm of it two earrings set with sapphires. She took them and looked at them. Her face changed, her eyes sparkled. She murmured in quite a different voice. How lovely they are, sapphires! The sky is sometimes like that, at night, that dark blue full of light. At the moment they were crossing a piece of land on which stood a large scarecrow, simply clad in a pair of trousers. On one of the cross-sticks which served it for arms hung a jacket. It was the jacket of St. Quentin. He had hung it there the evening before, and in order to render himself unrecognizable, had borrowed the scarecrow's long coat and high hat. He took off that long coat, buttoned it over the plaster bosom of the scarecrow, and replaced the hat. Then he slipped on his jacket and rejoined Dorothy. She was still looking at the sapphires with an air of admiration. He bent over them and said, Keep them, Dorothy, you know quite well that I'm not really a thief, and that I only got them for you, that you might have the pleasure of looking at them and touching them. It often ghosts my heart to see you running about in that beggarly get-up, to think of you dancing on the tightrope, you who ought to live in luxury, to think of all I'd do for you if you'd let me. She raised her head, looked into his eyes, and said, Would you really do anything for me? Anything, Dorothy. Well, then be honest, Saint Quentin. They set out again, and the young girl continued, Be honest, Saint Quentin, that's all I ask of you. You and the other boys of the caravan, I've adopted you because, like me, you're war orphans, and for the last two years we have wandered together along the high roads, happy rather than miserable, getting our fun and on the whole, eating when we're hungry, but we must come to an understanding. I only like what is clean and straight, and as clear as a ray of sunlight. Are you like me? This is the third time you've stolen to give me pleasure. Is this the last time? If it is, I pardon it. If it isn't, it's goodbye. She spoke very seriously, emphasizing each phrase by a toss of the head which made the two wings of her hair flap. Overwhelmed, Saint Quentin said imploringly, Don't you want to have anything more to do with me? Yes, but swear you won't do it again. I swear, I won't. Then we won't say anything more about it. I feel that you mean what you say. Take back these jewels. You can hide them in the big basket under the caravan. Next week you will send them back by post. It's the Chateau de Chagny, isn't it? Yes, and I saw the lady's name on one of her band boxes. She's the Comte de Chagny. They went on hand in hand. Twice they hid themselves to avoid meeting peasants, and at last, after several detours, they reached the neighborhood of the caravan. Listen, said Saint Quentin, pausing to listen himself. Yes, that's what it is. Caster and Pollock's fighting as usual the rascals. He dashed towards the sound. Saint Quentin, cried the young girl, I forbid you to hit them. You hit them often enough? Yes, but they like me to hit them. At the approach of Saint Quentin, the two boys who were fighting a duel with wooden swords turned from one another to face the common enemy howling. Dorothy, mummy, Dorothy, stop Saint Quentin. He's a beast. How? There followed a distribution of cuffs, bursts of laughter, and hugs. Dorothy, it's my turn to be hugged. Dorothy, it's my turn to be smacked. But the young girl said in a scolding voice, and the captain, I'm sure you've gone and woke him up. The captain, he's sleeping like a sapper, declared Pollock's. Just listen to his snoring. By the side of the road the two urchins had lit a fire of wood. The pot, suspended from an iron tripod, was boiling. The four of them ate a steaming thick soup, bread and cheese, and drank a cup of coffee. Dorothy did not budge from her stool. Her three companions would not have permitted it. It was rather which of the three should rise to serve her. All of them attentive to her wants, eager, jealous of one another, even aggressive towards one another. The battles of Caster and Pollock's were always started by the fact that she had shown favour to one or the other. The two urchins, stout and chubby, dressed alike in pants, a shirt and jacket, when one least expected it, and for all that they were as fond as one another as brothers, fell upon one another with ferocious violence because the young girl had spoken too kindly to one, or delighted the other with a too affectionate look. As for St. Quentin, he cordially detested them. When Dorothy fondled them, he could have cheerfully wrung their necks. Never would she hug him. He had to content himself with good comradeship, trusting and affectionate, which only showed itself in a friendly handshake or a pleasant smile. The stripling delighted in them as the only reward which a poor devil like him could possibly deserve. St. Quentin was one of those who love with selfless devotion. The arithmetic lesson now was Dorothy's order, and you, St. Quentin, go to sleep for an hour on the box. Caster brought his arithmetic. Pollock's displayed his copybook. The arithmetic lesson was followed by a lecture delivered by Dorothy on the Merovignian kings, then by a lecture on astronomy. The two children listened with almost impassioned attention, and St. Quentin on the box took good care not to go to sleep. In teaching, Dorothy gave full play to her lively fancy in a fashion which diverted her pupils and never allowed them to grow weary. She had an air of learning herself whatever she chanced to be teaching, and her discourse, delivered in a very gentle voice, revealed a considerable knowledge and understanding and the suppleness of a practical intelligence. At ten o'clock the young girl gave the order to harness the horse. The journey to the next town was a long one, and they had to arrive in time to secure the best place in front of the town hall. And the captain, he hasn't had breakfast, cried Caster. All the better, said she, the captain always eats too much, it will give his stomach a rest. Besides if anyone wakes him, he's always in a frightful temper, let him sleep on. They set out. The caravan moved along at the gentle pace of one eyed magpie, a lean old mare, but still strong and willing. They called her one eyed magpie, because she had a piebald coat and had lost an eye. Heavy, perched on two high wheels, rockling, jingling like old iron, loaded with boxes, pots, and pans, steppes, barrels, and ropes. The caravan had recently been repainted. On both sides it bore the pompous inscription. Dorothy's circus, manager's carriage, which led one to believe that a file of wagons and vehicles was following at some distance with the staff, the properties, the baggage, and the wild beasts. St. Quentin, whip in hand, walked at the head of the caravan. Dorothy, with the two small boys at her side, gathered flowers from the banks, sang choruses of marching songs with them, or told them stories. But at the end of half an hour, in the middle of some crossroads, she gave the order, HALT! What is it? asked St. Quentin, seeing that she was reading the directions on a signpost. Look, she said. There's no need to look. It's straight on. I looked it up on our map. Look, she repeated, Shagney, a mile and a half. Quite so, it's the village of our chateau of yesterday. Only to get to it, we made a short cut through the woods. Shagney, a mile and a half. Chateau de Roboray. She appeared to be troubled, and in a low voice, she murmured again. Roboray, Roboray. Doubtless, that's the proper name of the chateau, hazarded St. Quentin, what difference can it make to you? Nine, nine. But you look as if it made no end of a difference. No, it's just a coincidence. In what way? With regard to the name of Roboray. Well, well, it's a word which was impressed on my memory, a word which was uttered in circumstances. What circumstances, Dorothy? She explained slowly with a thoughtful air. Think a minute, St. Quentin. I told you that my father died of his wounds at the beginning of the war in a hospital near Chartres. I had been summoned, but I did not arrive in time. But two wounded men, who occupied the beds next to his in the ward, told me that during his last hours, he never stopped repeating the same words again and again. Roboray, Roboray. It came like litany, unceasingly, and as if it weighed on his mind. Even when he was dying, he still uttered the word. Roboray, Roboray. Yes, said St. Quentin. I remember. You did tell me about it. Ever since then, I have been asking myself what it meant, and by what memory my poor father was obsessed at the time of his death. It was apparently more than an obsession. It was terror, a dread. Why? I have never been able to find the explanation of it. So now you understand, St. Quentin, on seeing this name written there, staring me in the face, on learning that there was a chateau of that name. St. Quentin was frightened. You never mean to go there, do you? Why not? It's madness, Dorothy. The young girl was silent, considering. But St. Quentin felt sure that she had not abandoned this unprecedented design. He was seeking for arguments to dissuade her when Caster and Pollux came running up. Three caravans are coming along. They issued on the instant one after the other in single file from a sunken lane, which opened on to the crossroads and took the road to Roboray. They were in Aunt Sally, a rifle range, and a tortoise merry-go-round. As he passed in front of Dorothy and St. Quentin, one of the men of rifle range called to them. Are you coming along too? Where to? said Dorothy. To the chateau. There's the village Fete in the grounds. Shall I keep a pitch for you? Right, and thanks very much, replied the young girl. The caravans went on their way. What's the matter, St. Quentin? said Dorothy. He was looking paler than usual. What's the matter with you? she repeated. Your lips are twitching and you are turning green. He stammered. The police. From the same sunken lane, two horsemen came into the crossroads. They rode on in front of the little party. You see, said Dorothy, smiling, they're not taking any notice of us. No, but they're going to the chateau. Of course, there's a fete there, and two policemen have to be present. Always supposing that they haven't discovered the disappearance of the earrings and telephoned to the nearest police station, he groaned. It isn't likely the lady will only discover it tonight when she dresses for dinner. All the same, don't let's go there, implored the unhappy stripling. It's simply walking into the trap. Besides, there's that man, the man in the hole. Oh, he dug his own grave, she said and laughed. Suppose he's there, suppose he recognizes me. You were disguised. All they could do would be to arrest the scarecrow in the tall hat. And suppose they've already laid an information against me. If they searched us, they'd find the earrings. Drop them in some bushes in the park when we get there. I'll tell the people of the chateau their fortunes. And thanks to me, the lady will recover her earrings. Our fortunes are made. But if by any chance, rubbish, it would amuse me to go and see what is going on at the chateau, which is named robberay. So I'm going. Yes, but I'm afraid, afraid for you as well. Then stay away. He shrugged his shoulders. We'll chance it, he said, and cracked his whip. End of chapter one, chapter two of the secret tomb by Maurice LeBlanc. This LibriVox recording is in the public domain. Chapter two, Dorothy's Circus. The chateau, situated at no great distance from dawn front, in the most rugged district of the picturesque department of the Orne, only received the name of robberay in the course of the 18th century. Earlier it took its name of the chateau de Chogney from the village which was grouped round it. The village green is in fact only a prolonged nation of the courtyard of the chateau. When the iron gates are opened, the two form an esplanade constructed over the ancient moat, from which one descends on the right and left by steep slopes. The inner courtyard, circular and enclosed by two battlemented walls, which run to the buildings of the chateau, is adorned by a fine old fountain of dolphins and sirens and a sundial set up on a rockery in the worst taste. Dorothy's Circus passed through the village, preceded by its band. That is to say that Castor and Pollux did their best to wreck their lungs in the effort to extract the largest possible number of false notes from two trumpets. St. Quentin had arrayed himself in a black satin doublet, and carried over his shoulder the trident which so awes wild beasts, and a placard which announced that the performance would take place at three o'clock. Dorothy standing upright on the roof of the caravan, directed one eyed magpie with four reins, wearing the majestic air of one driving a royal coach. Already a dozen vehicles stood on the esplanade, and round them the showmen were busily setting up their canvas tents and swings and wooden horses, etc. Dorothy's Circus made no such preparations. Its directness went to the mayor's office to have her license besaid, while St. Quentin unharnessed one eyed magpie, and the two musicians changed their profession and set about cooking the dinner. The captain slept on. Towards noon the crowd began to flock in from all the neighbouring villages. After the meal St. Quentin, Castor, and Pollux took a siesta beside the caravan. Dorothy again went off. She went down into the ravine, examined the slab over the excavation, went up out of it again, moved among the groups of peasants and strolled about the gardens, round the chateau, and everywhere else that one was allowed to go. Well, how's your search getting on? said St. Quentin when she returned to the caravan. She appeared thoughtful, and slowly she explained. The chateau, which has been empty for a long while, belongs to the family of Chagney-Roberet, of which the last representative, Count Octave, a man about forty, married, twelve years ago, a very rich woman. After the war the Count and Countess restored and modernised the chateau. Yesterday evening they had a housewarming to which they invited a large party of guests who went away at the end of the evening. Today they're having a kind of popular housewarming for the villagers. And as regards this name of Robertet, have you learned anything? Nothing. I'm still quite ignorant why my father uttered it. So that we can get away directly after the performance, said St. Quentin, who was very eager to depart. I don't know. We'll see. I've found out some rather queer things. Have they anything to do with your father? No, she said with some hesitation. Nothing to do with him? Nevertheless I should like to look more closely into the matter. When there is darkness anywhere there's no knowing what it may hide. I should like. She remained silent for a long time. At last she went on in a serious tone, looking straight into St. Quentin's face. Listen, you have confidence in me, haven't you? You know that I'm quite sensible at bottom, and very prudent. You know that I have a certain amount of intuition, and good eyes that see a little more than most people see. Well, I've got a strong feeling that I ought to remain here. Because of the name of Robertet? Because of that, and for other reasons, which will compel me perhaps, according to circumstances, to undertake unexpected enterprises. Dangerous ones. At that moment, St. Quentin, you must follow me boldly. Go on, Dorothy. Tell me what it is exactly. Nothing, nothing definite at present. One word, however. The man who was aiming at you this morning, the man in the blouse, is here. Never. He's here, do you say? You've seen him with the policemen? She smiled. Not yet, but that may happen. Where have you put those earrings? At the bottom of the basket. In a little cardboard box with a rubber ring round it. Good. As soon as the performance is over, stick them in that clump of rotor dendrons between the gates and the coach-house. Have they found out that they've disappeared? Not yet, said Dorothy, from the things you told me I believe that the little safe is in the bourgeois of the Countess. I heard some of the maids talking, and nothing was said about any robbery. They'd have been full of it. She added, Look, there are some of the people from the chateau in front of the shooting gallery. Is that the pretty fair lady with the grand heir? Yes, I recognize her. An extremely kind-hearted woman, according to what the maids said, and generous, always ready to listen to the unfortunate. The people about her are very fond of her, much fonder of her than they are of her husband, who, it appears, is not at all easy to get on with. Which of them is he? There are three men there. The biggest, the man in the gray suit, with his stomach sticking out with importance. Look, he has taken a rifle. The two on either side of the Countess are distant relations. The tall one with a grizzled beard which runs up to his tortoise shell spectacles has been at the chateau a month. The other more a sallow one. In a velveteen shooting-coat and gators arrived yesterday. But they look as if they knew you, both of them. Yes, we've already spoken to one another. The bearded no-woman was even quite attentive. Saint Quentin made an indignant movement. She checked him at once. Keep calm, Saint Quentin, and let's go closer to them. The battle begins. The crowd was thronging round the back of the tent to watch the exploits of the owner of the chateau, whose skill was well known. The dozen bullet which he fired made a ring round the center of the target, and there was a burst of applause. No, no, he protested modestly. It's bad. Not a single bullseye. Want of practice? Said a voice near him. Dorothy had slipped into the front ranks of the throng, and she had set it in the quiet tone of a connoisseur. The spectators laughed. The bearded gentleman presented her to the Count and Countess. Mademoiselle Dorothy, the directoress of the circus. Is it as a circus directoress that Mademoiselle judges a target, or as an expert? Said the Count jacosely. As an expert? Ah, Mademoiselle also shoots. Now and then. Zergwires? No, pipe bulls. And Mademoiselle does not miss her aim. Never. Provided, of course, that she has a first class weapon. Oh, no, a good shot can use any kind of weapon that comes to hand, even an old-fashioned contraption like this. She gripped the butt of an old pistol, provided herself with six cartridges, and aimed at the cardboard target cut out by the Count. The first shot was a bullseye. The second cut the black circle. The third was a bullseye. The Count was amazed. It's marvellous. She doesn't even take the trouble to aim. What do you say to that districture? The bearded nobleman, as Dorothy called him, cried enthusiastically. Unheard of! Marvellous! You could make a fortune, Mademoiselle. Without answering, with the three remaining bullets, she broke two pipe bulls and shattered an empty eggshell that was dancing on the top of a jet of water. And thereupon, pushing aside her admirers, and addressing the astonished crowd, she made the announcement. Ladies and gentlemen, I have the honor to inform you that the performance of Dorothy's circus is about to take place. After exhibitions of markmanship, choreographic displays, then feats of strength and skill and tumbling on foot, on horseback, on the earth and in the air. Fireworks, regattas, motor races, bullfights, train holds up, all will be on view there. It's about to begin, ladies and gentlemen. From that moment, Dorothy was all movement, liveliness, and gaiety. St. Quentin had marked off a sufficiently large circle in front of the door of the caravan, with a rope supported by stakes. Around this arena, in which chairs were reserved for the people of the Chateau, the spectators were closely packed together on benches and flights of steps, and on anything they could lay their hands on. And Dorothy danced. First of all, on a rope, stretched between two posts. She bounced like a shuttlecock which the battle door catches and drives yet higher. Or again, she lay down and balanced herself on the rope as on a hammock, walked backwards and forwards, turned and saluted right and left, then leapt to the earth and began to dance. An extraordinary mixture of all the dances, in which nothing seemed studied or purposed, in which all the movements and attitudes appeared unconscious and to spring from a series of inspirations of the moment. By turn she was the London Dancing Girl, the Spanish dancer with her castanets, the Russian who bounds and twirls, or, in the arms of St. Quentin, a barbaric creature dancing a lingerist tango. And every time all that she needed was just the movement, the slightest movement which changed the hang of her shawl, or the way her hair was arranged to become, from head to foot, a Spanish, or Russian, or English, or Argentine girl. And all the while she was an incomparable vision of grace and charm, of harmonious and healthy youth, of pleasure and modesty, of extreme but measured joy. Castor and Pollux, bent over an old drum, beat with their fingers a muffled, rhythmical accompaniment. Speechless and motionless the spectators gazed and admired, spellbound by such a wealth of fantasy and the multitude of images which passed before their eyes. At the very moment when they were regarding her as a guttersnip turning cartwheels, she suddenly appeared to them in the guise of a lady with a long train, flirting her fan and dancing the minuet. Was she a child or a woman? Was she under fifteen or over twenty? She cut short the clamour of applause which burst forth when she came to a sudden stop by springing on to the roof of the caravan and crying with an imperious gesture. Silence! The captain is waking up. There was behind the box a long narrow basket in the shape of a closed sentry box. Raising it by one end she half opened the cover and cried. Now, Captain Montfalcon, you've had a good sleep, haven't you? Come now, Captain, we're a bit behind hand with our exercises. Make up for it, Captain! She opened the top of the basket wide and disclosed in a kind of cradle, very comfortably, a little boy of seven or eight, with golden curls and red cheeks who yawned prodigiously. Only half awake he stretched out his hands to Dorothy who clasped into her bosom and kissed him very tenderly. Bear and St. Quentin, she called out, cacked hold of the captain. Is his bread and jam ready? Captain Montfalcon will continue the performance by going through his drill. Captain Montfalcon was the comedian of the troop. Dressed in an old American uniform, his tunic dragged along the ground, and his corkscrew trousers had their bottoms rolled up as high as his knees. This made a costume so hampering that he could not walk ten steps without falling full length. Captain Montfalcon provided the comedy by this unbroken series of falls and the impressive air with which he picked himself up again. When, furnished with a whip, his other hand useless by reason of the silence of bread and jam it held, his cheeks smeared with jam, he put the unbridled one-eye magpie through his performance. There was one continuous roar of laughter. Mark Time, he ordered, right about turn. Attention, one-eye magpie! He never could be induced to say one-eyed. And now the goose step. Good, one-eye magpie! Perfect! One-eyed magpie, promoted to the rank of circus horse, trotted round in a circle without taking the slightest notice of the captain's orders, who, for his part, stumbling, falling, picking himself up, recovering his slice of bread and jam, did not bother for a moment about whether he was obeyed or not. It was so funny the flam of the little man, and the undeviating course of the beast, that Dorothy herself was forced to laugh with a laughter that redoubled the gaiety of the spectators. They saw that the young girl, in spite of the fact that the performance was undoubtedly repeated every day, always took the same delight in it. Excellent captain, she cried to encourage him. Splundid! And now captain will act the gypsies kidnapping, a drama and a brace of shakes. Baron St. Quentin, you'll be the scoundrel-y kidnapper. Uttering frightful howls, the scoundrel-y kidnapper seized her and set her on one-eyed magpie, bound her on her, and jumped up behind her, under the double burden the mare staggered slowly off, while Baron St. Quentin yelled, gallop, hell for leather! The captain quietly put a cap on a toy gun and aimed at the scoundrel-y kidnapper. The cap cracked, St. Quentin fell off, and in a transport of gratitude the rescued gypsy covered her deliverer with kisses. There were other scenes in which Castor and Pollux took part. All were carried through with the same brisk liveliness. All were caricatures, really humorous, of what diverts or charms us, and revealed a lively imagination, powers of observation of the first order, a keen sense of the picturesque and the ridiculous. Captain Montfalcon, take a bag and make a collection. Castor and Pollux, a roll of the drum to imitate the sound of falling water. Baron St. Quentin, beware of pickpockets! The captain dragged through the crowd an enormous bag, in which were engulfed pennies and dirty notes, and from the top of the caravan Dorothy delivered her farewell address. Very many things, agriculturists and townspeople, it is with regret that we leave this generous locality, but before we depart we take this opportunity of informing you that Mademoiselle Dorothy, she saluted, is not only the directoress of a circus and a first-class performer, Mademoiselle Dorothy, she saluted, will also demonstrate her extraordinary excellence in the sphere of clairvoyance and psychic powers. The lines of the hand, the cards, copy grounds, handwriting, and astrology have no secrets for her. She dissipates the darkness, she solves enigmas. With her magic ring she makes invisible springs burst forth, and above all, she discovers in the most unfathomable places, under the stones of old castles, and in the depths of forgotten dungeons, fantastic treasures whose existence no one suspected. A word to the wise is enough. I have the honour to thank you. She descended quickly. The three boys were packing up the properties. St. Quentin came to her. We hook it, don't we? Straight away. Those policemen have kept an eye on me the whole time. She replied. Then didn't you hear the end of my speech? What about it? What about it? Why, the consultations are going to begin. The super lucid clairvoyant Dorothy. Look, I hear come some clients. The bearded nobleman in the gentleman in velveteen. I like the gentleman in velveteen. He is very polite, and there's no side about his fawn-coloured gators, the complete gentleman farmer. The bearded nobleman was beside himself. He loaded the young girl with extravagant compliments, looking at her the while in an uncommonly equivocal fashion. He introduced himself as Maxine Distriture, introduced his companion as Raul de Vornay, and finally, on behalf of the Countess Octave, invited her to come to tea in the chateau. Alone, she asked, certainly not, protested Raul de Vornay with accordious bow. Our cousin is anxious to congratulate all your comrades. Will you come, madmoselle? Dorothy accepted. Just a moment to change her frock, and she would come to the chateau. No, no, no toilet! Great Distriture, come as you are! You look perfectly charming in that slightly scanty costume. How pretty you are like that! Dorothy flushed and said dryly, no compliments, please. It isn't a compliment, madmoselle. He said trifle ironically. It's the natural homage one pays to beauty. He went off taking Raul de Vornay with him. Saint Quentin, murmured Dorothy, looking after them, keep an eye on that gentleman. Why? He's the man in the blouse who nearly brought you down this morning. Saint Quentin staggered as if he had received the charge of shot. Are you sure? Very nearly he has the same way of walking, dragging his right leg a little. He muttered. He has recognized me. I think so. When he saw you jumping about during the performance, it recalled to his mind the black devil performing acrobatic feats against the face of the cliff. And it was only a step from you to me who shoved the slab over onto his head. I read it all in his eyes and his attitude towards me this afternoon, just in his manner of speaking to me. There was a touch of mockery in it. Saint Quentin lost his temper. And we aren't hurrying off at once. You dare stay? I dare. But that man, he doesn't know that I penetrated his disguise. And as long as he doesn't know, you mean that your intention is perfectly simple to tell them their fortunes, amuse them and puzzle them. But what's your object? I want to make them talk in their turn. What about? What I want to know. What do you want to know? That's what I don't know. It's for them to teach me. And suppose they discover the robbery. Suppose they cross examine us. Saint Quentin, take the captain's wooden gun, mount guard in front of the caravan, and when the policeman approach, shoot them down. When she had made herself tidy, she took Saint Quentin with her to the chateau and on the way made him repeat all the details of his nocturnal expedition. Behind them came Caster and Pollux, then the captain who dragged after him by a string a little toy cart loaded with tiny packages. They entertained them in the large drawing-room of the chateau. The Countess, who indeed was, as Dorothy had said, an agreeable and amiable woman, and of a seductive prettiness, stuffed the children with thinkties and was wholly charming to the young girl. For her part, Dorothy seemed quite as much at her ease with her hosts as she had been on top of the caravan. She had merely hidden her short, skirt and bodice under a large black shawl, drawn in at the waist by a belt. The ease of her manner, her cultivated intonation, her correct speech, to which now and then a slang word gave a certain spiciness. Her quickness and the intelligent expression of her brilliant eyes amased the Countess and charmed the three men. Mademoiselle, Distriture exclaimed, if you can foretell the future, I can assure you that I too can clearly foresee it, and that certain fortune awaits you. Ah, if you would put yourself in my hands and let me direct your career in Paris, I am in touch with all the worlds and I can guarantee your success. She tossed her head. I don't need anyone. Mademoiselle, said he, confessed that you do not find me congenial. Neither congenial nor uncongenial. I don't really know you. If you really knew me, you would have confidence in me. I don't think so, she said. Why? She took his hand, turned it over, bent over the open palm, and as she examined it, said slowly, dissipation, greedy for money, conscientious-less. But I protest, Mademoiselle, conscientious-less. I, I who am full of scruples. Your hand says the opposite, Montseur. Does it also say that I have no luck? None at all. What, shan't I ever be rich? I fear not. Confound it, and what about my death? Is it a long way off? Not very. A painful death? A matter of seconds. An accident, then? Yes. What kind of accident? She pointed with her finger. Look here, at the base of the forefinger. What is there? The gallows. There was an outburst of laughter. Distructure was enchanted. Count Octave clapped his hands. Bravo, Mademoiselle, the gallows for this old livertine. It must be that you have the gift of second sight. So I shall not hesitate. He consulted his wife for the look of inquiry, and continued, So I shall not hesitate to tell you. To tell me, finished Dorothy mischievously, the reasons for which you invited me to tea? The Count protested. Not at all, mademoiselle. We invited you to tea solely for the pleasure of becoming acquainted with you. And perhaps a little from the desire to appeal to my skill as a sorceress? The Countess Octave interposed. Oh, well, yes, mademoiselle. Your final announcement excited our curiosity. Moreover, I will confess that we haven't much belief in things of this kind, and that it is rather out of curiosity that we should like to ask you certain questions. If you have no faith in my poor skill, madame, we'll let that pass, and all the same I'll manage to gratify your curiosity. By what means? Merely by reflecting on your words. What? said the Countess. No magnetic passes? No hypnotic sleep? No, madame, at least not for the present. Later on we'll see. Only keeping Saint Quentin with her, she told the children to go and play in the garden. Then she sat down and said, I'm listening, madame. Just like that? Perfectly simple? Perfectly simple. Well then, mademoiselle, the Countess spoke in a tone the carelessness of which was not perhaps absolutely sincere. Well then, mademoiselle, you spoke of forgotten dungeons and ancient stones and hidden treasures. Now the Château de Robberet is several centuries old. It has undoubtedly been the scene of adventures and dramas, and it would amuse us to know whether any of its inhabitants have by any chance left in some out-of-way corner one of these fabulous treasures of which you spoke. Dorothy kept silent for some little time. Then she said, I always answer with all the greater precision if full confidence is placed in me. If there are any reservations, if the question is not put as it ought to be, what reservations I assure you, mademoiselle? The young girl broke infirmly. You asked me the question, madame, as if you were giving way to a sudden curiosity which did not rest, so to speak, on any real base. Now you know as well as I do that excavations have been made in the Château. That's very possible, said Count Octave, but if they were it must have been dozens of years ago in the time of my father or grandfather. There are recent excavations, Dorothy asserted, but we have only been living in the Château a month. It isn't a matter of a month, but of some days, of some hours. The Countess declared with animation, I assure you, mademoiselle, that we have not made researches of any kind. Then the researches must have been made by someone else. By whom? And under what conditions? And in what spot? There was another silence, then Dorothy went on. You will excuse me, madame, if I have been going into matters which do not seem to be any business of mine. It's one of my faults. St. Quentin often says to me, your craze for trespassing and ferreting about everywhere will lead people to say unpleasant things about you. But it happened that, on arriving here, since we had to wait for the hour of the performance, I took a walk, I wandered right and left, looking at things, and in the end I made a certain number of observations which, as it seemed to me, are of some importance. Thus, the Count and Countess drew nearer in their eagerness to hear her. She went on. Thus, while I was admiring the beautiful old fountain in the Court of Honor, I was able to make sure that, all round it, holes have been dug under the marble basin which catches the water. Was the exploration profitable? I do not know. In any case, the earth has been put back into its place carefully, but not so well that one cannot see that the surface of the soil is raised. The Count and his guests looked at one another in astonishment. One of them objected. Perhaps they've been repairing the basin, or been putting in a waste pipe. No, said the Countess in a tone of decision. No one has touched that fountain. And doubtless, Madam Moselle, you discovered other traces of the same kind of work. Yes, said Dorothy, someone has been doing the same thing a little distance away, under the rockery, the pedestal on which the sundial stands. They have been boring across that rockery, and iron rod has been broken. It's there still. But why? cried the excited Countess. Why these two spots rather than others? What are they searching for? What do they want? Have you any indication? They had not long to wait for her answer, and Dorothy delivered it slowly, as if to make it quite clear that here was the essential point of her inquiry. The motive of these investigations is engraved on the marble of the fountain. You can see it from here? Sirens surround a column surmounted by a capital. Isn't it so? Well, on one of the faces of the capital are some letters, almost a-faced letters. But we've never noticed them, cried the Countess. They are there, declared the young girl. They are worn and hard to distinguish from the cracks in the marble. However, there is one word, a whole word, that one can reconstruct and read easily when once it has appeared to you. What word? The word, Fortuna. The three syllables came long drawn out in the silence of stupefaction. The Count repeated them in a hushed voice, staring at Dorothy, who went on. Yes, the word, Fortuna. And this word you find again also on the column of the sundial, even yet more obliterated to such a degree that one rather divines that it is there rather than actually reads it. But it certainly is there. Each letter is in its place. You cannot doubt it. The Count had not waited for her to finish speaking. Already he was out of the house, and through the open windows they saw him hurry to the fountain. He cast but one glance at it, passed in front of the sundial, and came quickly back. Everything that mademoiselle says is the exact truth. They have dug at both spots, and the word Fortuna, for which I saw it once, and which I have never seen before, gives the reason for their digging. They have searched, and perhaps they have found. No, the young girl asserted calmly. Why do you say no? What do you know about it? She hesitated. Her eyes met the eyes of districture. He knew now doubtless that he was unmasked, and he began to understand what the young girl was driving at. But would she dare to go to extremities and join battle? And then what were the reasons for this unforeseen struggle? With an air of challenge he repeated the Countess's question. Yes, why do you say that they have found nothing? Boldly Dorothy accepted the challenge. Because the digging has gone on, there is, in the ravine, under the walls of the chateau, among the stones which have fallen from the cliff, an ancient slab, which certainly comes from some demolished structure. The word Fortuna is to be deciphered on the base of it also. Let someone move that slab, and they will discover a perfectly fresh excavation, and the tracks of feet muddled up by the hand. End of Chapter 2 Chapter 3 of The Secret Tomb by Maurice Leblanc. This LibriVox recording is in the public domain. Chapter 3. Extra Lucid This last blow redoubled the uneasiness of Count and Countess, and they took counsel in a low voice for a moment with their cousin's districture and row de Vonnais. Saint Quentin on hearing Dorothy revealed the events in the ravine, and the hiding place of the man in the blouse had fallen back among the cushions of the great easy chair on which he was sitting. She was going mad. To set them on the trail of the man in the blouse was to set them on their own trail, his in Dorothy's. What madness! She, however, in the midst of all this excitement and anxiety, remained wholly calm. She appeared to be following a quite definite course with her clearly in view, while the others, without her guidance, stumbled in a panic. Madam Moselle, said the Countess, your revelations have upset us considerably. They show how extraordinarily acute you are, and I cannot thank you enough for having given us this warning. You have treated me so kindly, madam, she replied, that I am only too delighted to have been of use to you. I have immense use to us, agreed the Countess, and I beg you to make the service complete. How? By telling us what you know. I don't know any more. But perhaps you could learn more? In what way? the Countess smiled, by means of that skill and divination of which you were telling us a little while ago, and in which you do not believe, madam, but which I'm quite ready to believe now? Dorothy Bowd. I'm quite willing, but these are experiments which are not always successful. Let's try. Right, we'll try, but I must ask you not to expect too much. She took a hankerchief from St. Quentin's pocket and bandaged her eyes with it. Astral vision on condition of being blind, she said, the less I see, the more I see. And she added gravely. Put your questions, madam. I will answer them to the best of my ability. Remaining in a state of wakefulness all the time? Yes. She rested her two elbows on the table and buried her face in her hands. The Countess at once said, Who has been digging? Who has been making excavations under the fountain and under the sundial? A minute passed slowly. They had the impression she was concentrating and withdrawing from all contact with the world around her. At last she said in measured tones which bore no resemblance to the accents of a pythoness or some nomulist. I see nothing on the esplanade. In that quarter the excavations must already be several days old and all traces are obliterated. But in the ravine? In the ravine? said the Countess. The slab is standing on end and a man is digging a hole with a mattock. A man? What man? Describe him. He is wearing a very long blouse. But his face? His face is encircled by a muffler which passes under a cap with turned down brim. You cannot even see his eyes. When he has finished digging he lets the slab fall back into its place and carries away the mattock. Nothing else? No. He has found nothing. Are you sure of that? Absolutely sure. And which way does he go? He goes back up the ravine. He comes to the iron gates of the chateau. But they're locked. He has the key. He enters. It is early in the morning. No one is up. He directs his steps to the orngery. There's a small room there. Yes, the gardener keeps his implements in it. The man sets the mattock in a corner, takes off his blouse, and hangs it on a nail in the wall. But he can't be the gardener, exclaimed the countess. His face? Can you see his face? No, no. It remains covered up. But his clothes? His clothes? I can't make them out. He goes out. He disappears. The young girl broke off as if her attention were fixed on someone whose outline was blurred and lost in the shadow like a phantom. I do not see him any longer, she said. I can see nothing any longer. Do I? Ah yes, the steps of the chateau. The door is shut quietly. And then, then the staircase. A long corridor dimly lighted by small windows. However, I can distinguish some prints, galloping horses, sportsmen in red coats. Ah, the man! The man is there on his knees before a door. He turns the handle of the door. It opens. It must be one of the servants, said the countess in a hollow voice. And it must be a room on the first floor, since there are prints on the passage walls. What is the room like? The shutters are closed. The man has lit a pocket lamp and is hunting about. There's a calendar on the chimney piece. It's today, Wednesday, and an empire clock with gilded columns. The clock in my bourgeois! murmured the countess. The hands point to a quarter of six. The light of the lamp is directed to the other side of the room, on to a walnut cupboard with two doors. The man opens the two doors and reveals a safe. They were listening to Dorothy in a troubled silence, their faces twitching with emotion. How could anyone have failed to believe the whole of the vision the young girl was describing, seeing that she had never been over to the chateau, never crossed the threshold of this bourgeois, and that nevertheless she was describing things which must have been unknown to her. Dumbfounded the countess exclaimed. The safe was unlocked. I'm certain of it. I shut it after putting my jewels away. I can still hear the sound of the door binging. Shut. Yes, but the key there. What does that matter? I have muddled up the letters of the combination. Not so. The key turns. Impossible. The key turns. I see the three letters. The three letters? You see them! Clearly. An R, an O, and a B. That is to say the first three letters of the word robberay. The safe is open. There's a drool case inside of it. The man's hand gropes in it and takes. What? What? What has he taken? Two earrings. Two sapphires, aren't they? Two sapphires? Yes, madam. Two sapphires. Thoroughly upset and moving jerkily, the countess went quickly out of the room, followed by her husband, and rowled Avonet. And Dorothy heard the count say, If this is true, you'll admit, Avonet, that this instance of divination would be uncommonly strange. Uncommonly strange indeed! replied Destriture, who had gone as far as the door with them. He shut the door on them and came back to the middle of the drawing-room with the manifest intention of speaking to the young girl. Dorothy had removed the handkerchief from her eyes and was rubbing them like a person who has come out of the dark. The bearded nobleman and she looked at one another for a few moments. Then, after some hesitation, he took a couple of steps back towards the door. But once more he changed his mind and turning towards Dorothy, stroked his beard at length, and at last broke into a quiet, delighted chuckle. Dorothy, who was never behind hand when it came to laughing, did as the bearded nobleman had done. You laugh, said he. I laugh because you laugh, but I am ignorant of the reason of your gaiety. May I learn it? Certainly, mademoiselle, I laugh because I find all that very amusing. What is very amusing? Destriture came a few steps further into the room and replied, What is very amusing is to mix up into one and the same person, the individual who was making an excavation under the slab of stone and this other individual who broke into the chateau last night and stole the jewels. That is to say, asked the young girl, That is to say, to be yet more precise, the idea of throwing beforehand the burden of robbery committed by Monsour Saint Quentin onto the back of Monsour Destriture, said Dorothy, ending his sentence for him. The bearded nobleman made a rye face, but did not protest. He bowed and said, That's it, exactly. We may just as well play with our cards on the table, may entwee. We are neither of us people who have eyes for the purpose of not seeing, and if I saw a black silhouette slip out of a window last night, you, for your part, have seen. A gentleman who received a stone slab on his head. Exactly. And I repeat, it's very ingenious of you to try to make them out to be one and the same person. Very ingenious, and very dangerous. In what way is it dangerous? In the sense that every attack provokes a counterattack. I haven't made any attack, but I wish to make it quite clear that I was ready to go to any lengths. Even to the length of attributing the theft of this pair of earrings to me? Perhaps. Oh, then I'd better lose no time proving that's there in your hands. Be quick about it. Once more he stopped short on the threshold of the door and said, Then we are enemies. We are enemies. Why? You're quite unacquainted with me. I don't need to be acquainted with you to know who you are. What? Who I am? I'm the Chevalier-Maxime-Districture. Possibly, but you're also the gentleman who, secretly and without his cousin's knowledge, seeks, that which he has no right to seek, with what objective not to steal it. And that's your business? Yes. On what grounds? It won't be long before you learn. He made a movement, of anger or contempt. He controlled himself and mumbled, All the worse for you and all the worse for St. Quentin. Good-bye for the present. Without another word he bowed and went out. It was an odd fact, but in this kind of brutal and violent duel, Dorothy had kept so cool that hardly had the door closed before. Following her instincts of a street Arab, she indulged in a high kick and pirouetted half across the room. Then, satisfied with herself and the way things were going, she opened a glass case, took from it a bottle of smelling salts, and went to St. Quentin who was lying back in his easy chair. Smell it, old chap. He sniffed it, began to sneeze, and stuttered. We're lost. You're a fine fellow, St. Quentin. Why do you think we're lost? He's off to denounce us. Undoubtedly he's off to buck up the inquiries about us, but as for denouncing us, for telling what he saw this morning, he dare not do it. If he does, I tell in my turn what I saw. All the same, Dorothy. There was no point in telling them of the disappearance of the jewels. They were bound to discover it sooner or later. The fact of having been the first to speak of it diverts suspicion. Or turns it on to us, Dorothy. In that case, I accuse the bearded nobleman. You need proofs. I shall find them. How you duty test him. No, but I wish to destroy him. He's a dangerous man, St. Quentin. I have an intuition of it, and you know that I hardly ever deceive myself. He has all the vices. He is betraying his cousins, the Count and Countess. He is capable of anything. I wish to rid them of him by any means. St. Quentin strove to reassure himself. You're amazing. You make combinations and calculations. You act. You foresee. One feels that you direct your course in accordance with a plan. In accordance with nothing at all, my lad. I go forward at a venture and decide as fortune bids. However, I have a definite aim, that's all. Four people confront me, who, there's no doubt about it, are linked together by a common secret. Now the word robber-ray, uttered by my father when he was dying, gives me the right to try to find out whether he himself did not form part of this group, and if, in consequence, his daughter is not qualified to take his place. Up to now, the four people hold together and keep me at a distance. I have vainly attempted the impossible to obtain their confidence in the first place, and after it their confessions, so far without any result, but I shall succeed. She stamped her foot, with an abruptness in which was suddenly manifest all the energy and decision which animated this smiling and delicate creature, and she said again, I shall succeed, St. Quentin. I swear it. I am not at the end of my revelations. There is another which will persuade them, perhaps, to be more open with me. What is it, Dorothy? I know what I'm doing, my lad. She was silent. She gazed through the open window near which Castor and Pollux were fighting. The noise of hurrying footsteps re-echoed about the chateau. People were calling out to one another. A servant ran across the court at full speed and shut the gates, leaving a small part of the crowd and three or four caravans. Of which one was Dorothy's circus in the courtyard? The policeman. The policeman, stammered St. Quentin. There they are. They are examining the rifle-rains. And destritures with them, observed the young girl. Oh, Dorothy, what have you done? It's all the same to me, she said, wholly unmoved. moved. These people have a secret which perhaps belongs to me as much as to them. I wish to know it. Excitement, sensations—all that works in my favour! Nevertheless—Pype, St. Quentin, today decides my future, instead of trembling, rejoice! A foxtrot, old chap!" She threw an arm round his waist, and propping him up like a tailor's dummy with wobbly legs. She forced him to turn. Climbing in at the window, Caster and Pollux, followed by Captain Montfalcon, started to dance round the couple, chanting the air of the cappuccine, first in the drawing-room, then across the large hall. But a fresh failure of St. Quentin's legs dashed the spirits of the dancers. Dorothy lost her temper. What's the matter with you now? She cried, trying to raise him and keep him upright. He stuttered. I'm afraid. I'm afraid. But why on earth are you afraid? I've never seen you in such a funk. What are you afraid of? The jewels. Idiot! But you've thrown them into the clump. No. You haven't? No. But where are they then? I don't know. I looked for them in the basket, as you told me to. They weren't there any longer. The little cardboard box had disappeared. During his explanation, Dorothy grew graver and graver. The danger suddenly grew clear to her. Why didn't you tell me about it? I should not have acted as I did. I didn't dare to. I didn't want to worry you. Ah, Saint Quentin, you were wrong, my lad. She uttered no other reproach, but added, What's your explanation? I suppose I made a mistake and didn't put the earrings in the basket, but somewhere else, in some other part of the caravan. I've looked everywhere without finding them. But those policemen, they'll find them. The young girl was overwhelmed. The earrings discovered in her possession. The theft duly verified meant arrest and jail. Leave me to my fate, grown Saint Quentin. I'm nothing but an imbecile, a criminal. Don't try to save me. Throw all the blame on me, since it is the truth. At that moment a police inspector in uniform appeared on the threshold of the hall, under the guidance of one of the servants. Not a word, murmured Dorothy. I forbid you to utter a single word. The inspector came forward. Mademoiselle Dorothy. I'm Mademoiselle Dorothy, Inspector. What is it you want? Follow me. It will be necessary. He was interrupted by the entrance of the Countess, who hurried in, accompanied by her husband and Ralph d'Avornay. No, no, Inspector! she exclaimed. I absolutely oppose anything which might appear to show a lack of trust in Mademoiselle. There is some misunderstanding. Ralph d'Avornay also protested. But Count Octave observed. Bear in mind, dear, that this is merely a formality, a general measure which the inspector is bound to take. A robbery has been committed. It is only right that the inquiry should include everybody. But it was Mademoiselle who informed of the robbery. Interrupted the Countess. It is she who for the last hour has been warning us of all that is being plotted against us. But why not let her be questioned like everybody else? As de Stricher said just now, it's possible that your earrings were not stolen from your safe. You may have put them in your ears without thinking today, and then lost them out of doors, where someone has picked them up. The inspector, an honest fellow who seemed very much annoyed by this difference of opinion between the Count and Countess, did not know what to do. Dorothy helped him out of the awkward situation. I quite agree with you, Count. My part in the business may very well appear suspicious to you, and you have the right to ask how I know the word that opens the safe, and if my talents as a diviner are enough to explain my clairvoyance. There isn't any reason then for making an exception in my favour. She bent low before the Countess and gently kissed her hand. You mustn't be present at the inquiry, Madame. It's not a pleasant business. For me it's one of the risks we strolling entertainers run, but you would find it painful. Only I beg you for reasons which you will presently understand to come back to us after they have questioned me. I promise you I will. I'm at your service, Inspector. She went off with her four companions and the Inspector of Police. St. Quentin had the air of a condemned criminal being led to the gallows. Captain Montfauquin, his hands in his pockets, the string round his wrist, dragged along his baggage wagon and whistled an American tune, like a gallant fellow who knows that all these little affairs always end well. At the end of the courtyard, the last of the countryfolk were departing through the open gates beside which the gamekeeper was posted. The showmen were grouped about their tents and in the orangery where the second policeman was examining their licenses. On reaching her caravan, Dorothy perceived Distriture talking to two servants. You then are the director of the inquiry, Montfauquin? She said gaily. I am indeed Mademoiselle. In your interest, he said in the same tone. Then I have no doubt about the result of it, she said, and turning to the Inspector she added. I have no keys to give you. Dorothy's circus has no locks. Everything is open to the world. Empty hands and empty pockets. The Inspector seemed to have no great relish for the job. The two servants did their best and Distriture made no bones about advising them. Excuse me, Mademoiselle, he said to the young girl, taking her on one side, I'm of the opinion that no effort should be spared to make your complicity quite out of the question. It's a serious business, she said ironically. In what way? Well, recall our conversation. There's a criminal. If it isn't me, it's you. Distriture must have considered the young girl a formidable adversary, and he must have been frightened by her threats, for while he remained quite agreeable, gallant even, jesting with her, he was indefatigable in his investigation. At his bidding the servants lifted down the baskets and boxes, and displayed her wretched wardrobe in the strongest contrast to the brilliantly coloured handkerchiefs and shawls with which the young girl loved to adorn herself. They found nothing. They searched the walls and platform of the caravan, the mattresses, the harness of the one-eyed magpie, the sack of oats, and the food. Nothing. They searched the four boys. A maid felt Dorothy's clothes. The search was fruitless. The earrings were not to be found. And that, said Distriture, pointing to the huge basket loaded with pots and pans which hung under the vehicle. With a furtive kick on the ankle, Dorothy straightened St. Quentin who was tottering, Let's bolt! he stuttered. Don't be a fool. The earrings are no longer there. I may have made a mistake. You're an idiot. One doesn't make a mistake in a case like that. Then where's the cardboard box? Have you got your eye stuffed up? You can see it, can you? Of course I can see it as plainly as the nose in the middle of your face. In the caravan? No. Where? On the ground ten yards away from you, between the legs of the bearded one. She glanced at the wagon of Captain Mount Falcon, which the child had abandoned to play with the doll, and the little packages from which miniature bags and trunks and parcels lay on the ground beside Distriture's heels. One of these packages was nothing else than the cardboard box which contained the earrings. Captain Mount Falcon had that afternoon added it to what he called his haulage material, confiding her unexpected discovery to St. Quentin. Dorothy, who did not suspect the keenness of the subtlety and power of observation of the man she was fighting, committed an irreparable imprudence. It was not on the young girl that Distriture was keeping watch from behind the screen of his spectacles, but on her comrade St. Quentin, whose distress and feebleness he had been quick to notice. Dorothy herself remained impassive, but would not St. Quentin end by giving some indication. That was what happened. When he recognized the little box with the red Goudaperture ring round it, St. Quentin heaved a great sigh in his sudden relief. He told himself that it would never occur to anyone to untie these child's toys which lay on the ground for anyone to pick up. Several times, without the slightest suspicion, Distriture had brushed them aside with his feet and stumbled over the wagon, winning from the Captain this sharp reprimand. Now then, sir, what would you say if you had a car and I knocked it over? St. Quentin raised his head with a cheerful air. Distriture followed the direction of his gaze and instinctively understood. The earrings were there, under the protection of fortune, and with the unwitting complicity of the Captain. But in which of the packages? The cardboard box seemed to him to be the most likely. Without a word he bent quickly down and seized it. He drew himself up, opened it with a furtive movement, and perceived, among some small white pebbles and shells, the two sapphires. He looked at Dorothy. She was very pale. Let's bolt, again said St. Quentin, who had sunk down onto a trunk and would have been incapable of making a single step. A splendid idea, said Dorothy in a low voice. Harness one-eyed magpie. Let's all five of us hide ourselves in the caravan and help for leather for the Belgian frontier. She gazed steadfastly at her enemy. She felt that she was beaten. With one word he could hand her over to justice, throw her into prison, and render vain all her threats. Of what value are the accusations of a thief? Box in hand. He balanced himself on one foot, then on the other, with ironical satisfaction. He had the appearance of waiting for her to weaken and become a suppliant. How he misjudged her? On the contrary she maintained an attitude of defiance and challenge as if she had had the audacity to say to him, if you speak, you're lost. He shrugged his shoulders and turning to the inspector, who had seen nothing of this by-play, he said. We may congratulate ourselves on having got it over, and entirely to Mademoiselle's advantage. Goodness, what a disagreeable job! You had no business to set about it at all, said the Countess, coming up with the Countess' round of onee. Oh, yes, I had, dear cousin. Your husband and I had our doubts. It was just as well to clear them up. And you've found nothing, said the Count. Nothing less than nothing, at the most an odd trifle with which Mr. Montfalcon was playing, and which Mademoiselle Dorothy had been kind enough to give me. You do, don't you, Mademoiselle? Yes, said Dorothy simply. He displayed the cardboard box round which he had again drawn the rubber ring, and handing it to the Countess. Take care of that till tomorrow morning, will you, dear lady? Why should I take care of it and not you? It wouldn't be the same thing, said he, to place it in your hands as as it were to affix a seal to it. Tomorrow at lunch we'll open it together. Do you make a point of it? Yes, it's an idea of sorts. Very good, said the Countess. I accept the charge if Mademoiselle authorizes me to do so. I ask it, madam, replied Dorothy, grasping the fact that the danger was postponed till tomorrow. The box contains nothing of importance, only white pebbles and shells, which, since it amuses Monsour, and he wants to check on it, give him this small satisfaction. They remained, however, a formality which the Inspector considered essential in inquiries of this kind. The examination of identification papers, delivery of documents, compliance with the regulations, were matters which he took very seriously indeed. On the other hand, if Dorothy surmised the existence of a secret between the Count and Countess and their cousins, it is certain that her hosts were not less puzzled by the strange personality which, for an hour or two, had dominated and disturbed them. Who was she? Where did she come from? What was her real name? What was the explanation of the fact that this distinguished and intelligent creature, with her supple cleverness and distinguished manners, was wandering about the country with four street boys? She took from a locker in the caravan a passport case which she carried under her arm, and, when they all went into the laundry which was now empty, she took from this case a sheet of paper black with signatures and stamps, and handed it to the Inspector. Is this all you've got? He said almost immediately. Isn't it sufficient? The Secretary at the Mayor's office this morning was satisfied with it. They're satisfied with anything in Mayor's offices? He said scornfully. And what about these names? Nobody's named Caster and Pollux, and this one, Baron de Saint Quentin, Acrobat. Dorothy smiled. Nevertheless it is his name and his profession. Baron de Saint Quentin. Certainly he was the son of a plumber who lived at Saint Quentin and was called Baron. But then he must have the paternal authorization. Impossible. Why? Because his father died during the occupation. And his mother? She said, too, no relations. The English adopted the boy. Towards the end of the war he was assistant cook in a hospital at Bar-le-Duke where I was nurse. I adopted him. The Inspector uttered a grant of approval and continued his examination. And Caster and Pollux? I don't know where they come from. In 1918, during the German push towards Shalons, they were caught in the storm and picked up on a road by some French soldiers who gave them their nicknames. The shock was so great that they've lost all memory of the years before those days. Are they brothers? Were they acquaintances? Where are their families? Nobody knows. I adopted them. Oh! said the Inspector, somewhat taken aback. Then he went on. There remains now Sire Montfalcon, captain in the American Army, decorated with the Croy de Guerre. Present! said a voice. Montfalcon drew himself stiffly upright in a soldierly attitude, his heels touching, and his little finger on the seam of his enormous trousers. Dorothy caught him onto her knee and gave him a smacking kiss. A brat, about whom also nobody knows anything. When he was four he was living with a dozen American soldiers who had made for him, by way of a cradle, a fur bag. The day of the great American attack, one of the twelve carried him on his back, and it happened that of all those who advanced, it was this soldier who went furthest, and that they found his body next day near Montfalcon Hill. Besides him, in the fur bag, the child was asleep, slightly wounded. On the battlefield the Colonel decorated him with the Croy de Guerre, and gave him the name and rank of Captain Montfalcon of the American Army. Later it felt to me to nurse him at the hospital to which he was brought in. Three months after that the Colonel wished to carry him off to America. Montfalcon refused. He did not wish to leave me. I adopted him. Dorothy told the child's story in a low voice full of tenderness. The eyes of the Countess shone with tears and she murmured, You acted admirably, admirably Mademoiselle, only that gave you four orphans to provide for, with what resources, Dorothy laughed and said, We were rich. Rich? Yes, thanks to Montfalcon. Before he went his Colonel left two thousand francs for him, we bought a caravan and an old horse. Dorothy's circus was formed. A difficult profession to which you have to serve an apprenticeship. We served our apprenticeship under an old English soldier, formerly a clown, who taught us all the tricks of the trade and all the weasels. And then I had it all in my blood. The tight rope, dancing, I was broken into them years ago. Then we set out across France. It's rather a hard life, but it keeps one in the best of health, one is never dull, and taken all round Dorothy's circus is a success. But does it comply with the official regulations? Asked the inspector, whose respect for red tape enabled him to control the sympathy he was feeling for her. For after all, this document is only valuable from the point of view of references. What I should like to see is your own certificate of identity. I have that certificate, Inspector. Made out by whom? By the prefecture of Chalens, which is the chief city of the department in which I was born. Show it to me. The young girl plainly hesitated. She looked at Count Octave then at the Countess. She had begged them to come just in order that they might be witnesses of her examination and hear the answer she proposed to give. And now, at the last moment, she was rather sorry that she had done so. Would you prefer us to withdraw? said the Countess. No, no, she replied quickly. On the contrary, I insist on your knowing. And us too? said Raoud Avonnais. Yes, she said smiling. There is a fact which it is my duty to divulge to you. Oh, nothing of great importance. But all the same. She took from her case a dirty card with broken corners. Here it is, she said. The inspector examined the card carefully and said in the tone of one who was not to be humbugged. But that isn't your name. It's a nom de guerre, of course, like those of your young comrades. Not at all, Inspector. Come, come, you're not going to get me to believe. Here is my birth certificate and support of it, Inspector, stamped with the stamp of the Commune of Argonne. What? You belong to the village of Argonne? cried the Count de Chagny. I did, Monsieur Le Comte. But this unknown village, which gave its name to the whole district of the Argonne, no longer exists. The war has suppressed it. Yes, yes, I know, said the Count. We had a friend there. A relation. Didn't we, Distriture? Doubtless it was Jean de Argonne, she asked. It was. Jean de Argonne died at the hospital at Clermont from the effects of a wound, Lieutenant the Prince of Argonne. You knew him? I knew him. Where? When? Under what conditions? Goodness! Under the ordinary conditions in which one knows a person with whom one is closely connected. What? There were ties between you and Jean de Argonne? The ties of relationship? The closest ties? He was my father. Your father? Jean de Argonne? What are you talking about? It's impossible. See why? Jean's daughter was called Yolanda. Yolanda, Isabelle, Dorothy. The Count snatched the card which the Inspector was turning over and over again, and read aloud in a tone of amazement. Yolanda, Isabelle, Dorothy, Princess of Argonne. She finished the sentence for him laughing. Count is Mary Scott, Baroness de la Heitre, de Beogrevaux, and other places. The Count seized the birth certificate with no less eagerness, and, more and more astounded, read it slowly syllable by syllable. Yolanda, Isabelle, Dorothy, Princess of Argonne, born at Argonne on the 14th of October 1900, legitimate daughter of Jean de Mary Scott, Prince of Argonne, and of Jesse Varane. Further doubt was impossible. The civil status to which the young girl laid claim was established by proofs, which they were the less inclined to challenge since the unexpected fact explained exactly everything which appeared inexplicable in the manners and even in the appearance of Dorothy. The Countess gave her feelings full play. Yolanda, you are the little Yolanda about whom Jean de Argonne used to talk to us with such fondness? He was very fond of me, said the young girl. Circumstances did not allow us to live always together as I should have liked, but I was as fond of him as if I had seen him every day. Yes, said the Countess. One could not help being fond of him. I only saw him twice in my life, in Paris at the beginning of the war. But what delightful recollections of him I retain, a man teaming with gaiety and light-heartedness. Just like you, Dorothy, besides, I find him again in you, the eyes, and above all the smile. Dorothy displayed two photographs which she took from among her papers. His portrait, madam, do you recognize it? I should think so, and the other, this lady. My mother, who died many years ago, he adored her. Yes, yes, I know. She was formerly on the stage, wasn't she? I remember. We will talk it all over, if you will, and about your own life, the misfortunes which have driven you to live like this. But first of all, how came you here, and why? Dorothy told them how she had chance to see the word rubberay, which her father had repeated when he was dying. Then the Count interrupted her narration. He was a perfectly commonplace man who always did his best to invest matters with the greatest possible solemnity, in order that he might play the chief part in them, which his rank and fortune assigned to him. As a matter of form he consulted his two comrades, then, without waiting to hear their answers, he dismissed the inspector with the lack of ceremony of a grand signure. In the same fashion he turned out to Saint Quentin and the three boys, carefully closed the two doors, bathed the two women sit down, and walked up and down in front of them with his hands behind his back and an air of profound thoughtfulness. Dorothy was quite content. She had won a victory, compelled her hosts to speak the word she wanted. The Countess held her tightly to her. Raoul appeared to be a friend. All was going well. There was, indeed, standing a little apart from them, hostile and formidable, the bearded nobleman whose hard eyes never left her. But sure of herself, accepting the combat, full of careless staring, she refused to bend before the menace of the terrible danger which, however, might at any moment crush her. Mademoiselle, said the Count de Chagny with an air of great importance, it has seemed to us, to my cousins and me, since you are the daughter of Jeanne d'Aragon, whose loss we so deeply deplore, it has seemed to us, I say, that we ought in our turn to enlighten you concerning events of which he was cognizant and of which he would have informed you had he not been prevented by death, of which he actually desired, as we know, that you should be informed. He paused, delighted with his preamble. On occasions like this he loved to indulge in a pomposity of diction, employing only the most select vocabulary, striving to observe the rules of grammar and fearless of subjunctives. He went on. Mademoiselle, my father from Soyes de Chagny, my grandfather Dominique de Chagny, and my great-grandfather Gaspard de Chagny, lived their lives in the circumviction that great wealth would be, how shall I put it, would be offered to them, by reason of certain unknown conditions of which each of them was confident in advance that he would be the beneficiary, and each of them took the greater joy in the fact and indulged in a hope all the more agreeable, because the revolution had ruined the house of the Count de Chagny from the roof tree to the basement. On what was this conviction based? Neither François, nor Dominique, nor Gaspard de Chagny ever knew. It came from vague legends which described exactly neither the nature of the riches nor the epoch at which they would appear, but all of which had this in common that they evoked the name of Robert A. And these legends could not have gone very far back since de Chateau, which was formerly called the Chateau de Chagny, only received the name of Chagny Rabarre in the reign of Louis XVI. Is it this designation which brought about the excavations that were made from time to time? It is extremely probable. At all events, it is a fact that at the very moment the war broke out, I had formed the resolution of restoring this Chateau de Rabarre, which had become merely a shooting box and definitely settling down in it. For all that, and I am not ashamed to say it, my recent marriage with Madame de Chagny had enabled me to wait for these so-called riches without excessive impatience. The Count smiled a subtle smile in making this discreet allusion to the manner in which she had regilded his heraldic shield, and continued, It is needless to tell you, I hope, that during the war the Count de Chagny did his duty as a good Frenchman. In 1915, as Lieutenant of Light Infantry, I was in Paris on leave when a series of coincidences brought about by the war, brought me into touch with three persons with whom I had not previously been acquainted, and whose ties of kinship with the Chagny Rabarre I learned by accident. The first was the father of Raoul de Vonnais, commandment Georges de Vonnais, the second Maxime districteur, the last Jean d'Aragon. All four of us were distant cousins, all four on leave or recovering from wounds, and so it came about that in the course of our interviews, that we learned, to our great surprise, that the same legend had been handed down in each of our four families. Like their fathers and their grandfathers, Georges de Vonnais, districteur, and Jean de Ragon were awaiting the fabulous fortune which was promised them, and which was to settle the debts which this conviction had led them on to contract. Moreover, the same ignorance prevailed among the four cousins. No proof, no indication. After a fresh pause intended to lead up to an impressive effect, the count continued. But yes, one indication. However, Jean de Ragon remembered a gold medal, the importance of which his father had formerly impressed on him. His father died a few days later from an accident in the hunting field without having told him anything more. But Jean de Ragon declared that this medal bore on it in inscription, and that one of these words, he did not recall it at once, was this word robberie, on which all our hopes are undoubtedly concentrated. He informed us then of his intention of ransacking the twenty trucks or so, which he had been able in August, 1914, to bring away from his country seat before its imminent pillage, and to store in a shed at Barley-Duke. But before he went, since we were all men of honor, exposed to the risks of war, we all foretook a solemn oath that all our discoveries relative to the famous treasure should be common property. Henceforth and forever the treasure should Providence decide to grant it to us, belonged to all the four, and Jean de Ragon, whose leave expired, left us. It was at the end of 1915, wasn't it? asked Dorothy. We passed a week together the happiest week of my life. I was never to see him again. It was indeed towards the end of 1915, the count agreed. A month later Jean de Ragon, wounded in the north, was sent into hospital at Chartres, from which she wrote to us a long letter, never finished. The Countess de Chagny made a sudden movement. She appeared to disapprove of what her husband had said. Yes, yes, I will lay that letter before you, said the Count firmly. Perhaps you're right, murmured the Countess. Nevertheless. What are you afraid of, madam? said Dorothy. I'm afraid of our causing you pain to no purpose, Dorothy. The end of it will reveal to you very painful things. But it is our duty to communicate it to her, said the Count in a peremptory tone. And he drew from his pocket-book a letter stamped with the Red Cross and unfolded it. Dorothy felt her heart flutter with a sudden oppression. She recognized her father's handwriting. The Countess squeezed her hand. She saw that Rao Davone was regarding her with an air of compassion, and with an anxious face, trying less to understand the sentences she heard than to guess the end of this letter. She listened to it. My dear octave, I will first of all set your mind at rest about my wound. It is a mere nothing, no complications to be afraid of. At the most a little fever at night, which bothers the major, but all that will pass. We will say no more about it, but come straight to my journey to Baladouk. Octave, I may tell you without any beating about the bush, that it has not been useless, and that after a patient's search I ended by ferreting out from among a pile of boots, and that conglomeration of useless objects which one brings away with one-one-one bolts, the precious metal. At the end of my covalescence, when I come to Paris, I will show it to you. But in the meantime, while keeping secret the indications engraved on the face of the metal, I may tell you that on the reverse are engraved these three Latin words, and robberet fortuna. Three words which may be thus translated, fortune is in the firm heart, but which, in view of the presence of this word robberet, and in spite of the difference in the spelling, doubtless point to the chateau de robberet as the place in which the fortune, of which our family legends tell, will consequently be hidden. Have we not here, my dear Octave, a step forward on our path towards the truth? We shall do better still, and perhaps we shall be helped in the matter, in the most unexpected fashion, by an extremely nice young person, with whom I have just passed several days which have charmed me. I mean, my dear little Yolanda. You know, my dear friend, that I have very often regretted not having been the father I should like to have been. My love for Yolanda's mother, my grief at her death, my life of wandering during the years which followed it, all kept me far away from the modest farm which you call my country seat, and which, I am sure, is no longer anything but a heap of ruins. During that time Yolanda was living in the care of the people who farmed my land, bringing herself up, getting her education from the village priest, or the school master, and above all from nature, loving the animals cultivating her flowers, lighthearted and uncommonly thoughtful. Several times during my visits to Argonne, her common sense and intelligence astonished me. On this occasion I found her in the field hospital of Bar-la-Duke, in which she has, on her own initiative, established herself as an assistant nurse, a young girl. Barely fifteen, you cannot imagine the ascendancy she exercises over everyone about her. She decides matters like a grown person and she makes those decisions according to her own judgment. She has an accurate insight into reality, not merely into appearances, but into that which lies below appearances. You do see clearly, I said to her, you have the eyes of a cat which moves, quite at its ease, through the darkness. My dear Octave, when the war is finished I shall bring Yolanda to you, and I assure you that, along with our friends, we shall succeed in our enterprise. The count stopped. Dorothy smiled sadly, deeply touched by the tenderness and admiration which this letter so clearly displayed. She asked, That isn't all, is it? The letter itself ends there, said the count, dated the sixteenth of January. It was not posted till the twentieth. I did not receive it, for various reasons, till three weeks later. And I learnt later that on the fifteenth of January, Jean d'Argonne had a more violent attack of fever, of that fever which baffled the sergeant major and which indicated a sudden infection of the wound of which your father died. Or at least, or at least, asked the young girl, or at least which was officially stated to be the cause of his death, said the count in the lower voice. What's that you say? What's that you say? cried Dorothy. My father did not die of his wound. It is not certain, the count suggested. But then what did he die of? What do you suggest? What do you suppose? End of chapter four.