 The Three Masketeers by Alessandre Dumas, narrated by John Lee. This unabridged audiobook was produced in the year 2008 by Tantor Media Incorporated, which holds the copyright there, too. Author's Preface In which it is proved, notwithstanding their names ending in os and is, the heroes of the story which we are about to have the honor to relate to Alessners have nothing mythological about them. A short time ago, while making researches in the Royal Library for my history of Louis XIV, I stumbled by chance upon the memoirs of Monsieur d'Atenion, printed, as were most of the works of that period, in which authors could not tell the truth without the risk of a residence, more or less long in the Bastille, at Amsterdam by Pierre Rouge. The title attracted me. I took them home with me, with the permission of the Guardian, and devoured them. It is not my intention here to enter into an analysis of this curious work, and I shall satisfy myself with referring such of my readers as appreciate the pictures of the period to its pages. They will therein find portraits penciled by the hand of a master. And although these squibs may be, for the most part, traced upon the doors of barracks and the walls of cabarets, they will not find the likenesses of Louis XIII, Anne of Austria, Richelieu, Mazarin, and the courtiers of the period less faithful than in the history of Monsieur Anquetile. But it is well known what strikes the capricious mind of the poet is not always what affects the mass of listeners. Now while admiring, as others doubtless will admire the details we have to relate, our main preoccupation concerned a matter to which no one before ourselves had given a thought. Datagnan relates that on his first visit to Monsieur de Treville, captain of the king's musketeers, he met in the antechamber three young men, serving in the illustrious corps into which he was soliciting the honour of being received, bearing the names of Athos, Portos, and Aramis. We must confess, these three strange names struck us. And it immediately occurred to us that they were but pseudonyms under which Datagnan had disguised names, perhaps illustrious, or else that the bearers of these borrowed names had themselves chosen them, on the day in which, from caprice discontent or want of fortune, they had donned the simple musketeers' uniform. From the moment we had no rest, till we could find some trace in contemporary works of these extraordinary names which had so strongly awakened our curiosity. The catalogue alone of the