 Hey, it's Anfa and you're watching a live stream. Today I want to use or discover and figure out the new synthesizer that has been open sourced. A synthesizer that has recently been open sourced, which is called Odin 2. And I believe that synthesizer was around for a while now, but the source code was not available and certainly not under a GPL license, new GPL. And it has been released today. I've seen the source code on GitHub. It's there. And the plugin is supplied with LV2 and VST builds for Linux. I have some trouble running the LV2 build at first, but I recently tried it and it works, loaded and it opens. So let me just show you the website where you can find this synthesizer. So the creator is called the Wavewarden and you can find the synthesizer at thewavewarden.com slash Odin 2. And there is a link to, of course, downloads for free major platforms. I've downloaded the Linux Generic. There's also a manual and you can go to the GitHub page to download the source code, which is licensed under GPL 3.0. So this synthesizer is open source and it's available for the free major platforms, which is great. We need more of that. All right. So let's open the interface and figure it out. I've never made any sounds with this synthesizer. There it is. I've uploaded the UI to see if it works. I've been playing around with this buttons and stuff, but never made any sounds from it. And I wanted to do this live stream to give you my first impressions of the audio that comes out of it and all the other stuff. We're going to figure it out together. Are you ready? Maybe. All right. So that's what we get as a default sound. So it's a low-passed saw wave. Yeah, it's a low-passed saw wave. All right. What do we have here? Oh, okay. There's a All right. That sounds very, very smooth. I like that. No zipper noise. Nothing at all. I like the sound of this filter. It's pretty, pretty warm. Also, I think... Oh, have I enabled? No. Now I'm enabling tooltips. There's a button to enable tooltips. Let's play with the resonance. Let's see what this... Hey, we have saturation in the filter noise. Oh, yeah. And we have keyboard tracking. All right. And there's an envelope. That's some really interesting sound. Antonio de Almieda asks, any presets? I believe there's a lot of presets. Preset library. There's a bunch of them. So, you know, anybody can just sift through the presets. I want to make some original sounds. Also, try the coffee. The milk isn't spoiled this time. That's good. All right. Maybe let's dial back this resonance. Maybe we could use this alone as some kind of a base sound. I want to maybe make a little of a track out of that. So, we have something to show for today's session. All right. Let's go 127. Okay. That's very, very simple. Mm. My voice is quiet a bit. Okay. Thank you for letting me know. I'm gonna make the synthesizer a little quieter. And then my voice a little bit louder. Should be good. Should be better a little bit better. Dark side of the synth says hi. Hi. All right. Then I'm going to maybe... Turn down the synthesizer volume. Can you hear me well? That's my voice pierced through. Yes. Thanks. All right. Thanks for the feedback. All right. Let's spawn some more instances and play with it. So, I have Odin 2 selected here. Let's insert seven more. Sidechain everything says Dave Medina. Oh, we could sidechain stuff. Why not? All right. Let's open again our instance and have some fun. So, this is the sawtooth. There's this drift function. Should give us a little bit of warmth for chorus. It's very subtle. I don't notice too much difference when I use that. Oh, something's distorting. Marmar asks, what dog is he using? I am using Ardor. If you don't know, Ardor is a cross-platform open source digital audio workstation with MIDI 2. And this is version 6.3.229, which is not the latest official release. It's newer, a little bit experimental, possibly. What about the unison? All right. We're able to do some really cool plugs with this. Let's play with the envelopes maybe a little bit. What if we turn down this filter, but give it an envelope? Oh yeah, a plug. I wish I could do more. Filter envelope. Okay, so I'm switching between the two. Amplitude envelope. Oh, we can have more click on it. I wish there was a little bit more range on this envelope, filter envelope, because I can't have it all the way bright and then open up. So we could possibly maybe emphasize that with this modulation matrix. Let's go with filter envelope, destination, filter 1, frequency amount. Oh yeah, that sounds really trans-y indeed. All right, so with the help of the modulation matrix, we can get more depth of this filter envelope. We just need to sacrifice one slot to root it again. Maybe let's leave this, call it super, superplug, and let's call it base. Okay, let's open up another instance and see what we can do there. There's a bunch of interesting oscillators in this synth. Basically, we've been playing with the default blocks, but there's much more. If we drop down here, you can see there's a bunch of oscillators. A wavetable oscillator. What do we have here? Great Zias asks, can you try making a 303 sound type on that synth? You mean the base? I think we've already almost done something like that, but yeah, sure, why not? Also, maybe that's a good idea. Hit me with your suggestions for sounds. Yeah, I would go with filter envelope rooted to filter frequency. I think you can pretty much make all the TB303 sounds you want in this. The filters behave really nicely. I like that. And with this included saturation, you can get all that stuff out of that synth. Nice. Steven J. Diaz asks, is it possible to use custom wavetables? Let's see. Oh, that's the TB303 sound. Yay, let's call this. TB303 base. Let's open up another instance. Man, I'm burning through these fast. Let's see if the wavetable oscillator can load a custom wavetable. I don't see an option for that. I think for now it's only pre-loaded stuff. We have a bunch of wavetables. There's no way to load your own, I think. I don't know, ever. Having fun. Oh, we can have module envelope. Wait. Oh, yeah, not the mod wheel. There is this modulation envelope. But how is it? All right. There is also a distortion module in this amplifier. Oh, and it has a dry-wet console, too. There's some really gnarly sounds in there. I like it. And it also sounds pretty analog so far. At least as far as I can tell, being a person who never owned an analog synthesizer. Hmm. I guess we could use the mod wheel to control the oscillator 1 position. Yeah, now I can play it with a keyboard. Let's add unison. Dark side of the synth says it has wooden side panels. It must sound analog. Yeah. By the way, the texture doesn't do perfectly. There's seams in there. I think this wooden panel was prepared for this 100% size. Oh, no, it clips in that, too. Maybe that's intentional. It's like wooden blocks. I don't know. Oh, there's velocity sensing, too. Homby Burkatt says, never heard of Odin 2. What's up with it? It's not exactly a wavetable synth. It's a synthesizer that has a wavetable oscillator in it, but it has much more stuff, too. Let's maybe leave this. I don't know what's gonna... Oh, wavetable bass. Let's call it that. We're making lots of basses. Rob van den Berg asks, is this open source already? Is the source open already? Yes, it is. I've been to GitHub and I've even shown the website at the start of this live stream. And yeah, you can get the sources and compile it yourself. It's released under GNU GPL3. Hmm, what can we use? There's this multi oscillator. I have no idea what it is. Okay, it has a wavetable stack, I guess. Oh, it's like a better way to do... Wait, what does that... So it's like an oscillator that has unison in it, but it's mono, and also there's no way to control how many voices are there. Am I right? All right, so we can have the different voices use different positions on the wavetable. I think that's the deal. I wonder if we could use LFO to modulate the octave of an oscillator. Let's use LFO1, see what we can do. Oscillator 1, pitch exponential and pitch linear. All right, so not in steps, but we can we can have the LFO modulate the pitch. Wow, that's nice. What does sync do? This reminds me of the old school dubstep tracks before Skrillex, you know. Oh, like Caspa and that kind of stuff. I wonder... Does it? That's so ridiculous. Oh, wait, what I actually wanted to do... We can also loop. No, that's the amplitude. This is LFO. Okay, what we can do with this LFO? Can we modulate the speed of the LFO with, I don't know, mod wheel. Mod wheel to LFO1 frequency. Okay, good. Let's do it. I see we can... These are simple sounds, but they're so fun. Also, I wonder if we can have like more than 100 influence, because I could imagine this pitch going even more up and down with each swing of the LFO. Oh, I think not. I wish we could go up to 200. You know what? We should enable some delay for this. Oh, it's really long time and really long feedback. All right, now it sounds like an old sci-fi movie, really old, or like a garage full of modular modules and cables and an old guy with poking around, finding LSD in his synthesizer that he bought. There could be a nice challenge to like take a scene from a movie, hopefully an open movie, and make all the sound effects using the synthesizer only, and like no dialogue is allowed in anything, and you can imitate dialogue with it if you can. I think there's a format filter, so maybe. Oh wow, that's so cool. Can we have like ping pong? Yeah, we can have stereo. I guess the... Maybe I'll lower this frequency a little bit. Again, I'm missing some range in these modulations. I wish they could go up to 200. Also, I wonder if there is a way to reset the LFO with every... Oh wait, maybe this is it. Yeah, I'm having fun. How about distorting it? Insane. Yeah, sorry, I shouldn't be doing this. Okay, let's maybe call it the who siren and move on to the next instance and discover more awesomeness in the synthesizer. What else is there? Vector oscillator. What is that? Uh-huh. All right. A is saw. Oh wait, what? Wavetables. All right, but how do I control... How do I control the wavetable position if I'm using a wavetable? Wavetraw. Wavetraw 1, chip draw, spec draw. Oscillator 2, spec draw. Okay. Is it this? Spectro oscillator 2? Oh, now I'm... Wait, wait. Am I crossfading? Am I using this oscillator as a source in this oscillator and then crossfading by these XY controls? I'm not sure. This is what I'm doing. What if we disable most of them? Oh wait, can I disable them? Okay, let's set them all to the same thing. Let's go spec draw 2. Oh, so I don't like that the UI is hiding when I click on the menu. I missed it. Oh no, it's different. Okay, spec draw 2, spec draw 2. All right, no crossfading now. Good. Let's make a spec wave draw here. Let's make it silent and now I'm going to make A the wave draw 3. So it should be this one now. All right, I'm getting somewhere. I can't change the octave of that. I can change it here. Hmm. Parathra asks, is all in open source or closed source? Am I a person who would cover a closed source synthesizer? Of course it's open source. The whole thing of my channel is that I'm only doing open source software and I'm working on Linux, but I'm not like super strict about Linux. Of course, you should be using Linux and I'm using Linux and I'm going to show you why that's the best thing ever. But I'm also covering synthesizers like Odin 2, which run on all the major platforms, but are open source, always open source. Petar Zivkovich, I think I'm pronouncing it maybe not as bad as I could. I think you choose four functions and mix them in a ratio on diagram. Yeah, I think this oscillator generates a waveform which is blending between four different ones and I think we can define like, I wonder if like, okay, I've saved some setting here and this is my spec draw 2. Let's go to B. So that should be it. Yay. All right. And if it's silent, then they're not gonna play together, but we can make them play together. Can make it play in octaves. This makes me think there could be a way to copy and paste oscillators between slots. Consint asks, who is this Linux? All right, I see trolling, trolling ensued in the chat. You guys have fun. All right, so now this thing is saved. What if I change to wave draw 2? Oh! Oh, unmute it. Okay, it's still B. It's still referencing my wave, my spec draw on the slots 2. So if I go with mix C, go wave draw on slot 2 and I make a fancy weird something. That's C. Yeah, that should be it. Yep. Let's make a pulse. All right. Okay, I think I'm starting to figure it out. So this is interesting because you can have, you can define some waveforms using these custom drawing oscillator types. Wave draw, chip draw and spec draw. Define up to six different patterns on these two slots and then merge between them in vector oscillator. I think I want to employ some LFOs to drive this. Let's try it. LFO 1, let's go with oscillator 1, oscillator X. All right, now let's go LFO 2, destination oscillator 1Y, full blast again and LFO 2. Does it have a different frequency? Probably not. Let's make it different. We can also enable musical sync. So this is the 16th and this oscillator is, let's make an 8th or a triplet. Weird. Dude Slick says, I thought you knew who this Linux is. Or, oh, because some people, because some people pronounce it new. The G, is the G silent? I'm not sure. Maybe I'm pronouncing it wrong. I'm not a native speaker, so I thought you knew this Linux. I broke a pun. All right, let's see what happens if we drop unison on this. All right, how about a filter? Oh, we haven't played with the filters yet. There's so many types. Let's maybe use a band-bass filter. Oh, everything was on low pass. I didn't even notice. We have LFO 3, too. Let's use LFO 3 to modulate filter cutoff. Make it sync. Maybe a quarter note should do. Maybe not as much. Let's apply delay. Ah, too much. Okay, so sync it and make it... It's funny when it's interesting when it's adjusting the... This is pretty cool. I like that. It's maybe... Petar Zygvakovic says, I'm going. I'm gnoming home. Steve picks his spring delay, not reverb. Is it spring? I don't know if it's spring. There is no reverb in the synth yet. There's some other functions, high pass and ducking. I wonder what ducking is. I don't hear an effect. I don't hear an effect. German. All right, I'm going to leave this patch. Let's call it what Antonio D'Amilda called it. Dark trans delay. That's... Yeah, that would be a tribute. The ducking would probably quiet the delay when the oscillators make noise, says Warren Taylor. That's what I would think. That it should be kind of a sidechain compressor that would make the delay appear only after you release a note. Actually, it could be like a special envelope or an inversion of the global amplitude envelope, but I didn't hear such an effect. Ah, I never get tired of hearing a well-done Lopez filter on a sort of like... I could sweep this all day. It's so satisfying, even when it's piercing my ears. We could maybe try and make some ambient pad soundscape thing, very slowly evolving. We can use all the effects we've got. We've got some modulation effects, phaser, chorus, flanger and this delay. I wonder... Maybe employ the... Oh, by the way, there was some way to use macro-learn... No, macro-learn, midi-learn. Right-click to access midi-learn. The right-clicking. All right. Okay. It could be a very good synthesizer for jamming live. My goodness. It's too bad I don't have camera showing my keyboard, but, you know, using my phone for that isn't very good at all. How about I just try to midi-learn this? I don't know. Wow, it works. It just works. Oh my goodness, that's so cool. Wow, I have what I have. I have nine faders, nine. I have eight knobs. I could map like two envelopes and a bunch of stuff from this and just play live. Maybe that's what she would do. Never gets old. Oh, you can hear the midi-cc stepping because there's only 127 values. Okay, technically 128 values, but zero is the first one. So it's just taking steps. I'm doing a few tiny motions between every step. Yeah, I think... Is there a plugin that would like artificially smooth out my midi-cc action? Try to low pass it and give it some smoothness. All right, what we can do to make a pad out of that? Give it a unison. I guess there is no more than six. Maybe amplitude envelope, give it some attack and release. Let me check out the chat. Xard writes or Zard, and this depends on when you live, says ducking attenuates the output of the delayed signal if an input signal is present. All right, but I didn't hear that in action, actually. Actually, in action. Maybe if I go all wet. Oh yeah, it does do that. I'm pressing a note and it chokes itself. All right, maybe my oscillator volume was not enough. Yeah. Okay, so it has like a hard coded limit. Also, it can be pretty glitchy. Can you hear this? It's creating distortion, but okay. That's an interesting way of making metallic ambiances, just abusing this delay. Maybe let's reuse the wet. Wow, it sounds so metallic. It's almost weird. How much it sounds just like a metal plate resonating this delay at time of 0.1, 0.01 second. It's placement of other effects. Yay. Modulation. What is that? How much of the internal LFO modulates the frequency of this effect? All right, so it's the base frequency of the internal all pass filters. Ah, so I can have this manual. Let's use an envelope then. Let's use the mod envelope and let's assign mod envelope to phaser frequency and give it a go. Oh, wait, wait. No, I'm touching filter envelope now. It can make some really cool sounds. And it's I really like that we can like put the phaser on manual that we can control the frequency completely manually because that's a very powerful effect. So we have some, also there is this way of looping envelopes. Doesn't seem to do anything. Loops the envelope attack and decay sections. Dave Medina says, oh my god, I was cutting bread and the knife sounded the same key. Oh, that's beautiful. Oh, I love that kind of stuff. Antonio de Almirda asks, can you create a kick with this synth? I'm pretty sure we can. Let's do that. Dave Medina says, I'm sending a video. All right, let's maybe leave this one. I'm going to call it metallic pad and let's make a kick drum. Can we synth dubstep? Do you mean can we synthesize dubstep? Andrew Baron asks. Rob van den Berg says, I think you are watching a video. Let's make a kick. We need a sine wave. Check. We need a pitch envelope. Let's use the mod envelope for that. Mod envelope. Rooted to oscillator one pitch exponential. Okay, let's try it. Oh, yeah. So pitch envelope check. I need to tune it. So dang, I'm missing some range on that. I would really like to be able to just copy and paste. I'm going to assign it again. So mod envelope to oscillator one pitch exponential. Yeah. Oh, there's a little bit of attack. I don't want to attack. Check. Outer mind says, check. You know what we could do? Instant art style. Okay, no. No. Sorry. I'm still missing a little bit of that high frequency bite. What if we assign this to pitch line here? It's still not enough. Okay, let's try it the first time, I guess. Oscillator pitch exponential again. Okay, we're getting somewhere. Steve Pixar says, please stop the same kick. Eat it, baby. It's not the same kick again. Hardcore kick. Yay. It was pretty easy. Like I never made a hardcore kick again before, but that was so easy. Just made a distortion. Outer mind says that's early hardcore. Consent. You can open the filter. Oh, maybe that's what was making my modulations not smart, strong enough. No, it's not that. Even with the filter disabled, I still need free instances of the modulation envelope assignment. I really wish there was like a way to multiply it. Maybe there should be a button in the modulation matrix for multiplying the M influence by 10. Andrew Baron asks, are there any free additive synths, Anfa? One is probably inside of Xenats of FX. There is this part of its effects called add synth, which basically is a subtractive synthesizer, but it has eight voices. So you can add stuff up. What's up, sweetheart? Thanks. Arc Forest says, ooh, a new plugin. What is the main purpose of this one? I guess it's to sound cool and be retro, but it has quite a few weird things like a wavetable oscillator. Oh, we haven't even delved into FM, but we're making a kick. Okay. Ah, you know what? There is a noise source. Oh, that's loud. Sorry. I would like an envelope. Maybe I'm going to use the filter envelope for that. Filter envelope rooted to oscillator two volume. Okay. Now I'm going to shorten it. I like that the noise oscillator has filters in it. It's very useful. I think we also need a little bit of distortion, maybe not as much as previously. I think this filter envelope could be useful for this filter envelope. Let's root it to distortion boost. Yay. And let's give it reset it to zero. Okay. Is that doing the same thing? Yes, it is. It's nicely Arc Forest says, okay, I guess it's not another Geon kickstyle plugin then. No, no, this is pretty much melodic. This isn't dedicated for drums. So we are just making a kick drum in it. Yeah. Yes, I really miss some range in these modulation assignments. Hell, I'm using three copies of it just to drive my oscillator. Good thing is that we have a lot of the slots left. So there's no problem. Oh wait, am I being stupid? Scale. What is scale? Destination two. Oh, I don't, I've just figured out maybe I just don't know how this modulation matrix works. Destination two. Scale. Scale with what? Constant scale. What is this? Is it like multiplying modulations with different modulations? Oh yeah, I guess so. Wait, what if I disable this? Okay, now I'm going to change it to mono rhetoric. It's not increasing the amount of, I am not sure what this is, but I can root stuff to two things at once. Oh, that I could, could I root it to two things at once to the same thing at once? Yeah. All right, that's already better. Artificial Marvin says it's a clone of Reason's Thor. Awesome. Yeah, that's what I thought because I've been watching some tutorials by Dave from Boy in a Band way back when and he was using Reason and he was using Thor a lot and when I look at this and I thought, wow, this looks like Thor. It has these changeable modules and it has these rooting arrows and then this graph and everything. It's pretty cool that like the concept of Thor has been developed into its own sense. I pretty much think the name is also a giveaway, but it's our open source and we can use it wherever. Hmm, what else could our kick do? We could use a filter. Hi, let's use filter freak, which is after the distortion. Let's use a steep high pass. How about detuning our kick a bit? Oh, pretty sweet. Maybe. Oh, I just discovered the amplitude envelope by default has a little bit of attack, which makes this transient soft. And if I move it all the way down, it kicks hard. Yeah, snap. That's so cool. Also, we can remove the release. So it stops immediately. By the way, there's 78 79 viewers currently. That's a lot. I didn't expect that. Hello 70 80 people right now. How is this stream getting more views all the time, viewers? Maybe I should stop wasting time on editing videos and just livestream everything. No, no, just kidding. All right. Well, I think our kick is pretty much complete. I don't know what else can we do to make it better. It's a pretty sick kick. All right, we've filled in eight instances. Let's spawn another eight. Let's see where that takes us. Rob van den Berg says only live plus plus. Dave Medina sends a 20 second proof of what happened earlier with the knife. That's YouTube URL. Maybe I can play it. Let's play it. I have no idea what's going to be. This is dangerous. Oh, yeah. That's a cleaver. Hello kitty. That's not a knife. That's a cleaver. That's a big one. Big knife. Wow. That it indeed it sounded in pitch in tune with this. Wow. That was cool. Oh, no, you had no sound. Oh, let me play that again. Yes, of course, I forgot to turn on the sound. Yes, I did. Wait a minute. Let me do it. Oh, no, that's not what I was wanting to do. Okay, but we can do it this way. All right, you should now have sound. Wait, you don't have sound. You don't have sound or do you have sound? Tell me. Tell me well that we go so wrong. No sound. Oh, I did root it. Dang. Okay. Maybe I'm just going to paste the link. You've seen my reaction. That was awesome. Thank you for sending that in. I'm going to set the link in the chat. I can do it because I'm streaming it. Some people are not going to be allowed to post the link. Yep. It's really cool. All right, we've got another eight instances of audio and let's see what we can figure out with it. What else do we've got? We've got FM. We've got also a chip tune oscillator. What does that do? Maybe let's disable filter. Also let me check. Interesting. Are these presets? Chip sign. Okay. Yeah. All right. Chip draw oscillator one. Oh, so we can use this thing. Let's use chip draw oscillator two. Mute this one. All right. So it's another oscillator that lets you draw your own waveforms. But this time it's kind of like gritty. It follows a grid and you have like a limited number of pixels. So you're making pixel art and a waveform editor. There's arpeggio. What is that? How do I enable this arpeggiator? Oh, that's how. Whoa. Alrighty. That's interesting. So we have an arpeggiator. And we have three knobs where we can set the half steps of or semitones of pitch change at each step. And we have two or three steps. So this is two steps. So I'm making this sound higher and octave. I wish we could have tempo sync for this too. Noise. Oh, yeah, that's really cool. Let's make a. Oh, that's so cute. We can make these kinds of noises. Oh, my goodness. This reminds me of my long gone Commodore C64. Sounds exactly like that crap and crap. I mean, Sid Chip. For the time it was revolutionary and awesome. All right. Like you can pretty much do all the same stuff if you just use a bit crusher. But having this as an oscillator is pretty nice because you have all the tools right in there. So it's just quickly accessible. You want to make some chip tuning sounds. You open up this and you have it all under your fingertips right away. Let's call this chip explosion. All right, let's open up another instance. Dmitri Kass writes some spam, so I'm gonna remove this message. Captain Kyozot says, stop exploding all the ships. Antonio de Almira asks, how much CPU all in two uses? Let me see. I can't tell. The majority of my CPU is currently done for encoding, used for encoding video, I think. So we see OBS is taking most of it. Ardor is taking lots of it. OBS, OBS, OBS. Ardor, 4.2%, 4.2%. I think all of these are processes for Odin. 4.2% of CPU addressed. I think it's pretty lightweight. We're having like 16 instances right now and okay, my buffer size is pretty large, but the DSP load is at 12%, which is pretty low. I think it's pretty, pretty lightweight. All right, let's go and play with the FM oscillator. What is that? I'm gonna disable the filter for now, bypass it. All right, and for now we are modulating a sine wave with a sine wave, so it's two operator FM. Also, we have these exponential linear modes. I have no idea what this is. Oh, modulator. Is this octaves? Semi tones? Ah, this gives me an idea. Let's use an LFO. I wish I could just drag and drop these modulation sources like in Helm. That would be very... That would increase the speed of work with this quite a lot. LFO 1, 2, oscillator 1 FM amount. Ah, that's nice. Now, if we can control this timing with... Can I...? Hmm. If I disable sync, I can midi-learn this control. What if I enable sync? Can I still...? Oh, it kind of breaks. It's like I move my midi-cc control and it assigns it to the speed, but then it goes back to what's here. And I can't midi-learn... Ah, I can't midi-learn these two. I wish I could. I wish I could individually midi-learn these two here. Ah, a serial name I can't read says, ANFA, is it possible to add some scope? Yeah, sure. I can add some analysis so you can see what we're doing. Scope. Simple scope, stereo on the master bus. What I like to do is make them both at the same axes. I can also give ourselves some spectrum analysis while we're at it. It's gonna be under my face. I hope the user interface of the synth ain't gonna cover it all for us. Ah, maybe this will be better. Ah, that's such a classic FM sound. Sorry, I'm just dozing off to this. Modulator. Okay, so this is the pitch in sementones, but we can also change these wavetables. Oh, wait a minute. We can wavetable between oscillators we draw ourselves. That is cool. I think we need more. Maybe let's go to 24. Oh no, there's not much range. I can't do 24. Oh no, I need 24. I need two octaves. Oh, also, we've been playing this wave draw later too, so I didn't mute it. Now we were seeing all the DfM stuff. Let's turn it down a bit because it's getting loud. Okay, so again, I'm lacking range. I wish I could go up to four octaves, up and down, and not just one octave up or nothing. Really, that's very limiting. A lot of cool FM stuff happens when you just go really crazy with the octaves. Of course, a lot of crazy stuff happens even in one octave range, but that's pretty limiting. So I wish this synth would go higher, deeper, wider with the modulation possibilities, both in the modulation matrix and in the FM department. But, well, we haven't tested all the things yet. I wonder how am I going to use these wavetables? There should be a way to modulate them, maybe here. Oh, I can't even do... Oh, that's a source. Wait, I can use an oscillator as a source? What? Wait, okay. So, all right, let's make an experiment. I have no idea if that's gonna work. Let's have a noise oscillator, feed it into a filter, bandpass, maybe. Make these quiet. So we have just a filter. Now, oscillator one, let's drive the filter frequency. Holy shit, what happened? Wait, is this doing what I think it's doing? What the hell? Can I use oscillators as modulation sources for other things? Like, is this really happening? Or am I imagining things? Okay, let's bypass this. Let's disable this noise oscillator. So now I am not hearing any output of this. And I guess it's because... Okay, now I do. Wow, it's loud. Okay, we have audio output from this oscillator. Dark side of the synth says, ANFA has just opened a wormhole into another dimension. I sure did. I did not expect that. I'd never seen something like that in any synthesizer before. For the FM range, the range of this parameter can be extended over its natural range via the modulation matrix. Arc Forest says, what did Linus Torvald say to NVIDIA? I'm not gonna quote that, but I think everybody knows. Wait, I see some questions in this chat. Captain Xayou Kizout? I think you're asking about custom wave tables. Okay, let's get back to this. I need to figure this out. Is this really doing what I think it's doing? Because that's so crazy. And that would lift this synth onto an entirely new level. All right, so now if I use the oscillator one or filter out, okay, okay, oscillator one, as filter frequency, now I'm going to disable it here. So only it takes only input from oscillator three, which is going to be noise. Oh, loud noise. Not pleasant. Now I add here a filter. Oh, maybe Ben, maybe Lopez. And there is stuff happening already. My goodness, it's really true. We have audio rate modulation of the filter. Holy cow, what the hell? That's so weird and cool. Let's go oscillator two, routed to delay time, I guess. I'm afraid. Let's go all the way wet. Hear what that sounds like. All right, I wonder if this is doing anything. Doesn't seem like it is doing. Oh, now it's doing things. All right, I'm not sure if it's really doing what I think it's doing. But for sure, this is... No, no, I changed the channel. I wanted to change octaves. This is crazy. What the hell? All right, I'm going to leave it there. Audio rate modulation hell. That is crazy. So we could do FM just by ourselves. Let's do that. Let's have two sine waves. I'm going to mute one oscillator and let's make oscillator two, modulate oscillator one. I'm going to disable this filter. So oscillator two, destination, oscillator one, pitch. Don't hear anything. Huh, it doesn't seem to be doing anything. Oh, because I need this thing. It has to be on. It is really FM. It's actually FM. My goodness. Holy cow. Wait, what if we do something even crazier is that root oscillator two to filter, maybe it could come, and don't root this to output, and root the filter to output. Instead, are things happening here. Zard says, soon you'll create FM singularity and then everything's going to explode. Arc forest says modulate the square wave. Okay, let's try that. I think it's going to be loud. How about the triangle wave? What is this? This is crazy. Oh, I think I know why the delay didn't work because it was off. It was just disabled. I forgot to turn it on. All right, let's let's get this oscillator or an analog oscillator one and feed it to delay time. Let's see what happens. Something definitely happens. That's for sure. Gnarly. Yeah, I'm not sure this is very musical right now. Maybe at higher octaves because I'm, I'm afraid. What's this? It's going to reset the oscillator every time we hit the key. Oh yeah. Yeah, that's useful because otherwise we have different sound every time we hit a key. What is this? Does it stick it to oscillator one? Sinks this oscillator to oscillator one so it will start over when oscillator one completes a cycle. Oh my goodness, it's like, this is like a modular synthesizer. Wow. This modulating things with oscillators and filtered output, that's new and that's some really interesting possibilities right there. Alrighty, you know what? I think I'm going to cut it here. I think we've explored quite a lot of weird things in Odin 2 and I think I'm going to be using this synthesizer in my future work. As Antonio de Mielda said, this is almost a full modular. Just without the f-ing wires as Captain Keyzote says. Yeah, get Odin 2. It's free. It's open source. It runs on Linux, Windows and Mac or Linux, Mac and Windows because I always mention Windows on the last place because I hated the most. Get this synthesizer, play with it, make some awesome music and I will see you in the next video I guess. Also, huge thanks to all the people who are supporting me. Of course, thank you for watching but also great thanks to all the people who are supporting me with their money. If you would like to join them, please go to patreon.com or liberapay.com where you can give me a buck or two every month to help me keep making videos and live streams and bringing open source audio software to you. Yep, and also don't forget you can meet the community at chat.anfa.xyz. It's a great place to be. Let me zoom in on this. As you see, Rob Bunderberg says, don't forget chat.anfa.xyz. Yep.