 We've already mentioned Jeth, so you've worked on FDH for Stranger Things as part of a team. What did this cooperation look like? Did you have a chance to discuss and negotiate particular sound identifiers? Is it common in your experience to work in a team on such projects involving FDH or cross-sectioning? I think it's becoming more common. And I think the opportunity to communicate is where we're going to create the best outcome. I think where that communication isn't there, conflict and opinions could change the way that the direction that you're going in. But I think especially now when I'm working on creative content and entertainment content like that, I find it extremely important to have a collaboration and a discussion. Because, for example, one person might view it in a completely different way, and just a two-second discussion could put you both on the same page. And so I really advocate for it now. What's the best way for this cooperation to be organised? Speaking from an LSP perspective, would you want to get an email of this other person working with a title or have some sort of a chat where you can talk what would be your preference? My preference would be the chat. I think that emails often there is a slower way to do things and having that instant chat where you can go back and forward over things, I think that's the most beneficial way to do that.