 I'm very excited to be here because I've been wanting to come for the event for like four years and last year I got so close, got rejected for a visa for Canada because apparently the people in the embassy thought I would stay back in Canada and give up sunny Sri Lanka. Okay so I'm going to just run through this. So from Sri Lanka we are working on fonts with a few friends and this is one of the font projects that we did in the display. So this is like, I just put this together to kind of show you like the scale of the, it's not very big but the single character set. Like this is the Latin character set at the very end. It has all the numerals and punctuation as well. So if you are actually just working on a single font it will have a lot more characters. And yeah, so this is the kind of microsite that we are still working on it but it's the kind of display of things that we do. And I mean, so one thing is for our languages, the publishing industry and everybody still uses ASCII encoded fonts. And this obey is like made in 1996 by a designer who's currently selling fonts for publishing industry with his own proprietary encoding. And so Google supported to kind of get his work and be expanded. And this is like the first ever similar font which has more than one weight, like a bolt and a regular. And more than that, what's interesting is because of the kind of ASCII old fonts can only have 450 like the character set. So you can see this is, I'm switching between the old ASCII font and the new unicorn interpretation. I mean, if you can just see a bit closer. Yeah, I mean, you can see things like, yeah, this character, I don't know what it is. Yeah, and obviously this kind of things are most of what happened was because of the restrictions that had with the character set. All these languages were kind of unified and adapted and changed. And with Unicode, we can do all these nice things. And another thing that we did is kind of we have these alternate forms. Yeah, so okay. Okay, I'll just move on to the important part. Since we are right now, even though we have all these fonts, none of the desktop publishing softwares including in design cannot out of the box render any of these texts. And therefore the whole publishing industry is still using ASCII fonts. And we have all these fonts and actually nobody's going to use it for graphic design except web design, of course it will be used. But I can show you this. So you can see this is like actually a real website launched like few weeks ago and it's using font on the web. So this is like not searchable or anything. I stumbled upon this because I was actually looking for ASCII encoded single website. That's why I stumbled upon it. Otherwise, I mean, someone who's looking for this website would never find it. So in design has some stuff working right now. But the problem is the latest versions are only properly supported and the publishing industry, they can't, they don't want to switch to the new versions and they won't. And the whole thing with licensing, the whole idea is a bit vague as well. And another thing is Coral Draw is like the de facto software in the low level graphic houses or places that do prints and things like that. And they also, I mean, they can't also use Unicode fonts because it's not properly supported. And the thing is what I want to kind of specify and tell you is I'm a huge fan of softwares and I would like to use our fonts in the softwares that we use. I like to use InScrivers in all these softwares and it's not supported. Inkscape, some softwares it works but in others it's half broken and things like that. And I was really excited to see yesterday the Scrivers CTL branch is actually working. And for the first time in any softwares, like DTP software, I can actually see it's properly rendered. So it was like, yes, finally. Yeah, I mean I can use HTML to print all these systems but I can't. We are launching the fonts like a big promo kind of thing because Sri Lanka is small. So when I say like big promo, it's compared to very small but still it would be amazing if I can make fun of all the people using InDesign and tell Scrivers supports Unicode just use it. And I think it would be in some cases actually commercially kind of selling the support and copies and kind of setting up infrastructure. I'm not talking about big publishing houses, they're not going to switch ever. And last year, like in India, they were like presenting all these type new Indian type projects and some publishing, some people from publishing industry was like, we are making, we are using PageMaker and our software don't support Unicode. You have to make our encoding, make these fonts for our encoding. So yeah, I mean, it's all the fonts put out by Google is open. So I was thinking maybe someone can actually make a business out of it, converting all the Unicode fonts back into those fonts. That's not the way we want to go, I guess. And the other, yeah, okay. So I'm out of time and I missed, I'm just going to take my time out of the two questions. And you can ask me questions later. So I guess that's fine. So it's just that the Scripps guys asked me to set up some testing documents to test the fonts. And I thought since all these type designers, we have the testing documents, testing strings for even like the very edge cases, we have testing strings set up. So I'm going to set up, like I already have a setup like a GitHub repo. And what we can do is like maybe like a make a sample idea of how the testing strings if like I'm just going to grab, grab. Yeah, okay. So I mean, I'm trying to make like a structure of folders. So people could, you could tell me a specification of what kind of file you want to be able to test, test features. And then I can just get all these text strings and put it together for your testing purposes or my testing purposes. I already have templates for Inkscape, Scripps and Gimp and everything. And you know, like there's like some like new something that comes out. I just open the templates and see if it works. But yeah, okay. Thank you very much.