 6. I am reading Manolesco to her. She feels the association. She doesn't say a word, but she smiles from time to time, and finally she shuts up the little book. Don't you want to go on reading? Not today. We will ourselves act Manolesco today. I have a rendez-vous in the Cacine, and you, my dear Chevalier, will accompany me. I know you will do it, won't you? You command it. I do not command it. I beg it of you. She says with irresistible charm. She then rises, puts her hands on my ears, and looks at me. Your eyes, she exclaims. I love you, Severin. You have no idea how I love you. Yes, I have. I replied bitterly. So much so that you have arranged for a rendez-vous with someone else. I do this only to allure you the more. She replied vivaciously. I must have admirers, so as not to lose you. I don't ever want to lose you. Never. Do you hear? For I love only you, you alone. She clung passionately to my lips. Oh, if I only could, as I would, give you all my soul in a kiss thus. But now come. She slipped into a simple black velvet coat, and put a dark bashleek, footnote, a kind of Russian cap, on her head. Then she rapidly went through the gallery, and entered the carriage. Gregor will drive. She called out to the coachman, who was drew in surprise. I ascended the driver's seat, and angrily whipped up the horses. In the Cacine, where the main roadway turns into a leafy path, Wanda got out. It was night, only occasional stars shone through the grey clouds that fled across the sky. By the bank of the Arno stood a man in a dark cloak, with a brigand's hat, and looked at the yellow waves. Wanda rapidly walked through the shrubbery, and tapped him on the shoulder. I saw him turn and seize her hand, and then they disappeared behind her green wall. In our fall of torments, finally there was a wrestling in the bushes to one side, and they returned. The man accompanied her to the carriage. The light of the lamp fell full and glaringly upon an infinitely young, soft and dreamy face, which I had never before seen, and played in his long, blond curls. She held out her hand, which he kissed with deep respect. Then she signalled to me, and immediately the carriage flew along the leafy wall, which follows the river like a long green screen. The bell at the garden gate rings. It is a familiar phrase, the man from the Cacine. Whom shall I announce? I asked him in French. He timidly shakes his head. Do you perhaps understand some German? He asked shyly. Yes, your name, please. Oh, I haven't any yet, he replies embarrassed. Tell your mistress the German painter from the Cacine is here, and will like, but there she is herself. Wanda had stepped out on the balcony, and nodded towards the stranger. Gregor, show the gentleman in, she called to me. I showed the painter the stairs. Thanks. I'll find her now. Thanks, thanks very much. He ran up the steps. I remained standing below, and looked with deep pity on the poor German. Venus in furs has caught his soul in the red snares of hair. He will paint her, and go mad. It is a sunny winter's day. Something that looks like gold trembles on the leaves of the clusters of trees down below in the green level of the meadow. The camellias at the foot of the gallery are glorious in their abundant buds. Wanda is sitting in the loggia. She is drawing. The German painter stands opposite her, with his hands folded as in adoration, and looks at her. No, he rather looks at her face, and is entirely absorbed in it, enraptured. But she does not see him. Neither does she see me. Who, with the spade of my hand, am turning over the flowerbed, solely, that I may see her, and feel her nearness, which produces an effect on me like poetry, like music. The painter has gone. It is a hazardous thing to do, but I risk it. I go up the gallery, quite close, and ask Wanda, do you love the painter mistress? She looks at me without getting angry, shakes her head, and finally even smiles. I feel sorry for him, she replies, but I do not love him. I love no one. I used to love you, as ardently, as passionately, as deeply as it was possible for me to love. But now I don't love even you any more. My heart is a void, dead, and this makes me sad. Wanda, I exclaimed, deeply moved. Soon you too will no longer love me, she continued. Tell me when you have reached that point, and I will give back to you your freedom. Then I shall remain your slave, all my life long, for I adore you, and shall always adore you, I cried, seized, that fanaticism of love which has repeatedly been so fatal to me. Wanda looked at me with a curious pleasure. Consider well that you do, she said. I have loved you infinitely, and have been despotic towards you, so that I might fulfil your dreams. Something of my old feeling, a sort of real sympathy for you, still trembles in my breast. When that too has gone. Who knows, whether then I shall give you your liberty. Whether I shall not then become really cruel, merciless, even brutal to word. Whether I shall not take a diabolical pleasure in tormenting and putting on the rack the man who worships me idolatrously, the while I remain indifferent or love someone else. Perhaps I shall enjoy seeing him die of his love for me. Consider this well. I have long since considered all that. I replied, as in a glow of fever. I cannot exist, cannot live without you. I shall die if you set me at liberty. Let me remain your slave, kill me, but do not drive me away. Well then, be my slave, she replied, but don't forget that I no longer love you, and your love doesn't mean any more to me than that dogs and dogs are kicked. Today I visited the Venus of Medici. It was still early, and the little octagonal room in the tribuna was filled with half-lights like a sanctuary. I stood with folded hands in deep adoration before the silent image of the divinity. But I did not stand for long. Not a human soul was in the gallery, not even an Englishman, and I fell down on my knees. I looked up at a lovely slender body, the budding breast, the virginal and yet voluptuous face, the fragrant curls which seemed to conceal tiny horns on each side of the forehead, my mistress's bell. It is noonday. She, however, is still a bed with her arms intertwined behind her. I want to bathe, she says, and you will attend me. Lock the door. I obey. Now go downstairs, and make sure the door below is also locked. I descended the winding stairs that lead from her bedroom to the bath. My feet gave way beneath me, and I had to support myself against the iron banister. After having ascertained that the door leading to the lochia and the garden was locked, I returned. Wanda was now sitting on the bed with loosened hair, wrapped in her green velvet furs. When she made a rapid movement, I noticed that the furs were her only covering. It made me start terribly. I don't know why. I was like one condemned to death, who knows he is on the way to the scaffold, and yet begins to tremble when he sees it. Come, Gregor, take me on your arms. You mean, mistress? You are to carry me, don't you understand? I lifted her up, so that she rested in my arms while she twined hers around my neck. Slowly, step by step, I went down to stairs with her, and her hair beat from time to time against my cheek and her foot-salt support against my knee. I trembled under the beautiful burden I was carrying, and every moment it seemed as if I had to break down beneath it. The bath consisted of a wide, high rotunda, who received a soft quiet light from a red glass cupola above. Two palms extended their broad leaves like a roof over a couch of velvet cushions. From here, steps covered with Turkish rugs led to the white marble basin which occupied the center. There is a green ribbon on my toilet-sable upstairs, said Wanda, as I let her down on the couch. Go get it, and also bring the whip. I flew upstairs and back again, and kneeling, but both in my mistress's hands. She then had me twist her heavy electric hair into a large knot, which I fastened with the green ribbon. Then I prepared the bath. I did this very awkwardly because my hands and feet refused to obey me. Again and again I had to look at the beautiful woman lying on the red velvet cushions, and from time to time her wonderful body gleamed here and there beneath the furs. Some magnetic powers stronger than my will compelled me to look. I felt that all sensuality and lustfulness lies in that which is half-concealed or intentionally disclosed, and the truth of this I recognized even more acutely when the basin at least was full. And Wanda threw off the fur cloak with a single gesture and stood before me like the goddess in the tribuna. At that moment she seemed as scared and chaste to me in her unveiled beauty as did the divinity of long ago. I sank down on my knees before her and devoutly pressed my lips on her foot. My soul, which had been storm-tossed only a little while earlier, suddenly was perfectly calm, and I now felt no element of cruelty in Wanda. She slowly descended the stairs, and I could watch her with a calmness in which not a single atom of torment or desire was intermingled. I could see her plunge and too, and rise out of the crystalline water, and the wavelets which she herself raised played about her like tender lovers. Our nihilistic esthetician is right when he says a real apple is more beautiful than a painted one, and a living woman is more beautiful than a venus of stone. And when she left the bath and the silvery drops and the rosy light rippled down her body. I was seized with silent rapture. I wrapped a linen sheets about her, drying her glorious body. The calm bliss remained with me. Even now, one foot upon me as upon a footstall, she rested on the cushions in her large velvet cloak. The lyce sabers nestled desirously against her cold marble-like body. Her left arm on which she supported herself lay like a sleeping swan in the dark fur of the sleeve, while her left hand played carelessly with the whip. By chance my look fell on the massive mirror on the wall opposite, and I cried out, for I saw the two of us in its golden frame, as in a picture. The picture was so marvellously beautiful, so strange, so imaginative, that I was filled with a deep sorrow and a thought that its lines and colors would have to dissolve like mist. What is the matter? asked Wanda. I pointed to the mirror. Ah, that is really beautiful, she exclaimed. Too bad no one can capture the moment and make it permanent. And why not? I asked. For not any artist, even the most famous, be proud if you gave him leave to paint you and make you immortal by means of his brush. The very thought that this extraordinary beauty is to be lost to the world, I continued still watching her enthusiastically. It's horrible. All this glorious spatial expression, this mysterious eye, with its green fires, this demonic hair, this magnificence of body. The idea fills me with a horror of death, of annihilation. But at hand of an artist shall snatch you from this. You shall not like the rest of us disappear absolutely, and forever, without leaving a trace of having been. Your picture must live, even when you yourself have long fallen to dust. Your beauty must triumph beyond death. Wanda smiled. Too bad that present day Italy has an attitian or a Raphael, she said. But perhaps love will make amends for genius. Who knows? Our little German might do, she pondered. Yes, he shall paint you, and I will see to it that the God of love mixes his colors. The young painter has established his studio in her villa. He is completely in her net. He has just begun a Madonna, a Madonna with red hair and green eyes. Only the idealism of a German would attempt to use this thoroughbred woman as a model for a picture of virginity. The poor fellow is really an almost bigger donkey than I am. Our misfortune is that our Titania has discovered our asses ears too soon. Now she laughs derisively at us, and how she laughs. I hear her insolent melodious laughter in his studio, under the open window of which I stand, jealously listening. Are you mad? Me? It is unbelievable. Me as the mother of God, she exclaimed, and laughed again. Wait a moment. I will show you another picture of myself, one that I myself have painted, and you shall copy it. Her head appeared in the window, luminous like a flame under the sunlight. Gregor! I hurried up the stairs, through the gallery, into the studio. Lead him to the bath, Wanda commanded, while she herself hurried away. A few moments passed, and Wanda arrived, dressed in nothing but a sable fur, with the whip in her hand. She descended the stairs and stretched out on the velvet cushions, as on the former occasion. I lay at her feet, and she placed one of her feet upon me. Her right hand played with the whip. Look at me, she said, with her deep fanatical look. That's it. The painter had turned terribly pale. He devoured the scene with his beautiful dreamy blue eyes. His lips opened, but he remained dumb. Well, how do you like the picture? Yes. That is how I want to paint you, said the German. But it was really not a spoken language. It was the eloquent moaning, the weeping of a sick soul, a soul sick unto death. The charcoal outline of the painting is done. The heads and flesh parts are painted in. Her diabolical face is already becoming visible under a few bold strokes, like flashes in her green eyes. Wanda stands in front of the canvas, with her arms crossed over her breast. This picture, like many those at the Venetian school, is simultaneously to represent a portrait and to tell a story. Explain the painter, who again had become pale as death. And what will you call it? She asked, but what is the matter with you? Are you ill? I am afraid, he answered, with a consuming look fixed on the beautiful woman in fervours. But let us talk of the picture. Yes, let us talk about the picture. I imagine the goddess of love as having descended from Mount Olympus for the sake of some mortal man, and always cold, in this modern world of ours, she seeks to keep her sublime body warm in a large heavy fur, and her feet in the love of her lover. I imagine the favourite of a beautiful despot, who whips her slave, when she is tired of kissing him, and the more she threads him on her foot, the more insanely he loves her. And so, I shall call this picture, Venus in fervours. The painter paints slowly, but his passion grows more and more rapidly. I am afraid he will end up by committing suicide. She plays with him, and propounds riddles to him, which he cannot solve, and he feels his blood congealing in the process, but it amuses her. During the setting, she nibbles at candies, and rolls the paper wrappers into little pellets, which she bombards him. I am glad you are in such good humour, said the painter, but your face has lost the expression which I need for my picture. The expression which you need for your picture, she replied, smiling, with a moment. She rose, and dealt me a blow with the whip. The painter looked at her with stupefaction, and a childlike surprise showed on his face, mingled with disgust and admiration. While whipping me, one the space acquired more and more of the cruel, contemptuous character, which so haunts and intoxicates me. Is this the expression you need for your picture? She exclaimed. The painter lowered his look in confusion before the cold ray of her eye. It is the expression, he stammered, but I can't paint now. What? said Juan the scornfully. Perhaps I can help you? Yes, quite the German, as if taken with madness, with me too. Ah, with pleasure, she replied, shrugging her shoulders. But if I am to whip you, I want to do it in sober earnest. Whip me to death, quite the painter. Will you let me tie you? she asked, smiling. Yes, he moaned. Juan the left the room for a moment, and returned with ropes. Well, are you still brave enough to put yourself into the power of Venus in first, the beautiful despot, for better or worse? she began ironically. Yes, tie me. The painter replied dully. Juan the tied his hands on his back, and drew a rope through his arms and a second one around his body, and fettered him to the crossbars of the window. Then she rolled back the fur, seized the whip, and stepped in front of him. The scene had a grim attraction to me, which I cannot describe. I felt my heart beat when with a smile she drew back her arm for the first blow, and the whip hissed through the air. He winced slightly under the blow. Then she let blow after blow rain upon him, with her mouth half opened, and her teeth flashing between her red lips, until he finally seemed to ask for mercy with his piteous, blue eyes. It was indescribable. She is sitting for him now, alone. He is working on her head. She has posted me in the adjoining room behind a heavy curtain, where I can't be seen, but can't see everything. What does she intend now? Is she afraid of him? She has driven him insane enough to be sure, or is she hatching a new torment for me? My knees tremble. They are talking. He has lowered his voice, so that I cannot understand the word, and she replies in the same way. What is the meaning of this? Is there an understanding between them? I suffer frightful torments my heart seems about to burst. He kneels down before her, embraces her, and presses his head against her breast, and she, in her heartlessness, laughs, and now I hear her saying aloud, Ah, you need another application of the whip. Woman, goddess, are you without a heart? Can't you love? exclaimed the German. Don't you even know what it means to love, to be consumed with desire and passion? Can't you even imagine what I suffer? Have you no pity for me? No, she replied proudly and mockingly, but I have the whip. She drew it quickly from the pocket of her fur coat, and struck him in the face with the handle. He rose and drew back a couple of paces. Now are you ready to paint again? she asked, indifferently. He did not reply, but again went to the easel and took up his brush and palette. The painting is marvellously successful. It is a portrait which, as far as the likeness goes, couldn't be better, and at the same time it seems to have an ideal quality. The colors glow, are supernatural, almost diabolical, I would call them. The painter has put all his sufferings, his adoration, and all his execration into the picture. Now he is painting me. We are alone together for several hours every day. Today, he suddenly turns to me with his vibrant voice and said, You love this woman? Yes, I also love her. His eyes were bathed in tears. He remained silent for a while and continued painting. We have a mountain at home in Germany, within which she dwells. He murmured to himself, She is a demon. The picture is finished. She insisted on paying him for it, magnificently, in the manner of Queens. Oh, you have already paid me, he said, with a tormented smile, refusing her offer. Before he left he secretly opened his portfolio and let me look inside. I was startled. Her head looked at me as if out of a mirror and seemed actually to be alive. I shall take it along, he said. It is mine. She can't take it away from me. I have earned it with my heart's blood. I am rather sorry for the poor painter. She said to me today, It is absurd to be as virtuous as I am. Don't you think so too? I did not dare to reply to her. Oh, I forgot that I am talking with a slave. I need some fresh air. I want to be diverted. I want to forget. The carriage, quick. Her new dress is extravagant. Russian half-boots with violet-blue velvet trimmed with ermine, and a skirt of the same material decorated with narrow stripes and rosettes of fur. Above it is an appropriate, close-fitting jacket, also richly trimmed and lined with ermine. The head-dress is a tall cap of ermine of the style of Catherine II, with a small egret held in place by a diamond-agraph. Her red hair falls loose down her back. She ascends on the driver's seat and holds the reins herself. I take my seat behind. How she lashes on the horses. The carriage flies along like mad. Apparently, it is her intention to attract attention today, to make conquests, and she succeeds completely. She is the lioness of the Cacine. People nod to her from carriages. On the footpath, people gather in groups to discuss her. She pays no attention to anyone, except now and then, acknowledging the greetings of elderly gentlemen with a slight nod. Suddenly, a young man on a light black horse dashes up at full speed. As soon as he sees Wanda, he stops his horse and makes it walk. When he is quite close, he stops entirely and lets her pass, and she too sees him. The lioness. The lion. Their eyes meet. She madly drives past him, but she cannot hear herself free from the magic power of his look. She turns her head after him. My heart stops when I see the half-surprised, half-enraptured look with which she devours him. But he is worthy of it. For he is indeed a magnificent specimen of man. No, rather, he is a man who is like I have never yet seen among the living. He is in the Belvedere, graven in marble, with the same slender, yet steely musculature, with the same face and the same waving curls. What makes him particularly beautiful is that he is beardless. If his hips were less narrow, one might take him for a woman in disguise. The curious expression about the mouth, the lion's lip, which slightly discloses the teeth beneath, lends a flashing tinge of cruelty to the beautiful face. Apolo, flaying Marcias. He wears high black boots, closely fitting breeches of white leather, short fur coats of black cloth, of the kind worn by Italian cavalry officers, trimmed with astrakhan and many rich loops, on his black locks is a red fez. I now understand the masculine eros, and I marvel at Socrates for having remained virtuous in view of an altibiodis like this. I have never seen my lioness so excited. Her cheeks flamed when she left from the carriage at her villa. She hurried upstairs and with an imperious gesture ordered me to follow. Walking up and down her room with long strides, she began to talk so rapidly that I was frightened. You are about to find out who the man in the cacine was, immediately. Oh, what a man! Did you see him? What do you think of him? Tell me. The man is beautiful, I replied dolly. He is so beautiful, she paused, supporting herself on the arm of a chair, that he has taken my breath away. I can understand the impression he has made on you, I replied. My imagination carrying me in a mad world. I am quite lost in admiration myself. And I can imagine. You may imagine, she laughed aloud, that this man is my lover, and that he will apply the last to you, and that you will enjoy being punished by him. But now, go, go! End of Section 6 Section 7 of Venus and Furs This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by J. C. Guarn Montreal, October 2008 Venus and Furs by Leopold von Zascher Mazoch Translated by Fernando Savage Section 7 Before evening fell, I had the desired information. Wanda was still fully dressed when I returned. She reclined on the ottoman, her face buried in her hands, her hair in a wild tangle, like the red mane of a lioness. What is his name? She asked, Uncanny Colm, Alexis Papadopolis. A Greek then. I nodded. He is very young. Scarcely older than you. They say he was educated in Paris, and that he is an atheist. He fought against the Turks in Candia, and is said to have distinguished himself there no less by his race hatred and cruelty than by his bravery. All in all then, a man, she cried with sparkling eyes. At present, he is living in Florence, I continued. He is said to be tremendously rich. I didn't ask you about that. She interrupted quickly and sharply. The man is dangerous. Aren't you afraid of him? I am afraid of him. Has he a wife? No. A mistress? No. What seers does he attend? Tonight he will be at the Niccolini Theatre, where Regina Marini and Salvini are acting. They are the greatest living artists in Italy, perhaps in Europe. Say that you get a box, and be quick about it, she commanded. But mistress, do you want the taste of the whip? You can wait down in the lobby, she said, when I had placed the opera glasses and the programme on the edge of her box, and adjusted the footstool. I am standing there, and had to lean against the wall for support, so as not to fall down with envy and rage. No, rage isn't the right word. It was mortal fear. I saw in her box, dressed in blue moirur, with a huge ermine cloak about her bare shoulders. He sat opposite. I saw them devour each other with their eyes. For both of them the stage, Goldonis Pamela, Salvini, Marini, the public, even the entire world, were nonexistent tonight. And I, what was I at that moment? Today, she is attending the ball at the Greek ambassadors. Does she know that she will meet him there? At any rate, she dressed as if she did. A heavy sea-green silk dress plastically encloses her divine form, leaving the bust and arms bare. In her hair, which is done into a single flaming knot, a white water lily blossoms. From it the leaves of reeds interwoven with a few loose strands fall down toward her neck. There is no longer any trace of agitation or trembling fearishness in her being. She's calm. So calm that I feel my blood congealing and my heart growing cold under her glance. Slowly, with a weary, indolent majesty, she ascends the marble staircase, lets her precious wrap slide off, and listlessly enters the hall, where the smoke of a hundred candles has formed a silvery mist. For a few moments my eyes follow her in a daze. Then I pick up her furs, which, without my being aware, had slipped from my hands. They are still warm from her shoulders. I kiss the spot, and my eyes feel with tears. He has arrived, and his black velvet coat extravagantly trimmed with sable. He is a beautiful, hearty despot who plays with the lives and souls of men. He stands in the ante room, looking around proudly, and his eyes rest on me for an uncomfortably long time. Under his icy glance I am again seized by a mortal fear. I have a presentiment that this man can enchain her, captivate her, subjugate her, and I feel inferior in contrast with his savage masculinity. I am filled with envy, with jealousy. I feel that I am a queer, weakly creature of brains merely. And what is most humiliating? I want to hate him, but I can't. Why is that amongst all the hosts of servants he has chosen me? With an inimitably aristocratic nod of the head he calls me over to him, an eye. I obey his call against my own will. Take my fur, he quickly commends. My entire body trembles with resentment, but I obey, abjectly, like a slave. All night long I waited in the ante room, raving as in a fever. Strange images hovered past my inner eye. I saw their meeting, their long exchange of looks. Saw her float through the halls in his arms, drunken, lying with half-closed lids against his breast. I saw him in the holy of holies of love, lying on the ottoman, not as slave, but as master, and she at his feet. On my knees I served them, the tea-tree faltering in my hands, and I saw him reach for the whip. But now the servants are talking about him. He is a man who is like a woman. He knows that he is beautiful, and he acts accordingly. He changes his clothes four or five times a day, like a vain courtesan. In Paris he appeared first in women's dress, and the man assailed him with love letters. An Italian singer, famous equally for his art and his passionate intensity, even invaded his home, and lying on his knees before him, threatened to commit suicide if he wouldn't be his. I am sorry, he replied smiling. I should like to do you the favor. But you will have to carry out your threat, for I am a man. The drawing-room has already sent out to a marked degree, but she apparently has no thought of leaving. Morning is already peering through the blinds. At last I hear the wrestling of her heavy gown, which blows along behind her, like green waves. She advances step by step, engaged in conversation with him. I hardly exist for her any longer. She doesn't even trouble to give me an order. The clock for Madame, he commands. He, of course, doesn't think of looking after her himself. While I put her fur's about her, he stands to one side with his arms crossed. While I am on my knees, putting on her fur over shoes, she lightly supports herself with her hand on his shoulder. She asks, and what about the lioness? When the lion whom she has chosen, and with whom she lives, is attacked by another, the Greek went on with his narrative. The lioness quietly lies down and watches the battle. Even if her mate is worsted, she does not go to his aid. She looks on indifferently, as he bleeds the death under his opponent's claws, and follows the victor, the stronger. That is the female's nature. At this moment my lioness looked quickly and curiously at me. It made me shudder, though I didn't know why, and the red dawn immerses me and her and him in blood. She did not go to bed, but merely threw off her boldress and undid her hair. Then she ordered me to build a fire, and she sat by the fireplace and stared into the flames. Do you need me any longer, Mistress? I asked. My voice failed me at the last word. Wanda shook her head. I left the room, passed through the gallery, and sat down on one of the steps, leading from there down into the garden. A gentle north wind brought a fresh, damp cornice from the Arno. The green hills extended into the distance in a rosy mist. A golden haze hovered over the city, over the round cupola of the Duomo. A few stars still tremble in the pale blue sky. I tore open my coat and pressed my burning forehead against the marble. Everything that had happened so far seemed to me a mere child's play. But now things were beginning to be serious. Terribly serious. I anticipated a catastrophe. I visualized it. I could lay hold of it with my hands, but I lacked the courage to meet it. My strength was broken. And if I am honest with myself, neither the pains and sufferings that threatened me, nor the humiliations that impended, were the thing that frightened me. I merely felt a fear. The fear of losing her, whom I loved, with a sort of fanatical devotion. But it was so overwhelming, so crushing, that I suddenly began to sob like a child. During the day, she remained locked in her room, and had the negroes attend her. When the evening star rose glowing in the blue sky, I saw her pass through the garden, and carefully following her at a distance, watched her enter the shrine of Venus. I stealthily followed and peered through the chink in the door. She stood before the divine image of the goddess. Her hands folded as in prayer, and the secret light of the star of love casts its blue rays over her. On my couch at night, the fear of losing her and despair took such powerful hold over me that they made a hero and a libertine of me. I lighted the little red oil lamp which hung in the corridor beneath a saint's image, and entered her bedroom, curving the light with one hand. The lioness had been hunted and driven until she was exhausted. She had fallen asleep among her pillows, lying on her back. Her hands clenched, breathing heavily. A dream seemed to oppress her. I slowly withdrew my hand, and let the red light fall full on her wonderful face. But she did not awaken. I gently set the lamp on the floor, sank down beside the wand's bed, and rested my head on her soft glowing arm. She moved slightly, but even now did not awaken. I do not know how long I lay thus in the middle of the night, turned as into a stone by horrible torment. Finally a severe trembling seized me, and I was able to cry. My tears flowed over her arm. She quivered several times, and finally sat up. She brushed her hand across her eyes and looked at me. Severin, she exclaimed, more frightened than angry. I was unable to reply. Severin, she continued softly. What is the matter? Are you ill? Her voice sounded so sympathetic, so kind, so full of love, that it clutched my breast like red hot tongs, and I began to sob aloud. Severin, she began anew. My poor unhappy friend. Her hand gently stroked my hair. I am sorry, very sorry for you, but I can't help you. With the best intention in the world, I know of nothing that would cure you. Oh wonder, must it be? I moaned in my agony. What, Severin? What are you talking about? Don't you love me any more? I continued. Haven't you even a little bit of pity for me? Has the beautiful stranger taken complete possession of you? I cannot lie, she replied softly, after a short pause. He has made an impression on me, which I haven't yet been able to analyze. Further than that I suffer in tremble beneath it. It is an impression of the sort I have met with in the works of poets or understage, but I always thought it was a figment of the imagination. Oh, he is a man like a lion, strong and beautiful, and yet gentle, not brutal, like the men of our unorthan world. I am sorry for you, Severin. I am, but I must possess him. What am I saying? I must give myself to him, if he will not have me. Consider your reputation, wonder, which so far has remained spotless, I exclaimed, even if I no longer mean anything to you. I am considering it, she replied. I intend to be strong, as long as it is possible. I want. She buried her head shyly in the pillows. I want to become his wife, if he will have me. Wonder! I cried, seized again by that mortal fear, which always robs me of my breath, makes me lose possession of myself. You want to be his wife. Belong to him for always. Oh, do not drive me away. He does not love you. Who says that? She exclaimed, flaring up. He does not love you. I went unpassionately. But I love you. I adore you. I am your slave. I let you tread me underfoot. I want to carry you in my arms through life. Who says that he does not love me? She interrupted vehemently. Oh, be mine, I replied. Be mine. I cannot exist, cannot live without you. Have mercy on me, wonder. Have mercy. She looked at me again, and her face had her cold heartless expression, her evil smile. You say he doesn't love me, she said scornfully. Very well, then. Get what consolation you can out of it. With this, she turned over on the other side, and contemptuously showed me her back. Good God! Are you a woman without flesh or blood? Haven't you a heart as well as I? I cried while my breast heaved convulsively. You know what I am, she replied coldly. I am a woman of stone, venous and furs, your ideal. Kneel down and pray to me. Wanda, I implored, mercy. She began to laugh. I buried my face in her pillows. Pain had loosened the floodgates of my tears, and I let them flow. For a long time silence reigned. Then Wanda slowly raised herself. You bore me, she began. Wanda, I am tired. Let me go to sleep. Mercy, I implored, do not drive me away. No man, no one will love you as I do. Let me go to sleep. She turned her back to me again. I leaped up and snatched the poignard, which hung beside her bed, from its sheath, and placed its point against my breast. I shall kill myself here before your eyes, I murmured, dolly. Do what you please, Wanda replied, with complete indifference. But let me go to sleep. She yawned aloud. I am very sleepy. For a moment I stood as if petrified. Then I began to laugh and cry at the same time. Finally I placed the poignard in my belt, and again fell on my knees before her. Wanda listened to me. Only for a few moments. I begged. I want to go to sleep. Don't you hear? She cried, leaping angrily out of bed, and pushing me away with her foot. You forget that I am your mistress. When I didn't budge, she seized the whip and struck me. I rose. She struck me again. This time right in the face. Wretch! Slave! With clenched fists held heavenward, I left her bedroom with a sudden resolve. She tossed the whip aside, and broke out into clear laughter. I can imagine that my theatrical attitude must have been very droll. I have determined to set myself free from this heartless woman, who has treated me so cruelly, and is now about to break faith and betray me, as a reward for all my slavish devotion, for everything I have suffered from her. I packed my few belongings into a bundle, and then wrote her as follows. Dear madam, I have loved you even to madness. I have given myself to you, as no man ever has given himself to a woman. You have abused my most sacred emotions, and played an impudent, frivolous game with me. However, as long as you were merely cruel and merciless, it was still possible for me to love you. Now you are about to become cheap. I am no longer the slave whom you can kick about and whip. You yourself have set me free, and I am leaving a woman I can only hate and despise. I handed these lines to the negroes, and hastened the way as fast as I could go. I arrived at the railway station, all out of breath. Suddenly, I felt a sharp pain in my heart, and stopped. I began to weep. It is humiliating that I want to flee, and I can't. I turned back. Wither to her whom I abhor, and yet at the same time adore. Again I pause. I cannot go back. I dare not. But how am I to leave Florence? I remember that I haven't any money, not a penny. Very well, then, on foot. It is better to be an honest beggar than to eat the bread of a courtesan. But still, I can't leave. She has my pledge, my word of honour. I have to return. Perhaps she will release me. After a few rapid strides, I stop again. She has my word of honour, and my bond, that I shall remain her slave as long as she desires, until she herself gives me my freedom. But I might kill myself. I go through the Cacine, down to the Arno, where its yellow waters plash monotonously about a couple of tree willows. There I sit, and cast up my final account with existence. I let my entire life pass before me in review. On the whole, it is rather a wretched affair, a few joys, an endless number of indifferent and worthless things, and between these an abundant harvest of pains, miseries, fears, disappointments. Shipwrecked hopes, afflictions, sorrows, and grief. I thought of my mother, whom I loved so deeply, and whom I had to watch waste away beneath a horrible disease. Of my brother, who, full of the promise of joy and happiness, died in the flower of youth, without even having put his lips to the cup of life. I thought of my dead nurse, my childhood playmates, the friends that had striven and studied with me. Of all those covered by the cold, dead, indifferent earth. I thought of my turtle dove, who not infrequently made his cooing bows to me. Instead, up to his mate. All have returned, dust unto dust. I laughed aloud, and slid down into the water. But at the same moment, I caught hold of one of the wellow branches, hanging above the yellow waves. As in a vision, I see the woman who has caused all my misery. She hovers above the level of the water, luminous in the sunlight, as though she were transparent, with red flames about her head and neck. She turns her face toward me, and smiles. I am back again, dripping, wet throat, glowing with shame and fever. The negro has delivered my letter. I am judged, lost, in the power of a heartless, affronted woman. Well, let her kill me. I am unable to do it myself, and yet I have no wish to go on living. As I walk around the house, she is standing in the gallery, leaning over the railing. Her face is full in the light of the sun, and her green eyes sparkle. Still alive, she asked, without moving. I stood silent, with bowed head. Give me back my poignard, she continued. It is of no use to you. You haven't even the courage to take your own life. I have lost it, I replied trembling, shaken by chills. She looked me over with a proud, scornful glance. I suppose you lost it in the arno. She shrugged her shoulders. No matter. Well, and why didn't you leave? I mumbled something, which neither she nor I myself could understand. Oh, you haven't any money, she cried. Here. With an indescribably disdainful gesture, she tossed me her purse. I did not pick it up. Both of us were silent for some time. You don't want to leave me, then? I can't. Wanda drives in the casino without me, and goes to the theater without me. She receives company, and the negro serves her. No one asks for me. I stay about the garden, irresolutely, like an animal that has lost its master. Lying among the bushes, I watch a couple of sparrows fighting over a seed. Suddenly, I hear the swish of a woman's dress. Wanda approaches in a gown of dark silk. Modestly closed up to the neck. The Greek is with her. They are in an eager discussion, but I cannot as yet understand the word of what they are saying. He stamps his foot so that the gravel scatters about in all directions, and he lashes the air with his riding whip. Wanda startles. Is she afraid that he will strike her? Have they gone that far? He has left her. She calls him. He does not hear her. Does not want to hear her. Wanda sadly lowers her head, and then sits down on the nearest stone bench. She sits for a long time, lost in thought. I watch her with a sort of malevolent pleasure. Finally, I pull myself together by sheer force of will, and ironically step before her. She startles, and trembles all over. I come to wish you happiness, I said bowing. I say my dear lady too has found a master. Yes, thank God, she exclaimed, not a new slave. I have had enough of them. A master, a woman needs a master, and she adores him. You adore him, Wanda? I cried. This brutal person. Yes, I love him, as I have never loved anyone else. Wanda! I clenched my fist, but tears already filled my eyes, and I was seized by the delirium of passion, as by a sweet madness. Very well. Take him as your husband. Let him be your master, but I want to remain your slave as long as I live. You want to remain my slave even then, she said. That would be interesting, but I am afraid he wouldn't permit it. He? Yes, he is already jealous of you, she exclaimed. He? Of you? He demanded that I dismiss you immediately, and when I told him who you were. You told him? I repeated thunderstruck. I told him everything, she replied, our whole story, all your queerness, everything, and he, instead of being amused, grew angry, and stumped his foot, and threatened to strike you. Wanda looked to the ground, and remained silent. Yes, indeed, I said with mocking bitterness, you are afraid of him, Wanda. I threw myself down at her feet, and in my agitation embraced her knees. I don't want anything of you, except to be your slave, to be always near you. I will be your dog. Do you know you bore me? said Wanda, indifferently. I leaped up. Everything within me was seeding. You are no longer cruel, but cheap, I said, clearly and distinctly, accentuating every word. You have already written that in your letter, Wanda replied, with a proud shrug of the shoulders. A man of brains should never repeat himself. The way you're treating me, I broke out. What would you call it? I might punish you, she replied ironically, but I prefer this time to reply with reasons, instead of lashes. You have no right to accuse me. Haven't I always been honest with you? Haven't I warned you more than once? Didn't I love you with all my heart, even passionately, and did I conceal the fact from you that it was dangerous to give yourself into my power, to abase yourself before me, and that I want to be dominated? But you wished to be my plaything, my slave. You found the highest pleasure in feeling the foot, the whip of an arrogant, cruel woman. What do you want now? Dangerous potentialities were slumbering in me, but you were the first to awaken them. If I now take pleasure in torturing you, abusing you, it is your fault. You have made me what I now am, and now you are even unmanly, weak, and miserable enough to accuse me. Yes, I'm guilty, I said, but haven't I suffered because of it? Let us put an end now to the cruel game. That is my wish too, she replied, with a curious deceitful look. Wanda, I exclaimed violently, don't drive me to extremes. You see that I am a man again. A fire of straw, she replied, which makes a lot of stir for a moment, and goes out as quickly as it flared up. You imagine you can intimidate me, and you only make yourself ridiculous. Had you been the man I first thought you were, serious, reserved, stern, I would have loved you faithfully, and become your wife. Woman demands that she can look up to a man. But one like you, who voluntarily places his neck under my foot, she uses as a welcome plaything, only to toss it aside when she is tired of it. Try to toss me aside, I said jeeringly, sometimes I'm dangerous. Don't challenge me, exclaimed Wanda. Her eyes began to flash, and the flash entered her cheeks. If you won't be mine now, I continued, with a voice tiffled with rage, no one else shall possess you either. What play is this from, she mocked, seizing me by the breast. She was pale with anger at this moment. Don't challenge me, she continued. I am not cruel, but I don't know whether I may not become so, and whether then there will be any bounds. What worse can you do than to make your lover your husband, I exclaimed, more and more enraged. I might make you his slave, she replied quickly. Are you not in my power? Haven't I the agreement? But of course, you will merely take pleasure in it, if I have you bound and say to him, do with him what you please. Woman, you're mad, I cried. I am entirely rational, she said calmly. I warm you for the last time. Don't offer any resistance. One who has gone as far as I have gone might easily still go further. I feel a sort of hatred for you, and would find a real joy in seeing him beat you to death. I'm still restraining myself, but scarcely master of myself any longer, I seized her by the wrist and forced her to the ground, so that she lay on her knees before me. Severin, she cried, rage and terror repainted on her face. I shall kill you if you marry him, I threatened. The words came hoarsely and dolly from my breast. You are mine, I won't let you go, I love you too much. Dead, I clutched her and pressed her close to me. My right hand involuntarily seized the dagger which I still had in my belt. Wanda, fixed a large, calm, incomprehensible look on me. I like you that way, she said carelessly. Now you're a man, and at this moment I know I still love you. Wanda, I wept with rapture and bent down over her, covering her dear face with kisses, and she, suddenly breaking into a loud gay laugh, said, have you finished with your ideal now? Are you satisfied with me? You mean, I stammered, that you weren't serious? I am very serious, she gaily continued. I love you, only you, and you, you foolish little man, didn't know that everything was only make-believe and play-acting. How hard it often was for me to strike you with the whip, when I would have rather taken your head and covered it with kisses. But now we are through with that, aren't we? I have played my cruel role better than you expected, and now you will be satisfied. With my being a good little wife, who isn't altogether unattractive. Isn't that so? We will live like rational people. You will marry me, I cried, overflowing with happiness. Yes, marry you, you dear, darling man, whispered Wanda, kissing my hands. I drew her up to my breast. Now you are no longer Gregor, my slave, said she, but Severin, the dear man I love. And he, you don't love him? I asked, in agitation. How could you imagine my loving a man of his brutal type? You were blind to everything. I was really afraid of you. I almost killed myself for your sake. Really? She cried. Oh, I still trembled at the thought, that you were already in the Arno. But you saved me, I replied tenderly. You hovered over the waters and smiled, and your smile called me back to life. And of Section 7, Section 8 of Venus and Furs. This is a LibriVox recording. All LibriVox recordings are in the public domain, for more information or to volunteer, please visit LibriVox.org. Recording by J. C. Guan, Venus and Furs, by Leopold von Zasher Mazok, translated by Fernanda Savage. Section 8 I have a curious feeling when I now hold her in my arms, and she lies silently against my breast, and lets me kiss her, and smiles. I feel like one who has suddenly awakened out of a feverish delirium. Or like a shipwrecked man, who has for many days battled with waves that momentarily threatened to devour him, and finally has found a safe shore. I hate this Florence, for you have been so unhappy, she declared, as I was saying good night to her. I want to leave immediately. Tomorrow you will be good enough to write a couple of letters for me, and while you are doing that, I will drive to the city to pay my farewell visits. Is that satisfactory to you? Of course, you dear sweet beautiful woman. Early in the morning, she knocked at my door, to ask how I had slept. Her tenderness is positively wonderful. I should never have believed that she could be so tender. She has now been gone for over four hours. I have long since finished the letters, and I am now sitting in the gallery, looking down the street, to see whether I cannot discover her carriage in the distance. I am a little worried about her, and yet I know there is no reason under heaven why I should doubt or fear. However, a feeling of oppression weighs me down. I cannot rid myself of it. It is probably the sufferings of the past days, which still cast their shadows into my soul. She is back, radiant with happiness and contentment. Well, has everything gone as you wished? I asked tenderly, kissing her hand. Yes, dear heart, she replied, and we shall leave tonight, help me pack my trunks. Toward evening, she asked me to go to the post office and mail her letters myself. I took her carriage, and was back within an hour. Mistress has asked for you, said the negroes, with a grin, as I ascended the wide marble stairs. Has anyone been here? No one, she replied, crouching down on the steps like a black cat. I slowly passed through the drawing room, and then stood before her bedroom door. Why does my heart beat so? Am I not perfectly happy? Opening the door softly, I draw back the porch here. One is lying on the auto-man, and does not seem to notice me. How beautiful she looks, in her silver-gray dress, which fits closely, and while displaying, in tell-tale fashion, her splendid figure leaves her wonderful bust and arms bare. Her hair is interwoven with, and held up by, a black velvet ribbon, a mighty fire is burning in the fireplace. The hanging lamp casts a reddish glow, and the whole room is as if drowned in blood. Wanda, I said at last. Oh, Severin! she cried out joyously. I have been impatiently waiting for you. She leaped up, and folded me in her arms. She sat down again, on the rich cushioned, and tried to draw me down to her side. But I softly slid down to her feet, and placed my head in her lap. Do you know how I am very much in love with you today? She whispered, brushing a few straight hairs from my forehead, and kissing my eyes. How beautiful your eyes are! I have always loved them as the best of you, but today they fairly intoxicate me. I am all. She extended her manikvis and limbs, and tenderly looked at me, from beneath her red lashes. And you, you are cold. You hold me like a block of wood. Wait! I'll stir you with the fire of love, she said, and again, clung fawningly and caressingly to my lips. I no longer please you. I suppose I'll have to be cruel to you again. Evidently, I have been too kind to you today. Do you know, you little fool, what I shall do? I shall whip you for a while. But, child, I want to. Wanda? Come on, let me bind you, she continued, and ran gaily through the room. I want to see you very much in love. Do you understand? Here are the ropes. I wonder if I can still do it. She began with fettering my feet, and then she tied my hands behind my back, pinioning my arms like those of a prisoner. So, she said, with gay eagerness, can you still move? No. Fine. She then tied the noose in a stout rope, threw it over my head, and let it slip down as far as the hips. She drew it tight, and bound me to a pillar. A curious tremor seized me at that moment. I have the feeling, as if I were about to be executed, I said with a low voice. Well, you shall have a thorough punishment today, exclaimed Wanda. But, put on your fur jacket, please, I said. I shall gladly give you that pleasure, she replied. She got her kezabaika, and put it on. Then she stood in front of me, with her arms folded across her chest, and looked at me out of half-closed eyes. Do you remember the story of the ox of Dionysus, she asked? I remember it only vaguely. What about it? A courtier invented a new implement of torture for the tyrant of Syracuse. It was an iron ox, in which those condemned to death were to be shut, and then pushed into a mighty furnace. As soon as the iron ox began to get hot, and the condemned person began to cry out in his torment, his wail sounded like the bellowing of an ox. Dionysus nodded graciously to the inventor, and to put his invention to an immediate test, had him shut up in the iron ox. It is a very instructive story. It was you, who inoculated me with selfishness, pride, and cruelty, and you shall be their first victim. I now literally enjoy having a human being that thinks and feels and desires like myself in power. I love to abuse a man who is stronger in intelligence and body than I, especially a man who loves me. Do you still love me? Even to madness, I exclaimed. So much the better, she replied, and so much the more will you enjoy what I am about to do with you now. What is the matter with you, I asked? I don't understand you. There is a gleam of real cruelty in your eyes today, and you are strangely beautiful, completely venous and furs. Without replying, Wanda placed her arms around my neck and kissed me. I was again seized by my fanatical passion. Where's the whip? I asked. Wanda laughed, and withdrew a couple of steps. You really insist upon being punished? She exclaimed, proudly tossing back her head. Yes. Suddenly, Wanda's face was completely transformed. It was as if disfigured by rage. For a moment she seemed even ugly to me. Very well then. You whip him, she called loudly. At the same instant, the beautiful Greek stuck his head of black curls through the curtains of her four-poster bed. At first I was speechless, petrified. There was a horribly comic element in the situation. I would have laughed aloud, had not my position been at the same time so terribly cruel and humiliating. It went beyond anything I had imagined. A cold shudder ran down my back when my rival stepped from the bed in his riding boots, his tight-fitting white breeches, and his short velvet jacket, and I saw his athletic limbs. You are indeed cruel, he said, turning to Wanda. Only in ordinary fond of pleasure, she replied, with a wild sort of humor. Pleasure alone lends value to existence. Whoever enjoys does not easily part from life. Whoever suffers or is needy meets death like a friend. But whoever wants to enjoy must take life gaily in the sense of the ancient world. He dare not hesitate to enjoy at the expense of others. He must never feel petty. He must be ready to harness others to his carriage or his plow as though they were animals. He must know how to make slaves of men who feel and would enjoy as he does, and use them for his service and pleasure without remorse. It is not his affair whether they like it or whether they go to rack and ruin. He must always remember this, that if they had him in their power as he has them, they would act in exactly the same way, and he would have to pay for their pleasure with his sweat and blood and soul. That was the world of the ancients, pleasure and cruelty, liberty and slavery went hand in hand. People who want to live like the gods of Olympus must, of necessity, have slaves whom they can toss into their fishponds and gladiators, who will do battle, the while they banquet, and they must not mind if by chance a bit of blood bespatters them. Her words brought back my complete self-possession. On losing me, I exclaimed angrily. Aren't you my slave, my property? replied Wanda. Do you want me to show you the agreement? Untie me, I threatened, otherwise I tugged at the ropes. Can he tear himself free? she asked. He has threatened to kill me. Be entirely at ease, said the Greek, testing my fitters. I shall call for help. I began again. No one will hear you, replied Wanda, and no one will hinder me from abusing your most secret emotions or playing a frivolous game with you. She continued, repeating with satanic mockery, phrases from my letter to her. Do you think I am at this moment merely cruel and merciless? Or am I also about to become cheap? What? Do you still love me? Or do you already hate and despise me? Here is the whip. She handed it to the Greek, who quickly stepped closer. Don't you dare, I exclaimed, trembling with indignation. I won't permit it. Oh! because I don't wear first, the Greek replied, with an ironical smile, and he took his short sable from the bed. You are adorable, exclaimed Wanda, kissing him and helping him into his furs. May I really whip him? he asked. Do it and what you please, replied Wanda. Beast, I exclaimed, utterly revolted. The Greek fixed his cold, tigerish look upon me and tried out the whip. His muscles swelled when he drew back his arms and made the whip hiss through the air. I was bound, like Marcia's, while Apollo was getting ready to flame me. My look wandered about the room and remained fixed on the ceiling, where Samson, lying at the lilas feet, was about to have his eyes put out by the Philistines. The picture at that moment seemed to me like a symbol, an eternal parable of passion and lust, of the love of man for women. Each one of us, in the end, is a Samson, I thought, and ultimately, for better or worse, is betrayed by the woman he loves, whether he wears an ordinary coat or sables. Now watch me break him in, said the Greek. He showed his teeth and his face acquired the bloodthirsty expression, which startled me the first time I saw him. And he began to apply the lash, so mercilessly, and with just frightful force that I quivered under each blow, and began to tremble all over with pain. Tears rolled down over my cheeks. In the meantime, Wanda lay on the ottoman, in her fur jacket, supporting herself on her arm. She looked on with cruel curiosity, and was convulsed with laughter. The sensation of being whipped by a successful rival before the eyes of an adored woman cannot be described. I almost went mad with shame and despair. What was most humiliating was that, at first, I felt a certain wild, supercentral stimulation under Apollo's whip and a crawl after of my venous, no matter how horrible my position was. But Apollo whipped on and on, blow after blow, until I forgot all about poetry, and finally gritted my teeth in impotent rage, and cursed my wild dreams woman in love. All of a sudden, I saw with horrible clarity what a blind passion and lust have led man, ever since Holofernes and Algimemnon, into a blind alley, into the net of woman's treachery, into misery, slavery, and death. It was as though I were awakening from a dream. Blood was already flowing under the whip. I wound like a worm that is trodden on, but he whipped on without mercy, and she continued to laugh without mercy. In the meantime, she locked her packed trunk and slipped into her traveling furs, and was still laughing when she went downstairs on his arm and entered the carriage. Then everything was silent for a moment. I listened the breathlessly. The carriage door slammed. The horse began to pull, the rolling of the carriage for a short time. Then all was over. For a moment I thought of taking vengeance, of killing him, but I was bound by the abominable agreement. So nothing was left for me to do except to keep my pledged word and grit my teeth. My first impulse after this, the most cruel catastrophe of my life, was to seek laborious tasks, dangers, and privations. I wanted to become a soldier and go to Asia or Algiers, but my father was old and ill and wanted me. So I quietly returned home, and for two years helped him bear his burdens, and learned how to look after the estate which I had never done before. To labor, and to do my duty, was comforting like a drink of fresh water. Then my father died, and I inherited the estate. But it meant no change. I had put on my own Spanish boots and went on living, just as rationally, as if the old man were standing behind me, looking over my shoulder, with his large, wise eyes. One day a box arrived, accompanied by a letter. I recognized Wanda's writing. Curiously moved, I opened it and read. Sir, now that over three years have passed since that night in Florence, I suppose I may confess to you that I loved you deeply, you yourself, however, stifled my love by your fantastic devotion and your insane passion. From the moment that you became my slave, I knew it would be impossible for you ever to become my husband. However, I found it interesting to have you realize your ideal in my own person, and while I gloriously amused myself, perhaps secure you. I found a strong man for whom I felt a need, and I was as happy with him, as, I suppose, it is possible for anyone to be on this funny bowl of clay. But my happiness, like all things mortal, was of short duration. About a year ago he fell in a duel, and since then I have been living in Paris, like in Aspecia. And you? Your life surely is not without its sunshine, if you have gained control of your imagination, and those qualities in you have materialized, which at first so attracted me to you. Your clarity of intellect, kindness of heart, and, above all else, your moral seriousness. I hope you have been cured under my whip. The cure was cruel, but radical. In memory of that time, and of a woman who loved you passionately, I am sending you the portrait by the poor German, Venus and Furs. I had to smile, and as I felt amusing the beautiful woman suddenly stood before me, in her velvet jacket, trimmed with ermine, with the whip in her hand, and I continued to smile at the woman I had once loved so insanely, at the fur jacket that had once so entranced me, at the whip, and ended by smiling at myself, and saying, the cure was cruel, but radical. But the main point is, I have been cured. And the moral of the story, I said to Severin, when I put the manuscript down on the table, that I was a donkey, he exclaimed, without turning around, for he seemed to be embarrassed. It only I had beaten her. A curious remedy, I exclaimed, which might answer which are peasant women. Oh, they are used to it, he replied eagerly, but imagine the effect upon one of our delicate, nervous, hysterical ladies. But the moral? That women, as nature has created her, and as man is at present educating her, is his enemy. She can only be his slave or his despot, but never his companion. This she can become only when she has the same rights as he, and is his equal in education and work. At present, we have only the choice of being hammer or anvil, and I was the kind of donkey who let a woman make a slave of him, do you understand? The moral of the tale is this, whoever allows himself to be whipped, deserves to be whipped. The blows, as you see, have agreed with me. The rosy and supercentral mist has dissolved, and no one can ever make me believe again that these sacred apes of banneries, or Plato's rooster, are the image of God. Footnote, sacred apes of banneries, one of Schopenhauer's designations for women. Footnote, for Plato's rooster. Diogenes threw a pluck to rooster into Plato's skull, and exclaimed, Here you have Plato's human being. End of Section 9. End of Venus and Furs by Leopold von Zascha Mazok. Translated by Fernanda Savage. Recorded by J. C. Guan, October 2008.