 You know, kind of feel a little bit of it, but the emotion like an infield footage is not going to be quite the same. So, uh, look, real simple. We're just going to do some tonality and exercises. Can I have two volunteers? Oh, excellent. Who wants it most? Alright, get the fuck up here. Everybody give him a round of applause. What's up, boys? Richard. Richard, nice to meet you. Where are you from? Harrisburg, Pennsylvania. Awesome, man. How are you doing? Sean. Sean, where are you from? Orange County, California. Orange County, alright. Great. Never been there. I used to live in Northern Maryland. Orange County, I know the OC pretty well. Let's see if I'm living in LA and all that. Uh, first things, sorry, pardon. Sneak. Wet my palate. Have a seat. Have a seat. This is, uh, very much about emotion. It's a base emotion. This game is emotion. It's based on everything emotion. You know, and it always leads your emotion first. Girls are lagging indicators. They are just following your emotion that you are, you have. And you cannot fake it. Part of this is actually going to kind of, uh, it's going to go into so many different things. It's actually, though I think there's a time and place, maybe for some prompts, what do I call them? Like maybe some lines or routines to understand, like, uh, emotionally, uh, how people respond to you, how to give good emotions. Though I think that can be, uh, important, but it also, you know, as you kind of go along, it just kind of just proves you got to move on on your own. Because, uh, what happens is when you do a lot of lines and maybe routines, then, you know, maybe the first time it works fantastic. You get it. The confidence that the guru gave you in the marketing says, oh, shit, this is the greatest fucking line ever. And you go do it and it fucking works. Why? It's the emotion behind it. It's the new, the exciting. I can't believe I'm saying that. That is what the girls respond to. So, before you begin, wait, the greatest tools in Europe. I should have probably written that out a little earlier. Sorry. Here we go. There's four modalities here, okay? It's going to be one. It's going to be two. I think you guys can figure out the rest, three and four. Now, there is, for the purpose of what we're going to do, it's going to be your full masculine, kind of like your neutral. You guys think that you guys know where this is going to go, right? No. You're full feminine. And this is what I just call, like, your cool dude. Just like fucking cool. What everybody responds to, guys and girls, and everything we're going to talk about has everything to do with guys and girls. Girls are almost irrelevant. Everybody is just a reflection of yourself. Girls are just the easiest path to kind of show us what we feel in ourselves and who we actually really are and what we perceive for ourselves. So, what I like to do on this is kind of, first off, are you guys familiar with this? Anything like, you know, Tonya is like, you know, feminine, neutral, masculine, stuff like this. Anything like that? A little bit? Okay, so, I'm going to give you a little example. This is not just tonality. So many things are going to come out. It's going to be also a little bit of body language. Because your body and your mind and your emotions finds a way of being congruent. It's kind of like crying and laughing at the same time. It is pretty damn hard. Pretty damn hard. You know, have you ever cried in a pillow fight? Hopefully not with each other, but same thing. You just can't do it. But you can't really fake it. So, just the full feminine does not mean gay. Well, I see a lot of guys. It just means you're acting in accordance with a woman. Like, what things that make a woman fulfilled and happy. Okay? So, you know, much more, much more so than say when we get down to some of the others. Alright, so, hi. How are you doing? I'm sorry, is this okay? Okay, what's going on right there? Was it pretty fucking creepy? Yeah, why is it creepy? It's very incongruent. First off, with how I project my voice, who I am, my body language, just kind of who I am. Now, what's happening here? It's very incongruent. It's creepy. It just doesn't make sense to see a man do that. And that's for everybody here. So, what's not congruent about it is what am I doing? Well, you know, raised eyebrows. My voice kind of like trails up a little bit. My body language makes it very congruent. I'm like, hi, I'm Timid. I'm apologetic for who I am. You know, what I'm doing. And what did you guys feel? What did you guys, how did you want to respond to me? Look at his body language right now. How did you want to respond? Okay, right there. Okay, so, I don't know if you saw it. You can even play back. This is like, you can't fake this stuff. So, he's like, he does a little bit like this. That's very common. Every time that you guys are going in and talking to girls in any form like this, then you are making yourself feel bad. How'd you guys feel? Yeah? Awkward. Awkward. You are creating what I call an inverse relationship. It's a symbiotic relationship. I'm going to explain it. So, when I go in feminine, I'm creating like in your facial expressions and kind of what you are feeling, repulsive side, creating this. Same thing. So, or actually, I'm sorry. I'll take it back. Let me draw out the rest and then it'll bring it together. Now, neutral is going to be like, hey guys, how are you doing? You guys having fun? You like it? How are they responding? I'm like a waiter. In kind, exactly. That's the act. They respond it exactly in kind. There's nothing odd about it. It's very information. It's almost boring. It's just very neutral. Very neutral. Now, let's go into a little bit more. Whoa. Must be that coffee. Sorry. This should be full feminine. That was the first one. This is full masculine. So, full masculine. Now, this is going to, should incite like an emotion inside. This comes from a place of emotion. This is where most guys actually have the most problems. Because they've been operating in a certain way in their entire life. And it usually isn't something like this. I say full masculine. Should almost come from like a Rambo place. Anger. Just get into that heightened emotion. Just that full commanding the presence. Not apologetic. Assertive, dominant tonality.