 Hi, hello. Now everybody expects something super technical and spectacular to happen, but I just have a couple of pictures I wanted to show. My name is Ivana. I'm a dramaturg from Zagreb, Croatia. The music will start in about five minutes So I'll try to keep it to one minute. So we have a four minute Q&A conversation going. I'm kidding. I'm a dramaturg. I always work in collaboration with other people and for the past 15 years I've been also a member of a theater collective called Bad Company, BAD, Easy to Remember, and to find us online. What's specific about our work is that we never stage a text. In fact, theater for us does not depart or arrive towards a single text. It takes flight from a dispersed field of multiple origins. Text too, but a lot of movement, films, music, objects, dreams, thoughts, things that we bring into rehearsal together, put on the table and then see what comes out. We are three dancers, choreographers, two dramaturgs, and one philosopher, but we have all at one point been on stage. The dramaturg has been the director, the choreographer has been also the technician. Dancers have written texts that we have used in the performances. And the work for us does not finish with the premier date. In fact, that's only the start of the works after life. Seven years ago we presented a project called Is There a Life on Stage? Exercises in Terraforming. As a thing you present in a black box, we ask ourselves within this performance, within the research process, what are the consequences of theater's fixionalization of a reality such as the global environmental crisis? In a series of exercises, in a series of episodes that we would reshuffle every time we performed the work, we explored artistic and media sources from documentary sources of space exploration, science fiction prose that envisions different futures, and eco-art. But these are not those photos. These photos are for something we did a year later. So in the year later we decided, okay, we have this material, but it really doesn't work for us. However, we reshuffle it within the environment of the black box. So we did a project, a 24-hour art camp on one site in Zagreb, and these are the pictures from that. We called it Nature Needs to be Constructed, and we were talking about the social construct of dealing with nature. Nature as organic as ours, we are part of it, but also as another and other. This is a beautiful site, wonderful nature. It was springtime, it was really nice. But this is actually the land between the city's thermal heating facility and the garbage dump. I really like how you call it dump in the U.S., because this is what Zagreb is doing. It is dumping almost 90% of its trash and recycling less than 20%. So on this site, 24 hours, 8 hours of work, 8 hours of leisure, 8 hours of sleep, of course. And it's a site where none of us ever stood before, none of us ever ventured. Although sometimes we come close because there's a flea market nearby, we decide to perform pieces from this work. So during 24 hours every hour on the hour, except for a few hours sleep, we're going to show one of these episodes, one of the exercises in choreographic and textual terraforming in that location. But we also invite others to join us and the general public to come to eat, to perform, to discuss, in particular to discuss. We choreograph site-specific situations, we speak poetry, we do a home composting workshop, we talk with recycling facility manager of the one little city in Croatia which is doing recycling right. We sleep, we have meals together and in particular we talk, we talk, we talk. There's concerts, there's contemporary dance, but they're sitting around and talking around the fireplace. And just to conclude, I presented this very simple gesture, an invitation of sorts that we did a few years ago and it reminds me of a colleague from the UK, Nicholas Ridout and his wonderful book, Passionate Amateurs. Nicholas says theatre is a real place where real people go to work and where their work takes the form of conversation. So the music started, there's no time for conversation, but perhaps in the breaks, thank you.