 All right Checking out the awesome sequence. It's coming along really really nicely. I love everything My question to you these guys are that's a final final model just in terms of details and things I'm just curious like you know ears for these guys I'm just curious what That could change I'm just watching To you Rex. I think everything is really cool. I mean, I'm really going been looping this trying to find something So you get your Your money's worth and this first shot is just fantastic My only comment will be this is a technical thing if you watch your guy here and and and and Right there It already starts to go up and it looks like it's already blurring along the line So you might have some constraint pops or something Do I can see something's going on here other than that? Toast up is great You mentioned something about The belly. I know I like all that's a boom like the whole complex cities of the of that step there It's cool Stop the arms is great. Hey, it is great. No, I love it. I mean how the Conqueror here is reacting is great. The fleshiness is great and Then the tiger comes in. Yeah, I don't think it would be Years be kind of neat. It's because it gives you kind of a weird weird shape. I like how he comes in I still understand your note about the tail. That's fine This is great for this guy. I think you could cheat the position where The foot is actually back here You know just cheat the post to the frame and then you got your your deck guy here But you know so you can see a bit more stuff here the foot's here I don't know. See his arms doesn't have to be in the tail will be something like that Where you know, it would give us a bit of a Potentially even hold on. How is he in the previous shot? So he's down He's down like that. You know, you could you could almost cheat it where? His head is tilted over yeah You could have a bit more of you know that guy rotated over but something where like you can almost have That type of thing where his body's already kind of going this way with a slight twist and What's the word in the chest this makes no sense my scribbles I'm trying to scribble hips chest and head But that makes no switching colors You're basically something where you have that and then something with the tail Not that has to be like, you know crazy tail like this where it makes less sense with the cup or something So it's not straight That's basically what I'm getting at where we don't have to be literal with the cut No, so it's kind of overlapping with that tree there just something where it gives us a bit more of a nicer Change there the shade in a tail could be slightly curved again. This is scribble does nothing I'll probably have something like that and then you can have your Foot back there, and then you can keep your arms down there at least something like that would already help the head potentially like that in terms of what's going on That is great. It's a short shot, but it works my only comment for the cut will be Visually to me feels like the his ass goes up Which it does and then boom the next frame. It's immediately Going down, right? So if you watch his ass along the cut here across the cut goes up and down And if there's anything you can do to you know, even if this was correct 3d and everything in space Cheated so that there's something where his butt could still be up and still finishing You know still finishing that jump So you have a continuous like a more of an arc down like that, right? So the butt goes up continues to go up and then down Which could work with the legs, right? It goes down as he brings his legs forward for the hits Love all the steps here. So let me just quickly cut this here cut Yeah, it's really neat. I Think it's my first impression was right here. Hope you need to get a faster like a faster You know not a bite, but it's kind of more aggressive shaking in the head But then I'm thinking I know but it's like right now the weight is really nice And I'm almost concentrating more on What the dinosaur is doing so with him moving less? It's actually nice and not distracting But I do register this head turn and I wonder still if they could be something where it's like faster move away from Back with some side-to-side tilt for kind of like just a little bit of a stronger bite and shake For little complexity you could have a moment here on this foot You know, it's cool to see this if this could be you know clawing into it slipping down going back up. It's a little readjust Just the tad again nothing crazy. So otherwise we have stuff moving everywhere It just feels like right on that moment here it goes After this Everything goes kind of down this could be the moment where it slips down also the pose opens up So we can see it's a little down in the readjust. I think could be neat But the impact is great. Let's watch this again Good stuff in the hips there. I think it would be neat if you could have a moment where You could almost bring the head up higher. This might be too weird, but I might be too much of a cheap You know, it's bigger And then legs the way you have it here, but then the other paw potentially here Something just don't think I'm reacting to it now is that you got the jaw and this hand here this leg paw thingy overlapping with the jaw So we cut and then right away. We're in front of this face and then you got the tail here and then we got Foot still here and of this intersecting now with the jaw and then the bite so we never really get a clear silhouette of The jaw sorry I'm thinking what if you know the extension is here on the leg But by the time you're here you could still have a moment of Lower which gives you a bit something here and then that way you can open this up higher Up my pen is passing out But it gives you a bigger opening in the mouth, so you have just a moment of Clean silhouette there you can easily have a little bit of movement in the tail just a tiny bit Not that you will ever see it if you just watch just like that as you're focusing on Impact point and everything, but if you just look at the tail, you can see that it's just kind of standing there It's a little bit of a movement now speaking of staring at things so Once you get into detail once he hits him and others look and I focus on specific body parts all I see Here on his arms that they are twins and they're stuck in space, and they're not moving not moving not moving not moving You know as I say this as there's a movement here, but if you just look at his arms And this again is potentially weird. I know what you're doing with your motion blur It's a bit weird, but I I mainly also reacting to this guy that just seems to be doing nothing here so Here and this could be a moment of Hand goes back Claws right close down and it gives it that kind of back and arc forward kind of goes back It compresses like it it spasms in right it contracts in and that's kind of a swipe out Just so there's a little movement there and not see as I'm scrubbing here I all I see is just his hand and arm the same spot same with this guy, right? That will be something the steps are cool. There's already awesome stuff in the toes What you could do though is when you do boom, and this is the plant this feels soft here And it's mainly because it feels like this is high maybe because of the shadow This is not out and these dark down man my pen what's going on they curve down And it will be neat when you have the impact points. All right, so you're going See how you have the toes come up and then it come down and back down there what I would do is There's anything you can do, but the head is kind of in its way Let's pretend the head was not in its way. I don't want to see something where you have this guy here That the toes and the foot a meaning right this guy here here Boom, and then it will be here. But again, it's tricky because it's recovered The idea is just that once you could still do it But then once it reveals the foot here what I would do is if this anyway You can intersect a bit of this in the ground so bring it lower. So then you have this This part of the finger out. This is really flat. Everything is flat, you know the with the slight curve up because of the the nails being in it Makes no sense, right stupid drawing with my pen. Why is my pen like this? Just right now. It's the idea of this being close instead of out That's weird because if you had it out it will give it more a compression, right and then these guys Visually curving down doesn't feel like there's pressure weight on it. So anything to flatten them You spread them out and then flatten them And I'm stopping with my stupid pen. I'll be cool there and then the other guy It's great Yeah, like that the weight on the head is good. It's not too much fast stuff. It takes away from the way I like that you got a trailing tongue Then you get the big tail dragging and coming back around Yeah, just go watch out for the tail on your on your guy here That is about it super super cool and actually what would help you for big dynamic shots like that You might want to start Doing these guys, you know green Whatever color you want to call this stuff and then blue whatever so we have a clear clear clear Value change between these guys being you know, you can leave them White-ish and the way you have them But if you make this a bit darker dark green some brown a little blue it just pops it out more Just because it's getting I can still see what's going on But we kind of need to have a bigger visual pop of these guys in action so we can really tell what's going on Alright, thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. 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