 So my name is Ron. I'm a data analyst. I'm a graphic designer. I design content creation also. So I'm familiar with design, Grimeo Pro after effects, and then sometimes Canva, Los Fritos also. We're just familiarizing with Canva. And then I was mentioning that if you are, if it's your first time creating an account, logging in, I went through that with us. So for that, if I was not being heard, I think it would be proper for me to just go back and then get us to sign in again, actually, and then we can go ahead and do this. Yeah, so I'm mentioning that if you go to Canva.com, you get a login or sign. So if you are a new user, you're definitely going to sign up. So you go to sign up here, and then you can choose every other options available for you to sign up. You just need to log in. So I was saying that if you're someone that does not like to be entering passwords on every site, you definitely want to go with continue with Google so that you get to log in with your Google account. So for me, I'll just do that, continue with Google, then I'll select this account because predominantly, that's what I use for Canva. Yeah, so that opens up Canva. This is how the interface looks like. Over here, you have Rabinacus team. So what I have here now on this page or this particular account I've selected is a team. So I've created this with somebody else, this person. So we have two people on this. So I get to collaborate with the person on certain designs that are designed. And over here you have home, you have template. So you have tons of templates to choose from. Presentations, social media, videos, business, social media, video marketing, custom prints, cards and invitations, a whole lot of templates. Yeah. A lot of templates. And then you have your projects. So projects are the things that you've been working on already. When you look at recent designs, these are some of the things that I've worked on a few times. And you have brand, you have content planner, you have discover apps. So these are external apps that you can integrate with Canva. You have smart mockups. I mentioned that mockups give you a realistic feel to especially product design when you're creating the t-shirts and you want it to look more realistic so that it doesn't come only the design, the 2D design form, but then it's something that somebody, a client or someone can interact or see it realistically. Mockups are a good way to go. Then we have content plan. This allows you to shadow all your content that you design so that automatically post on social media and other places. Yeah. And I'm mentioning that for these two branded content planner, it just indicates that if a pro uses, so pro users have this crown on certain features before you can access them. And then to start off, if he wants to start a new design, you can just come here, go to create design, whatever you want to create. So if it's a document, if it's a presentation, if it's a graphic, if it's an Instagram post, the sizes are available, if it's a video, if you want to have a custom size, you can just go ahead and then set that also. And then you can go ahead and start your design. Just to give us a brief, okay. So up here also, you get to see design, spotlight, give you some features, some of the things available, business, if you are using Kangaroo for business, some of the things that Kangaroo can help you with. So all of these things are here, talk of education, how you can come back and help you to do the things that you do that relate to education. So if you have a learning management system and elements, you can integrate Kangaroo with that, and then also plans and prizes. So if you want to be for I am a freelancer, if you want to be a pro user, if you want to be great teams, you can sign up with anyone. Yes, design, that's just a brief introduction to Kangaroo. I believe that we'll talk more as we go on. Okay. Very interactive. So okay. Some design, this is my wrong, I'm going to be leaning. Pre-design. First of all, let's see. Okay. So I think you basically got the basics of platform, then how I'm not going to need that. I don't want to be calling you a designer, please. Simple design for me. I want you to be Kangaroo. So can you take us through a simple player or for either Facebook? So it's going to be more interactive if you have any questions. All right, sure. I think we have one of the keys here with us. So it looks like easy. We're going to do this together. Let me know if you can hear me and then I'm not sure if you can be a muting at a certain point in time so that we get small interactive. If you can't, that's fine. I believe it's anything in the charts and then pick it up from there. Anytime I get opportunity to lead or teach anybody Kangaroo or anything designing, I just like to teach them the basics, right? Because I believe that graphic design is so broad. There are people who are doing so much in terms of art and design. Art itself is so much. But when the principles, however, are the same possible, because if it is alignment, anybody creating a certain design has tasks in mind. If it is certain concepts like framing, great use, and all of that, all those things cut across. So when the understanding of the basic is there, then the person can really use to their advantage and then use it quite well. You have to mention some few basic concepts in graphic design and then we'll come back to come about and then try to recognize what we mentioned. I think that there are some concepts or some terms that we need to familiarize with. So as a designer, there are some terms like arrange, group, align, distribute, scale, constrain, rotate, capacity, transparency, crop, queue, saturation, and lightness. So these are some terms that we use as graphic design. And I want to try to take it one by one, because we don't have much time, so briefly about it. Then these things will guide us whenever we are designing, because for any design tool, these things are embedded one way or the other, and these things make you a good graphic designer. So what the objective that I seek to do is that not only to train us in the use of Canva, but also to be able to help us to be able to tell what a good designer is. So if you see a design from your graphic designer, you should be able to say, this is a good designer, I think it's ready to go, or you should be able to give them a specific comment, because that helps their work so that they are able to improve on any design that they send you. So when we talk of arrange, it's just a matter of whenever you have a tool, I think we can be doing this alongside. So come into Canva, go ahead to create design. So let's say we are creating an Instagram, so it's a square, and that appears Canva for me like this. Great. So we have Canva. So let's say I have, let me try and look for a simple design. So maybe something like that. So we want to create a simple design like this. When we talk of arrange, on the principle of arrange, what it means is that for this design, this is a layer on its own. This picture is a layer on its own, so they are arranged in that the picture is behind this sort of square Instagram, Instagram interface. So that is the arrangement we are talking about. And in design, you want to be familiar with it, because this helps you if you want to move something around, if you want to, behind the, in Canva, how we do that is come here, and then you can take it back. All right. What you take it back was, so in terms of arrange, the photo is now behind this white square. If I want to bring it forward, I bring it and it's up there again. So that's a little bit about arrange. Now group, so group, what you seek to see, you have this design. This is what we are seeing. It looks like we see not on the display or on the truck. It's on the display. This is what we are seeing. Sorry, I looked into another Canva tab out of there. Okay, so we look at your keyboard, your mouth was in the ring, but you were still talking. Okay, sorry, sorry. So I think if you wouldn't know mine, you can show your main task, creating a selection in the video at the top, because when you move to the different top, we see the top. I think you can see it now. Yes, great. All right. Yeah, so I was talking about the principle of arrange, and I was saying that with difference, so can you back share a little on how you got here? We didn't know how you got here, just give me here. Okay, so I was talking about some terms in graphic design, and I was saying that my objective here in terms of the graphic design is not to show you that, okay, you have to put a square here. If you are making flyer and you put a square here, no. I just believe that when the person is equipped with the basic concept of design, anybody at all can design something because when you wake up in the morning, you are designed because you choose the clothes you wear, you choose the color combinations you wear, and these are concepts in design. So everybody at all can design something. They just need to grasp the concepts and then also be able to be a good judge for a good design, be able to tell this is a good design. This is not a good design. So those are the concepts I seek to impact to us, and then I was saying that when you talk of the principle of outreach, so in graphic design, we have something for outreach, and what we mean by that is that when you take the Instagram post square we have here, this image that I've highlighted and moving around on the screen, you realize that it's in front of this white square, not exactly a square, maybe let me make that a square so that I can refer to it. It is in front of it, okay. Now in case of outreach, because they are layered in my composition, I can choose to take this one behind the white square, and to do that in Canva, I can just go up here, position, then I can choose to take it backwards, or I can choose it to bring it to the front, so forward. If I take it to the back, what it does is it takes it to the last layer, so everything else, every other layer and this composition, it takes it behind, so you realize that it is even behind this image over here. If I bring it to the front, it becomes the very first or topmost layer, so those are the principles. Over here we have top alignment, so it aligns automatically to the composition I have for the pitch. So if I align to the top, it goes up here. If I align to the bottom, it comes below. If I align to, it goes this way. If I align to the left, it goes this way. If I align to the center, middle, so those are the kind of arrangements we can do even in Canva. Now another principle is alignment. All alignments have already covered that alignment is this, and then we talk of arrangement that is bringing it backward, forward, and all of that. Now another thing is distributes. So in terms of distributes, where you use other softwares, because we are limited in scope to Canva now, but other softwares allow you to do that where you can go ahead. If you select two elements or two layers in your composition, it allows you to be able to distribute them evenly. So if I want to distribute this, so I have two layers, I can then arrange between the layers, or I can choose to align these two layers to each other. So we realize that initially if I choose top, if I choose top for this one, it goes there, but when I select these two layers and I choose top, see top, you realize that both of them are I choose middle, you realize that it then aligns to this one. So it means that the reference now becomes the two layers. The reference becomes the two layers I've selected. So another term is scaling. Now when we talk of scaling, I can choose to make this big, I can choose to make this big, I can choose to make it small. That is scale. So in terms of scale, that is it. However, when we talk of constrain, constrain is scaling proportionally. So instead of you realize that when I'm scaling this, it can just, the aspect ratio is not in that. But if I want to do this quite well for most graphic designing tools, you just have to press shift on your keyboard and then you realize that now when I move it, it is moving proportionally. So every part of the image is moving, I have, I've hold down shift on my keyboard and I'm doing this. I'm going to leave the shift now and then you realize that now you see what's happening. By the moment I hold the shifts, then now you see that the constrain is, the constrain term is, is not being put in use, in that every part of the image is being scaled at the same time. So it gives the aspect ratio and that's that. Okay. And then we have rotate. So in Canva, this is the rotate button. This clockwise and anti-clockwise arrow down here is the rotate button. So if you click it, if you click and hold on it, and then you can move it around. So you rotate your image in that manner. Great. Now if you hold on, if you hold on shift while you're doing this also, it helps you rotate it using constrain coming. So now it is moving in a certain proportion. Okay. Great. And then we talk of opacity, crop and the hue. This will be the last three terms. Now when we talk of opacity in Canva, let's create a new page. Okay. And then let's see, let's copy this image. Then let's paste the image here. Now today I want to add text on this image. Okay. So I go to element. Okay. So let me just add the text first. So I can add a text boss in Canva. As we are growing up, we are learning so many things at the same time. Show free to stop me if any clarity in anything because it's an interactive session. So you get to ask questions as we go on. So add in text in Canva. On your left screen, you just go to text over here. Then now you can add a text boss. And then let's see, I add any text at all. So let me just use Casey. Casey was with us from the beginning. So Casey. Okay. So let's see. I want to make this big. I can change the font size over here. So I can work by increasing the font size. I can decrease the font size this way. I can choose a different font style. We have different font styles here. I can choose different font styles. I like both fonts. So let me go with this. Okay. Now I can also increase it by growing this way. Okay. Great. Now suppose we have this. Okay. This Gizzy is quite visible on the image. And it gives a very good contrast. Another principle that will come in graphic designing, another theme will come to learning graphic design. But suppose see in other images, you encounter an image where you don't get the text blending or detect being visible the way Gizzy is this way. Okay. Or suppose we want to, okay, even improve on making this Gizzy even more visible. What we can do is to sublime. So another theme, sublimation. Feel free to still be down. I think I'm talking a lot and I'm mentioning different terms, but I believe that there will be a question time. Anyone can interact. So I think we'll take questions at the end of the session. Anyone can interact. If you want to press them, just speak up. So it's supposed to be an interactive session. That's where you didn't have a serious item that we had issues with. I have a question. The idea here is that we want to make Gizzy, our text Gizzy, more visible. Because when you look at it this way, you realize that the contrast in here, the white and this background sort of blends in a little. So it makes the text not so very vividly visible. So if you want to make it more visible, improve on its visibility, one principle we can use is what we call sublimation. And in doing that, what we do is that we adjust transparency, opacity, which are different times, but it's the same concept. So I can put a new square here. So again, so in Canva, I can just go to element. And then I have different shapes here. So lines and shapes, you can click to see all the lines and shapes are available. And then I have this shape. So I can just click on the shape. It gives me this shape. I can change the color to see black. All right. And then let's see, I tried to, so just to create a concept where the character is looking at the name, I bring it here. Good. Now you realize that because it has a black background, the text is more visible because black and white create a very good contrast. Okay. So the text is more visible, but the black is blocking some parts of the character's face or the model in the background's face. So when we talk of sublimation or when we talk of transparency, where it becomes useful is over here. So just to make it blending, okay, I can just go ahead and decrease the transparency of my shape. And to do that, it does here. And then I go to this one. Okay. So it says transparency. So when I click on that, then I can decrease the transparency. Okay. So to see, great. So at 30, now I can see Can you drop? Yeah, sure. Hi, Gezi. I was just asking what the sublimation means. She's saying that what is sublimation? So sublimation is like I mentioned, the principle in design, the principle in graphics. Basically what it takes to say that sometimes when you have designs and you want it to work or your designs together, in cases where you manipulate the transparency or the opacity to images so that they blend in, that's what we term as sublimation. Okay. And so I was trying to demonstrate an example of that over here, where I'm decreasing the opacity of this square. Remember, initially it was very dark like this. And I was saying that it is blocking a part of this image. Okay. So when I decrease the transparency and now blending with the background image, so that's what we mean by sublimation. So that you have everything sublime together. I don't know if it's clear that way. Yeah. Let's get you respond. So Gezi, feel free to let me know if you, okay. So you can actually speak if you want to. It was the interactive session which was like a studio setting, but it was actually dark on the right. So that's why we are ready to use this screen. So you can just sit around, you know, you are trying your designs where you want to share it, you just let him know, you share your screen and then you correct what this word says. That's what it says here at all. We are here to learn. So by the end of the session, she wants to know how to create designs in a group. So I think she said this question. All right. This is an interactive session. So you can feel free to log in or sign up to Canva. And then let's do this together. Right. Let's do this together. I believe that would increase the interactivity over here. Yes. So that's what we mean by sublimation. So now you realize that Gezi is now better, better visible than initially. Why? Because we've given it a black background. And then also we've created it in such a way that it is now blendily with our image. Okay. If I have it somewhere here, that it's not quite visible that there's a background, but there is indeed a background. And it is accomplishing the task of increasing the visibility of the text that we overly on the image. Okay. So in certain instances where you are designing and you have to overly text on an image, these are good ways to go about it so that you increase the visibility of your text. Great. Awesome. All right. We can go on. We can go on. Now, the last thing I'm going to talk about is hue saturation and then lightness. So hue just refers to color. So what color are you using? So suppose I'm creating another rectangle. Let me increase the transparency. So what's color of this rectangle? That's what we call hue. I have different colors. So if you want to change the color of your square in convert, you can just go up here where you have sheep, you have color over here, then you can choose different colors. Okay. So different colors available here. You can choose some of them. Now, when I have this color chosen, that is what we call hue. Okay. So hue is what color? What is the color? Now, when we talk about saturation, just refers to how vivid the color is. Okay. So between these two or between these three, let's say I come here. I change the opacity to say 70. No, let me say eight. And then this one, I change it to say great. So you see that we have the same blue color, but how vivid it is decreasing as we go this way. So that's a saturation. Okay. How vivid the color is. That's that. Is that our time? How long time we have? Maybe a minute or two. Okay. Okay. So I think we really are trying to mean to make this too deep. But you know what I mean? It's more than we are speaking. So you have to see it for a little. Sure. Sure. That's what the color is. I think you can capture everything that we went to call in this presentation. That is, I think resizing design and then connecting to the startups. So I think we're going to talk about the camera crew, then double the next session, then we're out. So we don't continue. I think we are really enjoying the session. We didn't pay enough and watch detailed rains. Yeah. So we're talking in this case of basics. So I think we really appreciate your time. Thank you so much. All right. Okay. Like I mentioned, what I seek to do is not only to teach us graphic design. Yes, we can use come back to, but there are times that you consult a graphic designer to work for you. You don't have to be the best design to see a good, so it's not my core error or it's not a statement, but I'm going to say that we need to learn to see good design. Okay. So learning to see good design. You are in a session or an interactive session. I want us to see ourselves. So when you are walking by the roadside and you see a billboard and you see any liar on social media, what you will be doing as a critic is be able to identify the various elements. We will say that this is a good design. This is not a good design. This is a good design. This is not a good design. And those principles are the things that we are learning. And then by the time we are done, once you are able to critique then you also can also design. Okay, let's just go ahead. I think that initially I thought to talk about some principles and all of that, but I think I would make it more of an event and live thing. So once we are designing, we are building new concepts. I'm introducing new concepts and we are learning about that. So I'll go ahead and repeat another page here. So when you are hoping this is how it compares, if you want to add a page to a particular design you are working on, you can just go ahead and add a page. Okay. And it creates a new page for you. Now, suppose we are an NGO. So maybe you can give me an example of one. No. So let me ask our participants. Aside Gezi, do we have somebody else joining you? Okay, you can tell us about because if you didn't read that, you were in. All right. Gezi, you mentioned you work for what organization? I work for domestic violence helpline called Stronghearts. Sorry, can you come again? Sorry. It's a domestic violence helpline. Okay. So domestic violence. All right. So see, Gezi, I believe that parts of your works will until maybe creating awareness on domestic violence. Yeah. As a designer. Or so for anyone else who will come to you or content later, say for whatever organization you're working in, maybe an activist, anything like that. When you want to design a flyer or put anything out there using Kanva or any graphic design tool. See, you want to moot off it. The first thing we'll do is, okay, I'm going to, okay, maybe Gezi, help me. What kind of flyers do you give me a clear example of something we got designed here? Okay. One of the taglines is no judgment. Just talk. So people call the line. So make a flyer with no judgment. Just talk and like pictures. And then we put our phone number and logo, for example. Okay. Okay. I think is it possible to kind of hear me? Well, is it possible if you would like to share your screen, but it's a designer, working in the past. And then Ravi can take a look at it. Because he took a lot. We spoke about, I think the designer, you have to be a critics. We see a designer, really great. The use of a flyer, the use of a bus. First, so I think if you could share your screen, you are actually a presenter. Yeah. I would appreciate that because my questions are not really about how to use Kanva, but what parameters do you like to use to make a design more unique? Great. So let me find a design and then share this screen. That means I have to stop sharing. Oh my goodness. I don't know yet. Okay. Let me continue. When you play this, then share it. Okay. Can you help me with the tagline again? Instead of just talk? No judgment. Just talk. So again, we're going to add some text to add a text word. No judgment. I actually have been using the Adobe Creative Cloud Express a lot. Okay. That's because we have the Creative Cloud Suite, but I like Kanva better for the video, real editing. Because I understand that. It makes their work easier. Okay. Now, one thing that most people do as designers is necessary, as we draw inspiration as designers from a lot of things. So when you are working by the outside, when you are seeing designs and you are critiquing these designs, okay? So, see, this is not good design. I think they could have done this. That what you are doing is that you are drawing inspirations from some of these designs to better your own designs. Okay. Whatever design you see out there, it is only helping you. It inspires you so that you learn something and then you get to design better on your own. So, see what Gizzy mentioned. No judgment. Just talk. For a designer, or for someone starting out, the best thing would be the work to see other people's work that they've done. So people would just go to, well, Gizzy, can you help me with? See something you would search on Google when you are designing the flylight. Okay. So maybe most people will come to Google and search for, okay, domestic, because Gizzy works in the domestic violence helpline. Domestic violence, fine. So these are the things that people would normally search for. Anybody designing anything and they won't see other people's work. These are the things that they would search for. So they will go ahead and search for this. And then you see that when you search for this, okay, what you are going to get is basically the same thing everybody else is doing. Okay. So when I look here, the designs here, you can see they are all similar. It's just colors and lots of pebbles, lots of violet. I'm not sure if that has anything to do with domestic violence. Maybe Gizzy would be better to tell me that. But a lot of the flyers here, they look virtually the same. Now as a designer, you want to do something outstanding, something that's different from what everyone else is doing. Okay. And so idea creation, that brings us to the first thing. And when you are creating the idea, you don't go out there and look for what everybody else is doing. Okay. So you need to look outside the box. And that is one thing that we always constrain ourselves within, find ourselves to whatever we are designing. Okay. So if I'm bringing something domestic violence, I don't need to, I don't need to necessarily search domestic violence. Okay. We can search something different. It could be, maybe a magazine. A magazine that you know, that it talks about some of these things. It could be something, because most victims of domestic violence are women. So something that talks about women and power. Something like that, something outside the ordinary. Okay. But for me, something that is coming to mind is, they would seem quite odd, but let's say I make a search of enemies, enemies, and his demonstration. Okay. These are the kind of images I'm seeing here. Let's say something like, okay. So these are the things that I'm seeing here. Remember, we are drawing inspiration. We are drawing inspiration. And a lot of this inspiration comes from seeing other people's perspective. Mind you, I didn't go around searching for domestic violence, no. But this is what I searched for. And the idea is that I'm trying to draw inspiration from this. Okay. So let's say, let me click on this one over here. See, this one over here. Okay. Something like this. So I can draw an inspiration over here. Okay. Where this woman, you see there are some people behind here. Try to bring. So as I'm looking at these things, I'm already imagining how my design is going to be like. I'm already imagining how the design is going to come out. You have something like this here, this one. Okay. So I'm drawing so many inspirations from this. Okay. Now, when I come back to my design, when I come back to my design, great. Let me share this. This is your following. Do you see your image already? Do you want to share it? I have one if you want to see it. You have to stop sharing so I could share. This is it. Can you see it? Yeah, I can. Great. Great. Does it do you mind working us through maybe what inspired you, the kind of message you wanted to communicate? Yeah. Two-Spirit is like indigenous for our LGBTQ family, but it's more of a spiritual way of being. And so I saw this picture of a person with the land because for native people, the land is very sacred and important to us. So they are standing with the arms out. And so to demonstrate the two-spirit, I put these two opacity blocks. So this is sublimation yesterday. Sorry. Oh, yeah. I just never knew the word. But yeah, I put these two blocks to divide it in half, like with the mountain and the arms to give some symmetry. This thick text honoring two-spirit brilliance and resilience, simple little rainbow line, and then our logo and phone number, real simple design. Great design. It looks good. I like the fact that there are some contrasts in the background, the shape of the mountain over here creates a certain contrast and then the sublimation in here, the text and all of that. It looks good. So as a critic, I don't know if you mind me, Petike, I'm not going to be. Forgive me if I go too hard or... No, go hard. I don't care. Oh, shit. This part is covered. Okay. One top most thing with design is alignment. Okay, so do you want us to continue? We got a particular session. Do you want us to continue? Or we can rock rock. I think we are really doing the session too. I wish we could continue beyond the right time because we're still continuing. We want us to stay in the session. Okay, I can be here like 15 more minutes. I'll be great. So I think I'll rock off with the non-properate package. So those non-properate things that come up with non-properates, I don't think we should do that in a session. So we got 15 more minutes to go off. Okay. We're here. Right. When I look at this design, first thing is alignment. Okay. Now most people are tempted to think that when you have text, okay, centered in on your composition, it translates to it's being visible. So most people will put it out in the middle. So this is good. Most people will actually bring it up in the middle, like the exact middle here, like somewhere, yes, around there because they feel, yes, because they feel that way people will see it. But it doesn't work like that. Okay. Because what you do is when you do this, it's looking like it's going down there. So you would preferably want to bring it up. Exactly. That's great. So I like that about it. Now in terms of fonts, in terms of font style, I would recommend that you usually just stick to two. Okay. Stick to two. Now the tool would be detected by other instances happening. So suppose you have a logo that has a text in the logo. Mind you, if the logo is from a predominant part of the design, it means that text is going to be also quite visible. So if you should add two to those states, that makes it three. You get it. So preferably you may want to adapt a text, the font in the logo as part of your two fonts so that at the end of the day, you are still working around. Great. So over here, the strong hearts as different fonts. Yes. These are both Optima bold and then this Optima extra black was the, this one. Okay. Okay. And then the help line, they are also Optima. Great. So I see that being applied that's great. Next thing is see colors. So I'm just trying to highlight the difference instances where you can critique. Yeah, because you mentioned also, yes, colors. Okay. For this design, I like that you incorporate the colors in the rainbow. So I realize that you use the the purple and the toward the right part of the rainbow bar on the right side. Right. Yeah. Then you use the green over here, but the green would something more close to the green in the bar because the green here is slightly different from the green in the rainbow bar. Okay. So you may want to pick something predominant like green that is predominant in that and then so one other thing you can do is that when you are subliming, okay, or when you are trying to combine two images together, the background image. Okay. What you can do is to make a monochrome so that it just gives you so when you make a monochrome, then now it just only become like a shadow in the background so that it's not contributing so much in terms of color to your design. Because what you're interested in is to creating the impression that the image is behind there. But when the colors are in there still, because you decrease the opacity of the colors you are using, then it becomes a lot of colors going on at the same time. You can just undo and yeah. Great. So you see, we are getting there. Okay. So that now, so now you have two main colors interplay here, the violet and the green. Okay. Great. Now we can look at text position of text. Okay. One thing you can do is say honoring to spirit. You want these texts, that's the predominant part. Okay. So between those two texts, which one do you want to portray or which one do you want to come out? Which one do you want any person who views this design to to capture first? Which one do you want someone looking at this design to portray? To spirit. Honor and to spirit. Honor and to spirit. Okay. So we can make that. So let's do this. So let's just write. So let's think that two spirits are great. Then let's create another text bus and then write it too. No, get two. Yes, two. Great. And then spirit. Good. And then with the positioning. Okay. Now let's try positioning it at using our rule of conduct. We'll need my rule of conduct. Yeah. Okay. Great. But let's not too much to the middle. Let's reduce the size a little bit towards our left, more towards our left. Okay. Yes. Something like that. Great. How do we use it? How do we use it? Okay. How do we use that honoring a little? Make it smaller. Yeah. What size? It's 19 pounds. So maybe try AB6. Okay. I like. Okay. Okay. It's fine. It's fine. I like that the G is on the green. Good. Now let's make the two make it bigger. So I think you can make it bigger. So make it bigger. Yeah. Bigger. Yeah. Good. And then maybe bring it good. So bring it a little towards the end. Align it. So one other thing is alignment. Okay. Good. So align it to the hundred. Good. Then you come. Good. Great. So maybe we can bring the spread a little up. Let's bring it up. Yes. Yep. And then bring the spread up also. Now let it align to the top of the two. Great. Okay. So this is just an example. We just, yes. But this is a good way. The space between the hundred and two spreads. The space between the hundred and two spreads. Yeah. Here. Yeah. So maybe we can close that gap. Like bringing this up? Yep. Yeah. No, maybe take, for now, take the, let's bring the rainbow up. That takes this interlock with each other. The hundred and two spreads is great. So let the two spreads to pull up a little. Great. So that now, when someone looks at this design, by the rule of terms, the attention would most likely draw on the hundred and two spreads first. The first thing the attention will be drawn on. Okay. So you can adjust your brilliance and excellence maybe to fit somewhere beneath the spirits. Yeah. So that the attention is drawn there. You can explore for that because of our time. Yeah. But the idea is to just question ties us that most, when people think design, they are thinking that let the tech be big, let it be in the middle. Those are the things people conceptualize to think that it's a good design. Yeah. When we apply some of these principles, then we'll be able to come out with a better design to this. Okay. So from your design, some of the things we've learned, color, font style, and then the sublimation. Yes. Those are principles, contrast. Okay. And then you realize that when you are creating that extra between text, what you are doing is your contrast. Okay. And then most important thing, alignment. For a good design, you should see that the alignment and everything are on point. Okay. That it communicates. Okay. So by way of that, let me just lie ahead and share. I think I was doing something. Let me just wrap up. Is that a dimension I can't share my screen? For someone sharing, she's not. You want to share it? Yeah, she's not. Let me see. Are you able to do that? So I'll just probably wrap up with that. I was trying to put together something. Can I see my PowerPoint? You know. Okay. I'm trying to share my screen, but it's not working. Okay. So by a good design, I should communicate the claim message. I have sample designs here that I was going to show you, but I'm not able to share my screen. I'm not sure why. Maybe because I was working on it. Yeah, it's fine. So let me just mention them. Can you If you want to, can you go over and log in again? Kind of. Yeah. I think you're maxed it. So when you go over and log in, it brings you up to a point. That means you would have to make me, yeah, I'm back in. Gizzy, can you see my screen? Not anymore. I did see it, but it's gone now. It just has a little icon. Yeah. It's user. Can you create a issue? It should be a issue. Yeah. Is it working? Is it working now? Great. Okay. So I think that this one has a terminal field. See the design should be balanced. Okay. So when we talk about what we are framing in terms of balances, you see the black, you have a light color, black, light color, black. They are all balanced. Okay. So you can imagine, suppose that this of the week, whether this city is in these tall buildings, imagine that everything was black. Then you realize that the black would terminate the design. Then it becomes invalid. Over here, you see that it's quite balanced in terms of the actually everything is balanced. So that's also another point. The other thing that it should be organized. Okay. What design should be organized? So this example here, there's a lot of use of negative speeds. Everything is organized. The images, the reports, everything is organized in this design. So that's another point of design. And the other thing is that it should have of your support authority. So what do you, so in this sample, what do you suppose that the designer wanted you to look at? He wants the signs without borders. So you realize that all the things here are pointed towards it. Okay. So it has a defined audience that anybody, any person who gets to see his design would immediate the, get to see what is happening. And the person wants your attention to go. And then it should look polished. The other thing is that it should look polished in this design. This design looks quite polished. So as observer, observatory of things for everything here looks polished, the smoothness, excellence, said by design. Then last one would be that to be it. Do annual reports 2015 in one line. But this design, this design is very confident. The same text, but you see what he does to it. Okay. You see what the designer does to it. Quite bold. Yeah. But I think this is going to be a very lengthy session. Okay. Let me hear your thoughts. If the situation is tough, but I really wish you could continue, but I cannot stay longer. The session can still continue if he wants it to continue. But if you want to wrap up, we can wrap up. Yeah. So I think I understand this is the last pointer. So maybe design, you can just talk about the non-profit, come up with a non-profit and then we can wrap up. Gizzy, are you okay with that? Sure. Yeah. Gizzy, you can feel free to reach out, maybe after the session, anytime. Let me just do the introduction to come up with a non-profit and get comfortable free. And then with that, you can do adverse things on what we saw here. You can have backgrounds. You can... Oh, sorry. I just... Probably just don't attention to that. I'm not being heard. Okay. So I'll just take it, I'll just take it again. Like I said, as a non-profit organization, you have the advantage of getting come up for free. So maybe instead of paying for the subscription, you can just get it for free by submitting your non-profit ranking. So register it as a non-profit. And then the combat team gets back to you. That way you can use all the advanced niches of come up for free once you're operating free. Then you have a test suit. So text has offerings for non-profit. So as a test suit, once you register a test suit, which is free, you can get a lot of tools for free. True test suit can be moved for non-profit assets, free e-dose, for other periods, and all of that. And also you can get this in Zoom. So you can get this account on the show and move it out of your shoes. Once you are with a test suit, what's the test suit that says, hoping this non-profit use technology for future development? And as we do with the test suit and its chapters, which are based in different countries, we hope it will ensure that non-profit use technology. Like what we're doing right now, we are going to share our skills on the test which are going to be the main trust with us. Here we're going to share our skills to help non-profit use technology. I'll wrap it up here and then I think it versus this exchange of contacts here. We can reach out to Ego so we can reach out to and then she's still there. Yeah, I think so. Yeah, I still with that. Yeah. Okay, I'll put my email and then my LinkedIn. I'm not sure which, so show me that you're an active one, but we can connect on LinkedIn. Okay, another thing, so I'm going to change the recording and then it has to, maybe it has to, it has to push it to decide on the scene, what's all. But I'll give it for the recording. So that depends on its whole view. If you still want to wrap these up and pause the recording, that's your thing. Give it what you think. Okay, thank you. I'm going to get started with my day. I don't know what time it is for you, but I woke up at five to be on here. Yeah, then you'll be able at least to do so. Thank you so much, Robbie, for, we appreciate having you. Thank you for coming in to give us, share your skills. We thank you so much and thank you so much. Yes, thank you so much, both of yous. Okay, so I'm also going to change this, come share your contacts in the chat, so that you can find it on LinkedIn with email. So Robbie, I'll share this, I'll use it and you'll also share yours. That's my email. Okay, great. I'll use it as you take the email address in there. All right, so that is a very productive section. We were supposed to use this and after this, but we looked at it a little bit too much. We're just supposed to let you know how to create designs. Deeper, to contrast colliders, something amazing, something I'm hearing for the first time in Robbie designing what, that's very easy. I would really love to have a deeper Robbie in some of the community brains. I think he's been a very source of interest. No, I'd love to have him back. I'm going to connect, we're going to connect with you and the feedback that will come down on the comment sections with the videos that are included as well. So thank you so much for today. Thank you, guys. Thank you, Robbie. Thank you. Thank yous, bye.