 If we were really members of a community inside of an institution, if we did have a scholar, if we did have not a repertory, but we had actors that were essential members of an institution, that something would change in the way that we think about how we run theaters. So that was a little bit of that. Well, how about just to offer gender parity? Was it being a continuum? So one of the things that we see happening is that the structure of playwriting, for instance, won't be a male-linear structure where it reflects a man's orgasm, right? Rising action climax, resolution, they call it anything. But it'll be more orgasmic, multiragasmic where it spirals up, spirals down, and it'll be much more encompassing of female energy and female stories.