 So you know how we have Rithik, we have Shahrukh Khan, we have Amadabh Bachchan, I think we should say Kareena the poo, Kareena the poo. Oh, because she played poo and it's the Winnie the Pooh and it's Kareena. Wow. Yeah, see what I did? Josh! Hey, welcome back to our Tube Bricks, it's a Corbin. I'm wearing underwear. Hey, if only this was a Kareena reaction. Oh, wow. We saved that. Okay, Kareena the poo, Kareena the poo. But we need to change Tubby Little Cubby. The B-I-T-C-H-A, I know. And Kareena the poo. No, that's what she says in... Yeah, but we're talking about Kareena, not a character. She's like Kareena the poo. We just called her the poo. Yeah, shut up. Then we have to go back to like really nice things about Kareena. Today. Ghosts. Ghost, ghost. Ghosts on the water. Ghost base, ghost, ghost to coast base. I'm trying to... Why isn't it spelled G-O-A-S-T like toast? Why is it spelled G-H-O-S-T? Toast the ghost. Mm-hmm. Casper the Browdery toast. You believe in ghosts? Why not? What about aliens? Yeah, not in the sense that people think of them here, but yeah. How do you think about them? More like us. Really? Yeah. Not green things with tentacles? No, green things with tentacles. Like the way they had them in the 1950 movies? Yes. Yeah, no. Or even the Rival. Probably light gray with tentacles. Like even in a Rival, you know, that they were just these big, ambient thing. Great movie, by the way. Yes, Rival's a great movie. One of the probably best sci-fi movies to come out in... A Greed decades. A Greed. Very intelligent film. Anyways, today we're doing a live song by the late Ustad... Nusrat Feta Ali Khan Sahab. It's Ragh... Ragh Durbani alaap. Is that right? What in it? What just happened to the screen? Okay. Ragh Durbani alaap by late Ustad Nusrat Feta Ali Khan Sahab. This alaap was sung by Nusrat Sahab for the film The Last Temptation of Christ. Interesting. Alongside musician Peter Gabriel. Yeah, I know this music very, very well. This is where to? Also, this gives me goosebumps every time I hear it. Nusrat Sahab's voice, Sahab means sir, is phenomenal and his range is just mind-blowing. Raghat Feta Ali Khan has been trained by Nusrat Sahab since he was a child. They're uncle and nephew in relation. Nusrat Sahab is from Pakistan, but he is the pride of both Pakistan and India because music doesn't have borders placed on it. That's a form of freedom. Amen. And that being the case, Nusrat Feta alaakan. Forgive me if I'm mispronouncing his name. And many great musicians and singers like Ustad Ghulam Ali Khan Sahab and Ustad Mehdi Hassan Khan Sahab are loved across both lands. So if this is the track from The Last Temptation of Christ that was used... You know that song? Very well. Yeah, I had the soundtrack to that. Peter Gabriel. Yeah, Peter Gabriel did the score. Yeah. And Martin Scorsese directed it. Willem Dafoe played Christ. Did he really? I never told them. Yeah, it's a very interesting... It's not supposed to be... And Scorsese said this. It's not supposed to be a actual translation of what history and the scriptures depict. It's an idea. And what's interesting is so many people got bent out of shape, protesting it. And I remember when I went to go see it and I'm a Christian, I was like, it was like Da Vinci Code. Why are you all flipping out? Go see the movie and you'll realize that what he did is actually kind of a cool concept. Yeah. So... People are dumb. Dumb. Here we go. Love Peter Gabriel, by the way. I wish we had a better quality of video. I know, but I know these must have been a long time ago, so they probably have very few actual videos of him. But man, was that impressive and so beautiful. And the fact that he was able to go as high as he was, he doesn't, like, if you just look at the man, he doesn't know that he should be able to go that high. Not at all. And then also go really low and then go back up to here. Like, do you recognize the thongans? Yeah, it's been a long time. That was one of those films that was one, you know, if a film really impacts me, I'll get the score too, because you want to just immerse yourself in the score. And that was one of them. I got the score to that film. I listened to it a lot. And this was a long time ago. I want to say this was probably 87, 88. And I was 18, 19 years old. And I was deeply, and I loved Peter Gabriel. So when I knew he was doing the score, I listened to it. And it's been many, many years since I listened to it. But I recognized his voice. And he gives the wailing, crying aspect of it with that pitch without it becoming feminized. So he really could be the masculine sounding cry of Jesus, which one of the great things about that film is it was the first time really in cinematic history where the humanity of Jesus was depicted. And Scorsese, he talked about it because he's he's described in scripture and in history as being both fully God and fully man. And they always throughout history and film and often perverted it from what actual history would have shown and what the scriptures actually tell about him like blonde haired blue eyed English accent Jesus. But they always focus on the deity of him. And like he's this unreachable, infallible, you know, oh, he has an aura about him. Oh, his was the first film that really looked at the humanity and he erred way more on that side. He actually went to the place of how much of his divinity was he really conscious of and how much did he struggle with it and and have to have faith in the fact that he was the son of God. And there's a really interesting twist. I'm not going to give away that a lot of people in the Catholic Church were really angry about that I thought was actually wonderful. You'd love it. Well, the Catholic Church is kind of known for just being angry at things. Yeah. And not being open to anything other than dogma. And that's not a trade of just them. It's all religions. They have dogmatic things where they just will not give them facts. It doesn't matter. You know, and but I while we're watching it, I was thinking to myself, isn't it amazing and wonderful and such a blessing that we live in a day where this legend who's no longer with us was just sitting in your living room singing. You know, we actually got to just he was his voice was in your house. Well, I don't think it was him. I think he's his nephew. Well, I know. But that the guy him singing. Yeah. But also, what we're in the world with is it taking place? The Israel? Israel? The in the last official price? Of course. Why'd they have a Pakistani? I know. Why did they have an Indian sense? You know, you know why? For the same reason they did it in the Passion of the Christ. Because there is something for the Western mind that when they hear Eastern music, even the far East, as long as it's not definitively like a Chinese sound or a Japanese sound, but has that Middle East and then East Asian feel probably why a lot of ways antiquity to them is probably why a lot of Americans think India is a Middle Eastern country. Yes. Yes. Because movies have used it because to them they're like for the Western ear, this is the most antiquated sound we could find for you. It's just weird they could find an Israeli singer that doesn't. Of course they could, but it wouldn't sound as antiquated. Not that he was amazing. It was just curious to me that. And the modalities. The modalities of Eastern music, which is Israeli music, but Israeli music has also been more contemporized. So a lot of the things that we have, you'd have to guess at what it sounded like back then in terms of the notation as far as the Psalms and different things of that nature. So I'm sure that's the reason for choosing that sound. It's a great question. You're fantastic. So let us know more from him and other classical singers that we should record down below.