 Wouldn't you love to just be standing right there on the lawn? OK, that's the whole point. That's what Beershot was doing. That's what he was doing. That's why they went on traveling shows to encourage people to go out west. So you got it. In fact, the way the curators hung this with this curtain here is meant to kind of hint at that history and that Beershot painted these giant landscapes and he would tour with them. And he keeps them behind the curtain and he would pay admission. And then he would whip back the curtain. But how does Beershot accomplish what we just talked about? How does he make you want to step into this landscape and just say, wow, size? That's a huge picture. It's not just a picture. You're like, hey, I'm going to buy it. It's like a peaceful window. Peaceful? How does he create this idea of peacefulness, though? The deer, the calm water, the calm water walls, the lime, the lime. The softness of the whole picture. It's almost alluding kind of heaven and angels right where all the top of the mountain and the clouds are. I mean, you kind of would think you'd see this in a church or whatever in church is supposed to be one of the most peaceful places. And everything goes up. All the trees go up. The mountains go up. Everything is pointing up. Things that you notice, the specific details you're pointing out, like how still the water is and how the deer, they're there. They're not spooked, right? There's nothing coming up behind them. And this kind of, some people call it the godly light kind of peeking through. What role does God play in this period of American history? Why might he have a part of this landscape? Or why might he? Manifest us. God wants us to go there. God wants us to go there. Where was it painted? Yeah. Look at the label over here. When was it, guys? 1868. 1868. 1868. In Nevada. Yes, it's called the mountains here in Nevada. So it's California in 1868. So again, why might we paint this in 1868? It's after the Civil War. Right, it's after the Civil War. It's a calming. Well, it's supposed to be calming because what's really going on between the South and the North still, I mean, the destruction is not calm at all. Yes. And isn't that the U of the United States? It's an escape. It's an escape for a long time. Yes. Yes. But it's also the U of the Transcontinental Railroad that's finished. But it's funny that you don't see any of that, right? You don't see that modernity, advancement, civilization has no place here, is still this ideal. And I think it's going to what you're saying is that the Civil War ripped up the East Coast. If you look, if you search our website for Civil War photographs, we have plenty. You see just destroyed landscapes. And when you think, you just walked down the hallway past Niagara and all these sort of new Eden-y paintings. We sort of saw ourselves as the new world, new opportunity. And the Civil War maybe destroyed that image a little bit. And so the East Coast loses its shininess. And we start looking out here for our peace and our majesty and our hope. Go ahead. It's like a staircase almost. It goes up there and then goes on and then takes you into it. Yeah, make sure your eye goes all the way back there.