 There's a section where James around to the band drops out and there are two measures of Clyde's double field playing this beat and right at that at that section with this breakbeat happens. They have it sounds like they've added some sort of compression and reverb of some some type to it where all of a sudden the drums go from being pretty just raw and dry to it's got this thing. The sound just sort of pops out of nowhere and then it's just James and Clyde grooving for eight measures and then that stops the whole the rest of the band comes in they play to the to the end of nine minutes at the final final last few last few seconds of the song kind of as the song fades out Clyde does another solo that's a little more he gets a little more involved and starts playing some other stuff with it. But I you know nine minute song he I don't think he ever touches the floor Tom I think he hits the rack Tom precisely twice or something like that. Yeah, he barely dinged the ride symbol I think precisely twice in nine minutes or three times or something. And it's an incredible piece of drumming. I mean it is I you know I think it was pretty revolutionary for the time I don't know of anyone else from that period who played it was recorded several months before I was born so obviously I wasn't there I don't know. I mean I don't know anything else from that time period that sounds like what Clyde Doublefield did on funky drummer. No so so yeah so the song was. So the song was released as a single it came it went and just sort of disappeared it wasn't on any of James Brown's 12 inch LP is or anything. And in the 80s it got rediscovered by hip hop producers I believe Hank Shockley found it or that's my understanding but it suddenly started showing up everywhere in the 80s. And that's when I first became aware of it in the 80s and and I knew it from my first real exposure to it was was fight the power by by public enemy which was just an amazing track and especially the time that thing just that track just exploded out of every speaker I heard it from and those drums and you know and then he kept hearing those drums everywhere. There was a huge hit called Poison, Bellevue DeVoe and the late 80s early 90s with the real fairness drum beat that it's a totally different rhythm but it's a sample of the snare drum and there's that that weird snare drum sound again. And for decades the song was the the most the most sampled breakbeat in history. I think just recently in the past couple years it's been surpassed by a breakbeat the opening from the song impeached the president by by the honey drippers, which is a really cool breakbeat as well. But as far as I can tell and my source for all of this is the website who sample.com for in terms of these what where these samples showing up in records. And yeah so I mean this beat, I think everybody on the planet heard it in some form or another somewhere on some song. You just may not know it. It's just been a revolutionary sample and I've seen it listed as sort of the sort of the birthplace of hip hop in some ways or you know like one of the founding just founding bedrock samples of hip hop. And of course it's crossed over to pop all sorts of different places you know Sinead O'Connor had a big hit with it back in the 90s and you know a friend of mine was told me the other day you heard it in some commercial on TV maybe Burger King or something. I don't remember exactly what but I mean it's still very much very much around. My thought with that is and correct me if I'm wrong but the reason they would have chosen this is because it was so accessible. It was so easy to chop a naked drum part that was happening for eight measures by itself. I mean that seems pretty obvious. Yeah that's I mean that's kind of the whole genesis of these break beats you know finding and I mean back in the 70s they were doing with turntables and two copies of the same record which I mean that's a skill I will never master. Totally that's rocket science to me I don't understand how will they do that what they do and you know to be able to just continuously cut back and forth between two records with these beats long before sampling. It's an incredible skill absolutely an incredible skill.