 within a VHS case, containing a Raspberry Pi computer as well as a Wi-Fi access point. It's just running up there, so if you go to, let's see if you manage to crash it because probably can't handle too many connections, but if you feel lucky then just go to the SSID after the video should seep now in the Wi-Fi spectrum and then just browse through after the video for SRC while I just talk a little bit about what the video book should be or it is about theorizing about the video. The video book itself should be kind of a reflection within the audio field. I read, so to say, so text, but we actually use motivation files to put our arguments together. This one here deals with the first issue with the notion of ascentless assemblages, which is this one offered repository Raspberry Pi. We started off with what we call the SOS box, using a pirate box to go along conferences collecting materials around the first most spectacles of the spectacle and around the topic of war as well as sports, etc. So that was the Istanbul and Brazil. That kind of fixed the hyper-video theory, which just have two references. One is the political film, Harouta Rocky featured in the conference Image Operations. That's 2014. You may want to look up and the other one is kind of the cyberpunk William Gibson movie, No Maps for These Territories, which kind of think, I would say, theoretically within moving images or all the original contents. Hyper-video itself, we refer that the popcorn maker is kind of a JavaScript. It's popcorn.js. I think it exists anymore. I'll say that. I stopped developing it, but Yosha Yeger, who has been developing the hyper-video framework, now called frame trade, based a lot of his clothing on what Zeta's popcorn maker. And then there's, of course, a pirate scene when burning, Pogma, T-Rex, DB, as well as the Scarlar Addings for Networking Visual Culture, which can look up on the Scarlar.usc.edu and see the showcases. I'm open hyper-video.org. I'm a filmic web.org, and I give you in the end the repository for frame. I'm a cutting in the speed of the human. So frames of mind in transition, which is kind of a seamless collaboration between film history and video production, as well as video vortex. Video vortex has been dealing for a long time with online video. One of the recent issues were the eyes of video and also the use of interlaced, which is another case study, which has been using JavaScript as well. We kind of see the browser becoming a converse for video production. We published this video book with the Liquid Theory TV series, which is a series with open human express, who actually kindly offered us to produce this video book, which refers to computer books. So there we go. One of the latest or earliest references we found was called The Beaches Nightmare. It was basically a 386 computer goodbye. And while reading The Beaches Nightmare, basically a story goes that it kind of deletes itself. So you're actually having the end, a non-existing book, if you want to say so. Once you have read everything, it destroyed itself. And the other one, which we refer our video book to, is Devise's second book, Incompatible Laboratorium. You see there, just a small microcomputer powered up by a battery and allowing also for an access or a Wi-Fi access point. So that's kind of what we're doing now with the Raspberry Pi, just to be more powerful in order to be able to display those videos, which is kind of now with the recent technology, the recent microcomputer technology is kind of available. So we can kind of publish moving images within these kind of microcomputer, being boxed and sent out what we kind of call Assemblers on Demand. So we found here the partner OpenMute, who offered us to actually assemble those devices like print of the month. The assemble concept doesn't assemble the month. So they have to have all this to have to actually produce those video books. You can order them and actually get them delivered to your, more or less. And that's kind of what we are kind of looking into, producing those, what we refer to as time capsules. Because of course, all the kind of stuff, which is now there offline, there exists a nonline version, but all which is offline is more or less like a time capsule containing, if you want to say, sort of the cache of the current date of the browser, which has been grabbed. Those are kind of examples of types of OpenMute's press. And the video book itself has eight different contributions. So we have controlled societies by people who can carry all of their work hard, easy system pool by several curbside, scannable images. So the first two are more or less classical hyperlinked examples. Scannable images kind of shoot. It doesn't work on this one. It's something, but it beats we kind of augmented reality. And Guided Meditation is to video clip drive or browse through meditation. Confident feminist tactics for working with machines by Lucia Ignar Ryokas, catching the female contestation on the collision of living homes and frozen statements that can look into tactical media. Surveillance, as I said, is where we reflect a little bit on the work of meeting with Bidnik and the CCTV sniffing. And the last one is still speaking around full circle by Andreas Preski, which also wrote the book itself, we referenced into it as well, the video theory. So these are kind of the contributions you should find there. Again, which kind of beats, not only with politics of referencing, because we do have materials on that pie, of course, and the idea is how can we actually use these materials. They are kind of copyrighted. Sometimes there is intellectual property issues, et cetera, but we aim at arguing with moving image. So how can we do that? Which leads also to kind of hybrid references here. We come to say so, or information linking what we referenced to Amarima Mogoro. It is less the view of information and contextual information. So if you want to try FrameTrain, you find it on frameTrain.org. And the whole code is also published in I think about two weeks on GitHub. So you can download it and test it out for yourself. Again, to remind you, the SSID is after the video. If it's still working, you can connect to it. And if you want to browse the video book you have, type in after.video.org. Thank you very much.