 So here we have another three-year-old. However this one I showed in Amarillo a couple weeks ago and getting ready to show her again at the cotton stakes in West Monroe. Honestly I wouldn't really work her any different to the one I just worked other than the fact I might speed the machine up once or twice here and there just to change up the speed and make sure she's reading the cow and not just me. So the same thing here I just kind of step her back and hold her and make her come from behind. Animation there when I hold her with my feet which I like. Let's see if that's good right there. The timing was good. I'm going to make her stay up against that cow just a little bit more going that way. It seems like she's just getting away just a little bit and that was better. Feels good and straight and true that way. That was better again. Stop this cow in the middle of the turn and make sure she's reading the cow. Some little moves there. Just make sure she's thinking about that way. Let me ride her up there with my feet. Hold back that good. Speed that up. Quarter with my left foot there to make her stay up. I'm going to go straight ahead. I think whether you work the flag, the machine or a real cow, a real cow, a live cow to me needs to be more about the cow for sure than these. I like to use these more as a tool to make sure they listen to my feet, stay up against it.