 All right, so I'm gonna do this with the video review So I can give you specific notes here, but looking at what you wrote me the email you add opposites to the stumble and Also more at the beginning We bring down the volume over here So again, I mean this is looking still really good. I Do see I mean you mentioned that you didn't get to all the notes because I do see a lot of the similar things So I would say try to hit those notes it's still Still all the same especially with the you know with The tangents here as you go down give it give this guy a lot more room But the main thing I want to comment on for this clip is this stumble So so far so good, this is all good, right? So as you continue, it's really important more so than detail stuff is to work on your post changes when you have something from here to here which is a huge change in posing so that over one frame is a crazy change so Things like that through steps I will work on first before getting to other things because it can be very misleading where it looks cool in step mode It's got just your key poses, but once he starts blinding it might be weird and you might not add enough enough frames Between the poses same thing here. This is very very big Change-wise Then careful it looks like he's kind of touching He said at that point so you might have to adjust the pose back or move him a bit overall Which might impact your your kicking point, but again, this is fairly big You're gonna have need couple in-betweens on on that guy between those poses Same thing here. You're still forming the tangent there That one is again massive massive post change That I can kind of buy only because it's a big impact. It's still big. It's it's almost a pop, but As you continue on you can have that definitely more impactful, but foot-wise I would actually leave one of the feet Back there, so it's a bit more something like this. It's a massive Shoe there, but you know something where it's not everything moving backwards But then you got again this guy coming out here That's fairly big What's a bit confusing about the post changes here is that you got this line and I go back and it's the same line So if you look at your it's the left arm and then at this point It's the right arm, but it's all kind on the same line And then you look at here if I go back and forth it feels like a sticky point in your in your fist So as you continue on with your poses you want to change it up a tiny bit That is definitely a big big change from here to here So and that is massive that's going to take a couple frames You're gonna have to make sure that he starts moving back to give That area of the arm intersect the interesting like overlapping with the head a bit more room breathing room That is probably fast one and that's massive too. So it's again. It's still all good But you still have a lot of Step poses in there. This feels better Right here this section I buy more up until you get to this change here because At this point it feels like he is being pulled back Again, because you don't have enough breakdowns in your in your step mode here and it's not him Falling backwards through gravity because he's he's off balance here. It's the head that kind of pulls him back So again, that is a bit fast there And even him moving forward from here to here All that needs more breakdowns So I would highly recommend to go keep keep going in there If possible address the notes that I gave last time But really start going and and adding go in there and add more frames For your step stuff same thing from from here This guy to here. It's a massive post change over one frame So all that stuff It's gonna have to change same thing with this especially going from here to here The timing of that is also gonna Is going to tell us more about his character and how it's demeanor his emotions like how does he feel how arrogant does he feel How much pleasure does he take in that in hitting that pose? So it's timing is really important to go between poses All right, I think that is that for this shot. Let me pause this and bring up your other shot All right We are back I put on the volume a tiny bit So you mentioned you worked on the Let me actually take your notes of those iK arms and lip sync. Let me check and I'm back Yes, iK arms and lip sync and I think your iK arms are a lot better So that is fantastic work. I think that's really really cool And we can go one by one. Let's look at at this arm first Let's go through this Silence here that I'm watching this but I think it's all working really well So far until you get to this section right Here so watch out where you have Elbow stuff is a real pain to lock so sections like here That I can kind of give but at this point you start moving forwards I mean forward being a screen right tiny bit And then back in you going back and intersecting with this And then let's go back here Those women were into what This is a tiny tiny tiny bit slight k because you got It's a fairly straight line that this wrist travels and I know there's not that much you can do in terms of That guy going back in this line. That's fine, but you could at least arc the wrist a bit more It's not so straight Watch out for your wrist That section here He goes down down with your wrist And then he goes back up into that and that in real time feels a bit poppy It's a bit of a pop I think I would go to That's too much like split the difference or or even up for it than this And then go back into that. So it's basically you're a bit Low like this and an azzy As he pushes here and it's the tension in the body as he readjusts that will You will show tension in this in this fist by you can squeeze those fingers in a bit more Feel free to intersect your fingers. That's fine. It's a bit more rounded a bit smaller shape And because of that that tension you'll also bring the wrist up to where you have it into here That's because we were harder Careful here. This is still IK when you look at that section here while this section moves See how the fist is completely Still there's no pixel moving to the moment you got something that locked It's always the IK and on top of that you got the elbow moving And then you got here That you can give but here It's good that you have a rotation this way But you're gonna have to go a bit further and you're not finishing it either. So you're going This way from here to here, but then on that frame down you go back this way So that in real time feels a bit like a pop and looking at The spacing if I look at just this section here It's down down. It's kind of on the same height and bomb We go up here and that's a linear key. At least it feels like a linear key So that you could just ease into that or he's out of that pose a bit more That stuff is good up here And that's great I think once you have as a general body thing once you hit that pose You have still business going on here right But everything else here is completely frozen So as you continue on with your passes once he does that you can put his hand here It will affect the knees the knees will move a bit. You can adjust the fingers a bit That's going to go in a bit more. You might have a bit more valine Over there that brings up this elbow that will change a bit relationship with this arm and and the hand Just a bit more keep keep alive as you go into the ending here If I look at the other arm That careful you got this section moving If I scrub fast, so it's a good test to scrub fast and then this section is not moving at all So even as you do this you're gonna have to have a little bit of an adjustment and bring your wrist down So it's not so totally locked Sitting on the down That feels fine um You know, if you want to be super picky this is fairly straight I think you could even here pretend that he's following the line of his thigh So that it's I'm exaggerating here, but it's not that straight but has a slight curve Then careful here again this section moves While the wrist is not so that is your ik Telltale sign here Let's continue Same thing here Elbow goes up here at this point. You would already have to have some movement in your wrist going down a bit See how this plays in real time That seems fine. There's something funky it starts great And right at the end this section here Suddenly feels fast and then you hit This here you go from here to here And then it's a small one straight down and it comes to a stop. It's it's not crazy bad I don't think bad bad, but it's not crazy ik telltale sign bad, but There's just something that's just a tad fast And i'm talking about maybe two frames just really something really subtle To get those women were into that place and what doesn't help is this section here Where you have rotation in your fingers to grasp this thing But while this rotates nothing going on is in the upper part of the wrist So as you clench you can add already a rotation in your wrist and continue it as you do And move here in this section Right you move, but nothing is moving in the wrist And that's a big one too you got big elbow moving back And then you start doing this which is fine The only thing I would do is keep this what you have in in this part but then I have a bit less in the fingers not that they have to be super locked but You know you have this thing coming out here and it feels like you're bringing your fingers in to kind of grasp That section so even if you have this movement here You would feel like this finger would almost stay in the same spot Just so you can feel that he's really holding on to that piece This feels a bit linearly So you got this move down right looking at this going this way Nothing's moving on moving here going on there And then you got that linear key again. So you go from here, right previous frame is here same thing Bam, that's really big. So you're gonna have to go from here to here to maybe here into Whatever move you have here So watch out for your ease out of there in linear mode And then that's fine. It's great. No money and no real future and then you know And everything is great up until this section. Watch out. You got a little intersection here And then you get back to the ik where this guy take this off This guy here is going down. So the elbow part is going down right here while nothing is going on in this section I'm not talking finger curl change, but a bit more in your upper part of the wrist All right And I'm looking at your lip sync Don't be disgusting Those women were into what I would do for your next pass in your lip sync I think all the ideas are there. It's just moments like Here it feels very flat like the lips feel very flat Same thing here. This feels very symmetrical. There's a little bit of a change here. It seems like but it's still Overall feels very symmetrical Even changes like that feel almost like you just open the jaw a little bit and then left the shapes They just feel the lips feel very flat Those women were into It's good. You got some arcs in your corners there Just be careful how you hit That pose you go up here and it kind of Hits I'm looking at this line here Goes up here here and then go back down and that is kind of a It's a very linear change of direction Those women were into us so that in real time feels a bit harsh And you can soften your jaw movement a bit and then watch out where you got The the corner out move into the end, but it's all straight so on sections like this you could have a little arc down Into us because we were artists and then Because we were artists and it's fine and then reality hits This was a bit swimming because we were artists and then reality hits And then reality because we were artists and then reality hits just a reality I want to feel a bit bigger on real. That's gonna push those poses a bit and then reality hit like I don't feel the re And then reality that's your re moment and I think re You can bring up those lips a bit higher Not like a crazy sneer, but it's a bit higher reality hits and no Reality hits and watch out how you hit Like the corners feel like they're going out But then back the same way instead of out and into an arc into another pose And no money and no real future and then, you know That is also a bit out of sync hits and no money and no real future and then no real future It was a bit mushy and no money and no real future and then, you know And then the you know, feels a bit late and no money and no real future and then, you know, what do you know? so just this Right there feels late You know Your exhale there It's pretty good. I think you might just push it a bit more Where you like this, but you have a moment where these lips come apart just a tiny bit to really feel like he's Doing making that sound Not that much like even like just a sliver like this Would help and that is it lots of notes. I will concentrate on that first But it's it's already a really good shot being picky here about the IK stuff It's very important to me that IK things are hidden So you don't you don't want to have awesome things going on you pose and everything and then you got IK arms that stand out and you're going ah Can't do the technical aspects of IK arms Love love to I know it's a low-risk and that's what it that's what the costume looks like. It cracks me up It's dressed like that like a funny Halloween costume or something All right. Well, that is it. Let me know if this works for you in terms of critique Or it feels weird or you can't understand my accent or anything. It's just fishy. Let me know I'm always open to feedback. All right. Thanks All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you