 I think most of the work I focus on has something to do with people in semi-hostile situations. The goal is always to make images that will incite change. I was about 12 years old. I found my dad's camera and I was fascinated by it. I love the process of loading a camera with actual celluloid, taking it out, developing it and then seeing an image come to life. You know, there's usually so much chaos going on. I don't really have a moment to be still. It requires a lot of stamina and to stay strong and be able to last in those situations. I run to clear my mind. Running is rhythmic. I think it's something about at that same cadence over and over again and I hear my heart pulsing that puts me into a meditative state that allows me to reflect on my work. I run a ton so that I can build stamina and last not so much in the moment, but afterwards when I could reflect, that's when it feels like a piece of art.