 It's a new version here, current is coming cool. Okay, okay. I think that was pretty well, but hold on so the tricky thing is that your tremor Here is happening when this is happening at the same time. It kind of miss it It's like a weird It's a bit too much at once. I mean this this would be Yeah, boom right kind of happens with this you almost have to I would stagger this Subjectively of course what I would do is it's fine all good Guy goes back and the moment this happens. This is already a threat So when this character goes up here, I would already incorporate this so it's a Going back while going hey, hey, don't do this to me and that way it can land And then we have this moment of nothing happening. So maybe around here ish Which means frame 42 That's when I would have the impact and It's almost like not don't do this But just you know like if you have a bigger piece this one may be smaller piece You know, it's almost like you can have a smaller piece resting on this one So it bounces up and you get a little one kind of bouncing so it's really really notice it And then you can have a slight dart down and then look over This might be too much But I think since this is a bigger moment and that's what I'm sure that everybody can see it It could be fun to have You know, like I said a bigger rock and a small rock on the small rock here And then it bounces up which makes this little rock fall Then it's not just a tremor that's everywhere like this is this is an actual event that we we're noticing Because of the little rock and then you could kind of take a quick look half look and they're over And then the other thing is I guess it's okay. I mean the parents coming but to me it's That guy is looking at this guy rare rare and then suddenly There's just there's no reaction to him leaving, but there's also no clean reaction to to looking at the parents to me it feels like Where is the head turn I guess you could argue That's the angle. I'm just drawing so have a bookmark and then Rout looks up. Okay. I guess that's the moment You could argue that this is a different direction see to me It's just not big enough to get subjectively what I feel like we're kind of losing it because I'm looking at this guy and Then we go look up at this I know I kind of miss a very specific look but mostly it's also I mean it's not like this guy's a massive threat to this So the moment he looks away. It's almost like oh, I Not quite not sure what this is but this character is not looking at me I should go for it again not to change animation it should attack but to me. There's something where I Need I need something in this character here Looks over and they could be It could be a broader Look up and look towards us Was that's how you could cheat it technically here. Here's the thing. All right, so you got this goes back Boom stomp looks down. So you might have to delay these couple frames looks over then the dyno To me would look up looking at him kind of how you had it here, right and And then But not as high not as high I will go just a bit like this and then you have a really big look up and an Exaggerated three-quarter look at the parents, you know, three-quarter to camera and It's okay because we don't know where the other character is the character could be really close to camera and then walk Here almost like in a turn and you can always have the dyno look up Three-quarters is really clear as a head turn and then slowly turn to its right to follow to this and Then when it's that close to be honest, I would already take a step or have like a little or something Because that's that's the thing that that bugs me here is that after this here Nothing's happening. Nothing's happening. Nothing happening for so long And not that it needs to be distracting because we want to look at this guy runs away We we understand it's here, but the thing is by the time he goes. Oh crap I gotta get out of here by now. I understand what's going on. Oh, okay, even like by here ish. We get it Oh, this is so much bigger parents. I get it that at this point here instead of looking When are you stepping in? Couple frames later, so to me it would be here ish take a step Hey mama, I'm acknowledging you and then into this again I don't want to destroy too many things you watch. I'd be the tangent. I would either overlap more or Go lower But that's that's currently what I'm what I'm feeling. I'm missing I Missed that beat because it happened at the same time as this I missed I Guess when you see it, it's there, but I I would push this more with a very clear I'm not looking at something else and not him because right now He's a look at me. I could attack just to make that a bit cleaner and then taking kind of the lifelessness Out of this it feels more like this is an actor waiting for its cue and Action all right. I gotta get next to it. I Still love this thought the end. It's great. All of that is great But yeah, that's kind of that's kind of that subjectively as always, but that's what I have All right, there's an email you can sign up you can start whenever you want You can submit whatever beyond you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you