 For the last five years, we've probably had 5,000 artists come out that had a hot song with it. They probably got more money advanced to them on their first record than I've probably seen in two or three records of being in a group that was successful. We signed the LeFace for $20,000. There's four members in Goodie Mart. That was 5,000 a piece. Okay, I got 10,000 a piece. Wow. So at the end of the day, we've never had a publishing deal. Yeah, we on Boss Talk 101. Yeah, we gonna talk. But what I think about when you saying all of that is I think number one, the older generation can learn something from the newer generation and vice versa, meaning like to combine the both, I think would make a really true artist. Because what I think about also because we've been having that big debate, especially with the comedians, because right now, you have old school comedians who just do comedy or acting and so forth, but you have these new comedians that come up now, everything is internet and skids and whatever. And the older comedians like Faze On Love, who's been on our show, he talks about that and saying that they are not coming up the right way of how the hustle, like what we have, what we do. So they don't look at it like you're not really a true comedian, like how we are because we came up the right way and we got the fellowship from the older to the broader scene. Make you last longer, because you built a fan base. If it's gimmicky, it's thin. Yeah, but them niggas got that money though. Yeah, the money. See, that's the whole thing. That's what the older generation has to understand, and me just being in both. The key is, look at it like this. If you can't work and move like the industry, we're going to call you up. That's right. You don't have to wait up. You know what I mean? But if you can get in there and get to moving and you can get in the studio with a little baby or get in the studio with Wayne and do their thing, then they say, oh, OK, OG, you know how to do that thing. Oh, OK, OK, OG. You know what I mean? It's all the kids looking at you. Can you keep up with the pace of the business? Right. Don't be complaining about how you came up. Can you do the same? If you could, OG, if I could see you doing what country Wayne doing, what Kat doing and everybody doing, then you ain't you. You good. You good. Exactly. When you start complaining about what it takes to be in the in the game right now, then, man, you need to go on to the right. You've got to come with some numbers. That's how they feel. You know, we're tired because they look at it like we after the trophies, we after the money. We came in, we were after the trophies. That's right. And it's just a different, a different way. We're talking more important. I mean, you can have the money, but you got no do with the money. It's a barter. OK. For the last five years, we've probably had five thousand artists come out that had a hot song with it. They probably got more money advanced to them on a first record than I probably seen in two or three records of being in a group that was successful. We signed the LeFace for. Twenty thousand dollars. It's four members in Goodie Mart. Our five thousand a piece. Our care got ten thousand a piece. Wow. So at the end of the day, we've never had a publishing deal. So when I look at these kids, it'll be like, well, they signed your life away. You signed the big deal and you signed the publishing boy. You better work because you did. You ain't got nothing to work with money. I always go, you know what I mean? You ain't got nothing to work with. You and gave it all the way on your first run. So if you don't have another hit record, man, don't people sit back and go to the bank? So that's what we have to do as elders is continue to teach to you how to survive and to let them know it's nothing better than a road. It's nothing better than going out there and getting on stage and taking care of yourself. Now, if you want these new, new kind of artists that want people to call and you make money off the internet, that I don't know how long that's going to last. Yeah, we on boss talk one on one. Yeah, we going to.